The idea of Father’s Day was first conceived by Sonora Smart Dodd, a loving daughter from Spokane, Washington. It was also inspired by Mother’s Day as Dodd wanted a day to honor her father as well. William Jackson Smart was a Civil War veteran and single-handedly raised Sonora and her siblings after the death of their mother.
My dad was a Sicilian immigrant who came to the US by boat in 1930 at the age of 15. He arrived with his father and two brothers … one older and the other younger. His mother and sister remained in Sicily for another few years; according to my grandfather, “America is no place for a woman”.
None of them spoke a word of English.
My father was an apprentice shoemaker in Sicily who took up barbering after getting settled in Brooklyn, NY. His good looks and charm endeared him to many people and he was liked by everyone.
It was my dad’s boss at the barbershop who gave him a brilliant piece of advice. As was his habit, my father bought the Italian newspaper every day to read during his down time at work. One day the boss said to him in Italian “Hey, Vito! If you ever hope to speak English, do yourself a favor and start buying the New York Times every day and read it from front to back.” My father realized the importance of that advice and started buying the NY Times the very next day. With the added help of his English-speaking customers, he became fluent in English and lost his accent with no formal schooling. One of the proudest moments in his life was completing the NY Times crossword puzzle … in ink!
Dad became a US citizen and eventually landed a job with the post office. He was a US Army veteran who drove a jeep throughout Europe during WWII without ever having earned a driver’s license. He never did get his license and never drove again after his stint in the army.
My father loved music, especially opera, and I was exposed to classical music and opera at a very early age. The basics in life were Dad’s tenets … family, God, country, his job, providing a roof over our heads, food on the table and a good education. He was also the fun-loving one, with Mom always busy “cleaning up his messes”.
Dad loved people and entertaining in our home. He would often invite people for dinner without clearing it with Mom first. No wonder she was always pissed off! Dad was often in trouble for that and I found that devilish quality one of his most endearing traits. He truly meant no harm. He was a good and decent man who loved and was loved in return. And in the end can any of us want more than that?
Happy Father’s Day to all my guys on WordPress. I hope your day is as special as you are.
Today’s theme at Song Lyric Sunday is all about songsthat were played on the UK shows Top of the Pops or Ready, Steady, Go! Our theme was suggested by Willow of WILLOWDOT21.
Ah, I see the tables have been turned. Isn’t that interesting? Well, as a Yank I know absolutely nothing about either of these English shows in today’s theme but I am taking the high road and not grousing as some of my UK friends did when faced with my theme suggestion of “songs by American Idol contestants”. Just saying. 😎 😉
Before breaking out on her own, Dusty Springfield was a member of The Springfields with her brother Tom. The group had five Top 10 hits in the UK and one in the US (“Silver Threads and Golden Needles”). Dusty’s first single as a solo artist, “I Only Want To Be With You”, written by Mike Hawker and Ivor Raymonde, launched her Hall of Fame career and became the first hit by a British artist since the Beatles started their run.
Released in November 1963, three weeks after the Springfields’ final concert, “I Only Want to Be With You” was a global success, reaching #4 in the UK, #12 in the US, #6 Australia and #21 Canada. In the US, Dusty Springfield was the second artist of the British Invasion, after the Beatles, to have a hit, entering the Billboard chart at #77 in the last week of January 1964 (the Beatles having “She Loves You” at #69 and “I Want To Hold Your Hand” at #3).
Today’s song is about a girl who has finally found the guy of her dreams – or at least she thinks so. It’s very much a teenage crush song in the same vein as many of the girl group songs Springfield loved. When she came to the US and began her solo career, Dusty took more of a pop/R&B direction inspired by groups like the Shirelles and the Crystals.
Dusty Springfield performed this song on the first ever episode of the British TV show Top Of The Pops on January 1, 1964. The Rolling Stones, the Dave Clark Five and the Hollies were on that show as well. Springfield also performed this song twice in 1963 on the first season of the British TV series Ready, Steady, Go! She handled hosting duties on some early episodes of the show and interviewed the Beatles on the program.
Dusty Springfield is also my favorite female pop singer of all time.
Now, let’s watch the video of Dusty Springfield performing on Top Of The Pops. This is “I Only Want To Be With You”.
