Written for SenHai Saturday where our host
Susi asks us to write a senryu and haiku
using this image as inspiration.
Senryu
the moon hogs the view
earth waits its turn in the back
typical little sibling
⌘ ⌘ ⌘
Haiku
airless, silent curve ….
one fragile blue eye watching
from the dark above
NAR©2026
This is “2001: A Space Odyssey docking station sequence – Blue Danube”
Everything on The Elephant’s Trunk was created by me unless indicated otherwise, and may not be used without permission. Thank you for your consideration. NAR©2017–present.
The Elephant's Trunk 
Beautiful Sis 💜🙂
LikeLike
Beautiful 💜💜💜
LikeLike
Love both the poems sis.
LikeLiked by 1 person
Grazie cara sorella 🥰
LikeLiked by 1 person
You’re welcome dear sister
LikeLiked by 1 person
Lovely music/video and a lovely SenHai my friend
LikeLiked by 1 person
Thank you, dear Ivor. I couldn’t resist the sumptuous sounds of Strauss! 💙🎶
LikeLiked by 1 person
🥰🌏🎶
LikeLiked by 1 person
What beautiful micro poetry Nance -I think your best especially your senryű 👏 and great track from brilliant film 🙌
LikeLiked by 1 person
Thanks very much, Ange. Classical pieces such as this will always be epic. 🎶💙
LikeLiked by 1 person
❤️
LikeLike
I love ’em both, but as the younger sibling, related to the senhai, especially. That’s me, watching older brothers have all the adventures!
LikeLiked by 1 person
I year ya, Liz. It’s not easy being the youngest …. and I only have one sister!
LikeLiked by 1 person
senhailicious
LikeLiked by 1 person
Thanks very much, Ron.
LikeLike
Delightful, Nancy, especially your Senryu.
Thanks for featuring one of my favourite pieces of music. It’s what inspired me to take a trip down the Danube a few years ago – but not into space!.
LikeLiked by 1 person
This music touches my soul also, and I second your feelings about not traveling into space! Thanks much, dear Keith.
LikeLike
2001: A Space Odyssey was so confusing to watch because Stanley Kubrick intentionally rejected traditional, character-driven storytelling in favor of a visual and emotional experience.
LikeLiked by 1 person
Thanks, Jim. I never really thought about that. I loved watching 2001; I remember when we saw the movie in 1968, we sat very close to the front of the theater. It was incredible, the images and music awesome, almost overwhelming, like a religious experience. It was quite a memorable which I still remember vividly almost 60 years later.
LikeLiked by 1 person
That is odd, because it baffled most audiences and polarized critics with its extremely slow pacing, sparse dialogue, lack of traditional exposition, and an abstract, psychedelic ending that left viewers questioning its meaning.
LikeLiked by 1 person
Guess I’m just an oddball!
LikeLiked by 1 person