LYRICS
I don’t know what it is that makes me love you so I only know I never want to let you go ‘Cause you started something, oh, can’t you see? That ever since we met you’ve had a hold on me It happens to be true, I only want to be with you
It doesn’t matter where you go or what you do I want to spend each moment of the day with you Well, look what has happened with just one kiss I never knew that I could be in love like this It’s crazy but it’s true, I only want to be with you
You stopped and smiled at me Asked if I’d care to dance I fell into your open arms And I didn’t stand a chance
Now, listen, honey, I just want to be beside you everywhere As long as we’re together, honey, I don’t care ‘Cause you started something, oh, can’t you see? That ever since we met you’ve had a hold on me No matter what you do, I only want to be with you
Oh, you stopped and you smiled at me Asked if I’d care to dance I fell into your open arms I didn’t stand a chance
Now hear me darling, I just want to be beside you everywhere As long as we’re together, honey, I don’t care ‘Cause you started something, oh, can’t you see? That ever since we met you’ve had a hold on me No matter what you do, I only want to be with you
I said, no matter, no matter what you do I only want to be with you
Written for Jim Adams’ Thursday Inspiration #232 where the theme is “Too Late”. Jim has given us free rein so I have written about a song featuring the ‘too late’ theme.
The first single from the album Valotte, and Julian Lennon’s most successful, was “Too Late For Goodbyes”, released in 1984. While Julian has gone on record to affirm that this song was not about his estranged relationship with his father but rather a failing romance with a woman, one cannot help but wonder. Considering a figure resembling John looms largely in the video, the song could carry more meaning despite Julian’s objections.
John and Cynthia Lennon divorced when Julian was just five years old, and for the next nine years Julian rarely saw his dad. When he was 14, Julian reconnected with John and made occasional visits to his home in New York City.
Julian inherited many of his father’s musical gifts, including a knack for songwriting. He wrote “Too Late For Goodbyes” on his own and released the song when he was just 21. It was a Top 10 hit in both the UK and US and helped him earn a Grammy nomination for Best New Artist, which he lost to Sade.
The album was produced by Phil Ramone who had managed albums by Paul Simon and Billy Joel. Ramone kept the production tasteful and mature considering he was working with a 21-year-old British kid in 1984. This is one of the more synth-heavy tracks on the album, with prominent guitar and bass.
If there’s one thing that bothers me about this video it’s the fact that we see Julian “playing” harmonica (it’s really just his cupped hands) but the legendary harmonica virtuoso Toots Thielemans was the one who actually played the harmonica part. Picky, maybe, but it just doesn’t sit right with me. It would have been nice to see Toots in the corner playing his harmonica; gotta be a reason that didn’t happen. The video, which was directed by movie director Sam Peckinpah, did very well on MTV; Peckinpah also directed Julian’s next video which was for his song “Valotte”.
“Too Late For Goodbyes” was a top-10 hit, reaching #6 in the UK Singles Chart in November 1984, and #5 on the Billboard Hot 100 singles chart in late March 1985. The song peaked at #1 on March 16, 1985 on the US Adult Contemporary chart, spending two weeks in the top slot.
One final note that is so obvious it cannot be ignored: the Beatles’ DNA is incredibly dominant as we can see here in Julian’s video, in performances by Dhani Harrison, Sean Lennon, James McCartney and drummers Zak and Jason Starkey, two of Ringo’s sons. All the Beatle Boys bear a striking resemblance to their famous fathers and have been blessed with their very identifiable voices, artistic songwriting abilities and performing talents …. quite a legacy for a little group from Liverpool.
Handsome Nigel Forsythe taught history at the university where Camilla Saunders was the librarian. His penchant for crime novels brought him to Camilla’s desk every week. She was a mousy thing with dull hair and thin lips but splendid breasts for which Nigel had a hankering.
When he asked her out for coffee, she accepted. Getting to know one another was excruciating but Nigel persevered, no doubt spurred on by the thought of getting into Camilla’s blouse.
On their fourth coffee date, Nigel suggested they do “something different”; Camilla was apprehensive but went along. They drove to a secluded park with meandering pathways and steps that seemingly led to nowhere.
“Aren’t the flowers lovely, Camilla?” Nigel asked and was rewarded with a thunderous sneeze.
“Allergies” Camilla complained.
“Watch the ivy, Camilla. We wouldn’t want you getting your heels caught up in it.”
“Nigel, this looks like poison ivy. I’m allergic and don’t have my EpiPen! Why did you insist on bringing me to this horrible jungle?”
“It’s hardly a jungle, Camilla, and the view from the top is to die for.”
With each step Camilla’s breathing became more labored until she was near collapse.
Camilla turned. Nigel was stunned to see her blouse soaked with sweat and clinging to her heaving breasts. He grabbed her shoulders, planting a hungry kiss on her cadaverous lips.
Camilla broke away, slapped Nigel and ran down the steps to the car. They drove back to the university in stony silence.
Fret, Worry, Useless fears Swirl in our brains Dance of impatience When all we should hope for Is a peaceful mind and heart Every day is its own journey Our destination is preordained Fret, worry, useless fears swirl in our brains
The journey is short No time for useless worry Be still, let in calm
Dectina Refrain: This refrain is written as follows: 1st line – 1 syllable, 2nd line – 2 syllables 3rd line – 3 syllables, and so on for 9 lines; the 10th line is comprised of the first four lines as one stand-alone line.
There was a boy named Danny who sat directly in front of me in 5th grade. He had a perpetual case of ringworm which fascinated and repulsed me at the same time.
His beautiful black hair had been shaved to expose the circular rash on the back of his head. I imagined microscopic critters chasing each other around that stubbly maze.
The theory was that Danny caught the fungus while hunting frogs in the boggy bullrushes; somehow that didn’t make it any less gross.
I never could understand boys and their frog fetishes. Everyone knows that’s where warts come from!
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday, Bobby Freeman June 13, 1940 in Alameda County, California
Written for Six Sentence Story where this week we are challenged to use the word “faint” in a story of exactly six sentences. Here’s mine.
After the boating accident, I returned to New York but didn’t have the heart to stay in the condo where Kevin and I used to live; I drove to my parents’ beach house in Amagansett, leaving the apartment untouched, thinking to return one day when I summoned the courage.
Too many memories and sleepless nights at the beach house brought me no comfort or closure …. an impossibility since Kevin’s body was never recovered …. and I now found myself back in Manhattan staring up at the window of my old condo and seeing ghosts …. ghosts of Kevin.
An overwhelming force drew me closer and I slowly entered the building and climbed the stairs to the apartment we once shared. Approaching the door, I could hear faint music, laughter and the sound of familiar voices; a man and a woman were inside, unaware of my presence as I stood outside the door for what seemed a lifetime …. and in that passage of time I knew beyond a doubt who they were.
Blood pounding in my head, I raised my fist to knock on the door, then stepped back.
Written for Glyn’s Mixed Music Bag week #24 where we are asked to write about a song by a group or solo singer beginning with the letters K or L. Here’s my piece.
While many of you will likely be familiar with the song, I think most of you will be hard-pressed to name the group who performed it.
The Lemon Pipers was a 1960s bubblegum/psychedelic pop band from Oxford, Ohio known chiefly for their song “Green Tambourine“, which reached #1 in the US in 1968.
The band was made up of singer Ivan Browne, guitarist William Bartlett, keyboardist R.G. Nave, drummer William Albaugh and bassist Steve Walmsley. Most of the group’s songs were written by Shelley Pinz and Paul Leka.
Though they produced primarily bubblegum pop, the Lemon Pipers actually wanted to play more psychedelic, drug influenced music. Their recording label did not agree and threatened to fire them unless they played more mainstream, commercially viable pop. Several of the tracks on their Green Tambourine album show strong influences of folk rock, among other things, showing that the band wasn’t completely the pop outfit it appeared to be.
The Lemon Pipers eventually did gain artistic control over their work, but by that time they had all but faded into obscurity.
This very psychedelic song tells the story of a busker who plays for change. Throw some coins in his green tambourine and he’ll play you a tune. Lyricist Shelley Pinz wrote the words after seeing a street musician in front of the Brill Building in Manhattan who used a tambourine to collect money as he performed.
The music to this song was written by Paul Leka whose other claim to fame is “Na Na Hey Hey, Kiss Him Goodbye”. In addition to the titular tambourine, the arrangement features an electric sitar, orchestral strings and a vibraslap …. an unusual percussion instrument similar to a jawbone that produces a rattling sound when struck. Another hook is the heavy, psychedelic tape echo applied to the word “play” in each chorus and at the end, fading into a drumroll (“Listen while I playplay play play play play playmy green tambourine“).
Released toward the end of 1967, “Green Tambourine” spent 13 weeks on the US Billboard Hot 100, peaking at #1 on February 3, 1968, and sold over a million copies. The record remained on the chart for three months. It was also the first US #1 hit for the Buddah label. It was the only substantial hit for the Lemon Pipers.
Do You hear Me tapping On your window Come softly darling Sit right here beside me Kiss my trembling fingertips Take me in your arms and hold me Tell me you will never let me go Do you hear me tapping on your window
A petal soft kiss Fluttering cherry blossoms Love’s gentle breezes
The Dectina Refrain is written as follows: 1st line is 1 syllable, 2nd line is 2 syllables, 3rd line is 3 syllables, and so on for 9 lines; the 10th line is comprised of the first four lines and written as one stand-alone line.
Yesterday was our anniversary, wed 52 years. No partynecessary.
None of our friends who married around the same time are still together. How sad is that?
People have asked “What’s the secret to a long and happy marriage?” For us it’s pretty simple: respect, communication, honesty, having a sense of humor.
When you combine those ingredients, love happens. You can manage the lows and celebrate the peaks, watch the dawns and the sunsets, walk hand-in-hand through the ordinary and make it extraordinary.
Lillian, tonight’s Pub Master, is hosting Quadrille Monday at the dVerse Poets Pub. We’re asked to create a 44-word poem using the word “figment”. Here’s my poem.
Written for Stream of Consciousness Saturday where we are asked to start our piece with a question. Bonus points have been hinted at if we also end our piece with a question. Here is my questionable stream based on a conversation I had with my husband.
“What would you say if I decided to let my hair go natural? You know, go grey?”
“I’d have to ask why you would want to do that. You always take great pride in looking younger than you are. Wouldn’t grey hair make you look older?”
“Well, I’m not sure we can toss a blanket over all women with grey hair and say they look older. There are other factors that come into play. I’ve always had great skin. Won’t I still have great skinif I go grey? How can I just arbitrarily assume I will look older?”
“Ok, I’ll give you that much. You can’t assume you will definitely look older. You’ve told me how much you like the color of your hair. I’m surprised you’re suddenly considering changing it. Where is this coming from?”
“Honestly, I’ve been thinking about it for a while. It would be so much easier not having to color my hair and get highlights every couple of months. Besides, when we were at your sister’s house the other day, I was the only woman who still colors her hair.”
“And you were the best looking one at the table!”
“You have to say that; I’m your wife! Your sister’s grey hair looks gorgeous. I know women who’d kill to have her color.”
“But there’s no guarantee you’ll end up with the same color, is there?”
“Well, no …. I suppose not. But my colorist is so talented, I just know she’d do a great job transitioning my hair.”
“Now I’m confused. If you want to stop coloring your hair, what does your colorist have to do with any of this?”
“My colorist will add some grey to my hair …. like getting highlightsonly they’d be grey instead of blonde. She’d gradually add more until my hair is completely grey, then I can naturally let my grey roots grow out.”
“Seem’s like an awful lot of work to me. Why not just stop coloring your hair and let nature take it’s course?”
“That’s a terrible idea! It’ll take forever and look awful growing out!”
“Well, if you’re convinced this is what you want, I’m not going to stop you.”
“I’m not at all convinced this is what I want; that’s why I asked you in the first place.”
“Ok, then my answer to your question is ‘Don’t go gray. I love your hair color the way it is.”
“Well, I’ll have to give that more thought. What do you think about me cutting my hair?”
Lately I have been pondering some of life’s mysteries.
If I had gone out on that blind date in March of ’68 with Bill’s twin brother Jim instead of Bill [which was the original plan], and married Jim instead of Bill, would I have experienced the same happiness and blessings in my life? Would I have had the long and loving relationship, the feeling of security I enjoy now? Would my spouse still have been my equal partner in every aspect of our marriage? Would I have conceived and given birth to the amazing children I raised who in turn have blessed me with incredible grandchildren? Would we be celebrating our 52nd wedding anniversary?
Or would I be a widow?
Two-and-a-half months ago, before my husband’s brother died, I never thought about such things. Strange how death can make us wonder about life.
scattering stardust unanswerable questions swirling round my brain
But …. let’s get real! Where did the time go and how did she get so big?
Our youngest grandchild, 4-year-old Colette, is not a wee one any longer. Of course, we’ve noticed some of the clothes we keep for her at our house have gotten snug but now she can help herself to anything in the refrigerator, open the latch on the gate leading to the front yard without any assistance and we’ve had to make some adjustments to her car seat. However, nothing brings home how much she’s grown in nine months like these two side-by-side photos.
Back in September on the first day of nursery school, she was a giddy little tyke bubbling with enthusiasm and now she’s a beautiful little girl looking so very mature and confident, pictured on the last day of school on June 5.
Colette’s on a steady course to independence …. dressing and showering by herself (with some careful supervision), using a “grown up” drinking glass instead of one with a lid and straw, calling her parents “Mom & Dad” instead of “Mommy & Daddy”, and a bunch of little changes we see on a regular basis.
Our son drops her off for us to babysit each week on Tuesdays, Thursdays and the occasional Saturday; now that she’s able to do so much on her own, it’s a lot easier for us but sometimes we sure do miss that giggly, squirmy toddler! Time is going far too fast.
She’ll always be our little Kukla, no matter how old she gets; that’s something no amount of time will ever change!
The National Recording Registry is a list of audio recordings selected for preservation by the head of the U.S. Library of Congress in consultation with the National Recording Preservation Board. Every year, 25 recordings that are deemed to be, in the words of the National Recording Preservation Act of 2000, “culturally, historically, or aesthetically significant” are added to the registry. The selections include music, speeches, radio broadcasts, interviews, audiobooks, podcast episodes, and other recorded sounds. To be eligible for inclusion on the registry, a recording must be at least 10 years old.
The instant I saw my featured song listed in the National Recording Registry, I stopped looking. Being one of my top five favorite songs, it was pointless to go any further.
My song choice for today’s theme is “Mack the Knife” by Bobby Darin. The song tells the story of a knife-wielding criminal of the London underworld along with a few prostitutes, some other colorful characters, missing money and cement bags (for the weight, naturally).
Released in 1959 by Bobby Darin, “Mack the Knife” was originally written in 1928 for Die Dreigroschenoper (Threepenny Opera), the German “play with music” composed by Kurt Weill with lyrics by Bertolt Brecht. But the history of “Mack the Knife” begins long before Brecht and Weill wrote the song. Their inspiration goes all the way back to 1728, to a British play called “The Beggar’s Opera” written by John Gay to mock the ruling classes. And Gay had some good precedents for the idea of writing an opera with a violent thief as the protagonist. After all, the Brits had already seen satirical anti-heroes ranging from Shakespeare’s Richard III to John Milton’s fabulously dangerous Satan in “Paradise Lost”.
When Brecht and Weill had great success with their German opera in the 1930s, people said it was an amazing play for the period – the pair of socialists successfully satirized serious enemies (like the Nazis, who banned the play in 1933) and made some sharp political points for their time. But a full 30 years later, Bobby Darin’s version of “Mack the Knife” became the most popular song in the U.S. – a jazzy little serial-killer socialist-opera ditty at the top of the charts.
Bobby Darin’s version of “Mack The Knife” is undoubtedly the most famous hit …. a cool, finger-snapping song about the notorious killer, thief and arsonist, MacHeath (AKA Mack the Knife). Bobby’s recording became a #1 hit in the US and UK and earned him two Grammy Awards – one for Record of the Year and another for Best New Artist. Bobby Darin was inducted into the Rock & Roll Hall of fame in 1990 and also won the Grammy Lifetime Achievement Award in 2010.
“Mack the Knife” is the 14th most popular song in Billboard Hot 100 history and was ranked #255 on Rolling Stone‘s list of the 500 Greatest Songs of All Time. It was inducted into the National Recording Registry in 2015. And it appears prominently on my playlist.
Here is the one and only Bobby Darin with the iconic “Mack The Knife”.
Lyrics
Oh, the shark, babe, has such teeth, dear And it shows them pearly white Just a jackknife has old MacHeath, babe And he keeps it, ah, out of sight You know when that shark bites with his teeth, babe Scarlet billows start to spread Fancy gloves, oh, wears old MacHeath, babe So there’s never, never a trace of red
Now on the sidewalk, huh, huh, whoo sunny morning, un huh Lies a body just oozin’ life, eek And someone’s sneakin’ ’round the corner Could that someone be Mack the Knife?
There’s a tugboat, huh, huh, down by the river don’tcha know Where a cement bag’s just a-drooppin’ on down Oh, that cement is just, it’s there for the weight, dear Five’ll get ya ten, old Macky’s back in town Now did ya hear ’bout Louie Miller? He disappeared, babe After drawin’ out all his hard-earned cash And now MacHeath spends just like a sailor Could it be our boy’s done somethin’ rash?
Now Jenny Diver, ho, ho, yeah, Sukey Tawdry Ooh, Miss Lotte Lenya and old Lucy Brown Oh, the line forms on the right, babe Now that Macky’s back in town
I said Jenny Diver, whoa, Sukey Tawdry Look out to Miss Lotte Lenya and old Lucy Brown Yes, that line forms on the right, babe Now that Macky’s back in town Look out, old Macky’s back
NB: Our friend Macky was a multi-tasking criminal … thief, arsonist, murderer, pimp; Jenny Diver, Lucy Brown and Suky Tawdry were all prostitutes. Lotte Lenya was in reality the wife of the composer, Kurt Weill and her name was attached to a character in an off-Broadway production. Louie Miller represents a would-be client of one of the prostitutes, who is murdered by MacHeath after drawing out money.
This is a clip from the “Threepenny Opera” movie featuring “Mack The Knife” in its original German .… quite a startling contrast to Bobby Darin’s version.
And just for fun, there’s this. I love these guys:
Big thanks to Jim for hosting another great Song Lyric Sunday and offering up a terrific theme this week; it gave me the opportunity to feature one of my greatest musical idols who I have admired and respected for more than 60 years.
Thanks for stopping by. See you on the flip side. 😎
Written for The Unicorn Challenge where we are encouraged to get creative in 250 words or less using the photo prompt as inspiration. This is my 2nd story of Harvey and Fiona. For another look at the 1st installment, click here.
Harvey and Fiona were as different as a gorilla and a swan but they had an undeniable chemistry and started falling in love. No one was more surprised than Fiona .… except her parents.
There was a major obstacle her parents couldn’t overlook – Harvey was Jewish. Fiona’s very Irish-Catholic father hated Harvey, calling him ‘Christ killer’ and ‘kike’. Her mother was crushed. “Jesus, Mary and Joseph! Can’t you see he’s no good for you? I don’t trust him, Fina girl!” she warned, crying into her apron. Fiona would not be dissuaded; with a heavy heart she closed the door of her childhood home behind her and never looked back.
Harvey and Fiona were married in city hall, the judge and his clerk their only guests and witnesses. After a weekend honeymoon in Niagara Falls, the couple settled into Harvey’s tiny apartment – a walk-up on the fifth floor with a depressing view of factories and government buildings.
Harvey worked the graveyard shift as a printer at the local newspaper, seven days a week from midnight till 8:00 AM. His fingernails were perpetually stained with black ink. The first morning he came home from work and saw the newly decorated apartment, he yelled furiously at Fiona for spending his money on unnecessary things. Uncaring, he left ink stains on the new bedspread when he sat down to remove his shoes.
Fiona cried silently in the kitchen. Harvey sidled up behind her, kissed a spot below her ear and she leaned into him.
It’s 8AM at the humane society and all the residents are enjoying their freshly cleaned digs, and that means nice crisp newspapers lining the floor, just in case. Accidents happen, you know!
Today they’re in for a special treat; the papers are opened to the birth announcements page!
All the pups are besotted by the photo of a beautiful baby with big blue eyes. Sure looks like a playful and happy little tyke! They stare longingly at the baby’s photo, wistfully talking among themselves about the greatest thing that could happen to them, the one thing that would change their lonely doggie lives …. to be adopted and to find themselves in a new forever home with a special friend to play with and grow up with …. just like this little guy.
“It sure would be swell, wouldn’t it?” they ask each other, visions of blankets, chew toys and bouncy rubber balls swirling in their heads. “Maybe today will be our lucky day!”
At 9AM the humane society opens its doors to the public and a few families start streaming in. Most of the parents are being tugged by eager kids hoping to find a best friend to share their home and their lives. Everyone is optimistic and excited.
Today is a big day …. maybe it will be their lucky day!
Written for Friday Fictioneers where our gracious host, Rochelle, encourages us to get creative in 100 words or less using this photo as our inspiration. Here is my 100-word photo-inspired story.
Funny thing about dreams and memories; sometimes it’s difficult to tell them apart. Sometimes I just don’t want to.
That summer …. after the breakup …. I needed to be alone …. to think …. to put the hurt behind me. A few days at that motel on the beach seemed like a good idea at the time.
Everywhere I walked …. everything I saw …. reminded me of you. The scent of salt water. Scattered shells and seaweed. That song. Hot summer nights. Stars so close you could touch them.
Memories and dreams of you …. they’re funny that way.
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Levi Stubbs Born June 6, 1936 in Detroit Michigan
Written for Six Sentence Story where Denise encourages us to get creative in just six sentences incorporating the word “engagement”. Here’s my six.
The idea of my parents chaperoning me to the beach that night was mortifying but I figured I had to suck it up if there was a ghost of a chance of having any fun during this vacation in Surf City, so that night my mother, father and I went for a stroll on the beach, me hanging back about ten feet or so hoping the cool bonfire kids would think I was by myself; music was playing and marshmallows were roasting on long sticks …. everyone was tan and blonde and beautiful …. and that’s when I saw him …. he looked just like Edd ‘Kookie’ Byrnes from ’77 Sunset Strip’ and when he glanced up as we walked by and smiled, I fell hopelessly in love.
Thankfully, my parents quietly observed the group without their usual compulsion to make conversation and, satisfied what they saw wasn’t a remake of “Reefer Madness”, sat for a while high on a dune delighting in the reflection of the moon on the water; when it was time to go, the three of us walked back to the beach house …. but not before I had a chance to look over my shoulder and give Edd a little wave; he grinned and waved back (I was in heaven) and I knew I had to go to the next bonfire – alone.
I guess being out in the sun all day must have fried my parent’s brains because, when I nonchalantly asked them the next night if I could walk down to the bonfire by myself for a little while, they actually agreed; all I could think about was seeing Edd again and how relieved I felt that my older sister considered herself “too mature for ateeny-bopper beach party” and didn’t want to tag along.
The group was friendly and waved me over so, as casually as possible, I headed straight for Edd and sat down next to him and someone handed me a cold beer …. my first ever .… which I liked quite a bit; the kids were into Jan and Dean and The Beach Boys …. I was a Beatles girl but I wasn’t going to let that get in the way …. and by the end of the night, Edd and I were holding hands and agreed to meet again the following night.
That was the most blissful week of my young life …. lots of kissing and petting …. professions of love …. an “engagement ring” fashioned from a Bud Lite pull tab …. but we didn’t go beyond 2nd base; in all my 16 years, I’d never been as happy or excited to be with someone as I was with Edd.
At the end of the week we exchanged phone numbers and promised to call each other but that didn’t happened and it’s ok …. I never really thought it would …. I’m content with the memory; one thing I’m sure of is none of my friends will ever be able to say they spent a week making out on the beach with Edd ‘Kookie’ Byrnes.
Melissa is our host for dVerse Prosery Monday. She has asked us to write a prose story of up to 144 words using the quote “I pray to God that she may lie forever with unopened eye” by Edgar Allan Poe. Here is my prose in exactly 144 words.
Not wanting his mother to be alone, and despite his wife Helene’s protests, Frederick moved his mother into their home. He hoped the two women might provide some companionship for each other but they soon began arguing.
Helene could do nothing right in her mother-in-law’s eyes. The old woman went so far as to flaunt Helene’s inability to have a baby, goading her on by calling her wretched, a desiccated vessel, a disappointing failure.
Now the pain and humiliation had taken its toll and Helene began her descent into madness. One day while Frederick was at work, she bludgeoned his mother to a bloody pulp.
Written for Glyn’s Mixed Music Bag Week #23 where the theme is ‘songs by a group or solo singer beginning with the letter K or L’.Here’s my group.
Photo: GAB Archive/Redferns
Wickedly satirical, wryly observant and fiercely independent, the Kinks ran counter even to the counterculture! While other major 60s bands were on drug-fueled psychedelic jam sessions, the Kinks kept their focus close to home. They dissected England with witty, literate lyrics set to pop-rock that gained them a cult following that only grows.
While we could never be called cult-followers, Bill and I are huge Kinks fans and saw them perform in concert more times than any other group. The Kinks have left an unimpeachable legacy of classic songs, many of which formed the building blocks of popular music as we know it today.
Founded in 1964 in Muswell Hill, North London, by brothers Ray and Dave Davies, the Kinks first gained prominence on the heels of the well-received and highly influential single “You Really Got Me”. The group originally consisted of lead singer/guitarist Ray Davies, lead guitarist Dave Davies, bassist Pete Quaife and drummer Mick Avory. Quaife left [twice] in the late 1960s and Avory left in 1984 as the result of a long-running dispute with Dave Davies, leaving only Ray and Dave as the core of the original group.
With Ray’s songwriting skills, Dave’s impressive guitar work and Mick Avory’s tight and steady drumming, the band became one of the best and most significant groups of British pop and the “British Invasion”, lasting longer than any of their peers, apart from the Rolling Stones. Their catalogue of songs has been covered by Van Halen, The Pretenders, The Black Keys, The Stranglers, Queens of the Stone Age and many more.
So, what about all those concerts we went to? Bill helped me with this list as I didn’t think I would have remembered all the dates …. and I didn’t! The 1st time we saw the Kinks was in October, 1969, at our old stomping grounds, the Fillmore East. The 2nd time was June, 1970, at the Capitol Theater in Port Chester, NY; that was a great show which also featured Grand Funk Railroad and Mott The Hoople. In November, 1971, we saw the Kinks at Carnegie Hall and then again at Stony Brook University where they shared the stage with Yes. Our 5th Kinks concert was again at Carnegie Hall in March, 1972, and later that year we saw them two more times …. once with the Beach Boys at the Nassau Coliseum (fun!) and again at the Felt Forum of Madison Square Garden. The 8th time seeing the Kinks was with Argent in March of ’73 at St. John’s University. In 1974 we saw them for the 9th time, again at the Felt Forum. Our 10th and final Kinks concert took place at Hofstra University in May, 1977. I was pregnant with our first child and we decided it was time to settle down and act responsibly. That’s 10 performances in 8 years; not bad!
As you can imagine, it’s very difficult to choose one Kinks’ song as my all-time favorite …. so I won’t. Here are three songs I really like a lot so turn up the volume and settle in.
#1 – Ray Davies claimed that he was inspired to write “Lola” after Kinks manager Robert Wace spent a night in Paris dancing with a cross-dresser. The lyrics to this one are so deliciously clever and can be interpreted a couple of different ways. “Lola” reached #1 on the UK Singles Chart and #9 on the Billboard Hot 100. The track has since become one of the Kinks’ most popular songs and was ranked #386 on Rolling Stones’ 2021 edition of “The 500 Greatest Songs Of All Time”. This is ”Lola”:
#2 – There’s not a single thing wrong with this beautiful and melancholy tribute to the stars of Hollywood’s Silver Screen. Record World called “Celluloid Heroes” one of Ray Davies’ finest compositions, however it failed to chart. That doesn’t matter one bit to me; it still is a fabulous song! This is “Celluloid Heroes”:
#3 – Released in August, 1964, “You Really Got Me” went to #1 on the UK singles chart and later in the year to #7 on the US charts. The track is taken from the Kinks’ self-titled album The Kinks. This is “You Really Got Me”:
Gold petals amid the lace of purple lavender whimsy dabble the lush spring grass while the sun’s resplendent rays herald the start of summer days as birds and bees and bugs gently laze Gold petals amid the lace of purple as birds and bees and bugs gently laze herald the start of summer days while the sun’s resplendent rays dabble the lush spring grass lavender whimsy lace of purple amid the petals gold
A Reverse Dectina Refrain is written as follows: 1st line is 1 syllable, 2nd line is 2 syllables, 3rd line is 3 syllables, and so on for 9 lines; the 10th line is comprised of the first four lines as one stand-alone thought. Repeat in reverse starting with line 9. Rhyming is optional.
My husband is as easy going as can be, so when he makes a request, I try my best to oblige. Last night he asked for Sunday pasta with meatballs. How could I refuse?
Homemade pasta with all the trimmings is something I can do with my eyes closed but when I first started out in the kitchen as a new bride, I had no idea what I was doing. Sure, I had watched my mother cook for years but it’s a whole different ballgame when you’re on your own.
I’ll never forget the first time I tried to make Sunday pasta. Reading my mother’s recipe was no help. This is exactly what she wrote:
For your pasta dough mix flour and eggs, water when you need, pinch salt, oil maybe.
That’s it. No measurements, no amounts, nothing definitive. Her meatball recipe was no better:
Chopped meat, eggs, some salt & pepper, handful parmigiano, another handful breadcrumbs, dice onion, parsley, oregano, glass of water.
A GLASS OF WATER! Which glass? What size? At this point my eyes were frantically scanning the kitchen for a glass! I didn’t know if I should laugh or cry. I’m sure my mother never referred to a recipe in her life so she had no idea how to write one!
Just then it hit me and I had a vision of my mother in her kitchen. She always used a Flintstone’s Jelly Jar as her water glass when cooking; she said it was the perfect size. All I had to do was find an equivalent measure and I’d be good.
I eventually mastered the art of Sunday pasta with meatballs but I sure do wish I had my mom’s jelly jar .… for old times’ sake, you know?
