Music Blog

AND THAT’S A WRAP!

Today at Song Lyric Sunday, Jim is asking us to choose a song that was recorded in one take. Ok, let’s do it!

In my mind, I can’t imagine anyone not being a Beatles fan …. not to the exclusion of all other bands, mind you …. just an ordinary fan. With that thought in mind, I’m sure you’re all eager to know that the Beatles recorded not one but four songs in one take. The amazing thing about that is the lead singer for each of the four songs was a different Beatle!

Let’s see which four songs were recorded in just one take and who sang which song:

On February 11, 1963, Ringo took lead vocals for the first time on Boys”, a hit song for the Shirelles written in 1960 by Luther Dixon and Wes Farrell. As usual, Ringo also played the drums. On that day the Beatles recorded ten songs for the first album “Please Please Me”, which was released on March 22, 1963.

Next up is Paul. On March 1, 1964, he did his greatest Little Richard impression on “Long Tall Sally” with George Martin joining in on piano. The song was written by session musician Henry Strzelecki and originally released in 1959. The Beatles version was released on June 1, 1964 on a 4-song EP that included “Matchbox’, “I Call Your Name” and “Slow Down”.

On October 18, 1964, George sang lead on a cover of the Carl Perkins song “Everybody’s Trying To Be My Baby, originally written way back in 1936 by Rex Griffin. The take was so well done, there was no need for another. That was a very productive recording session, with the Beatles completing three songs in just five takes!

The last of the songs is one by John singing “Rock and Roll Music”, which Chuck Berry wrote and recorded in 1957. George Martin once again joined in on the piano (as he often did); it was such a clean and crisp recording, only one take was needed.

Nothing new here for the Beatles; they had performed all these songs in their Hamburg days so the group was used to playing them. Yes, you’re right if you’re saying “But, Nancy … Ringo wasn’t in Hamburg – Pete Best was the Beatles drummer back then“. And I would reply that Ringo had sung “Boys” with his previous band so it was only natural that he be given the lead for that song again with the Beatles. These songs were also Rock & Roll or Rockabilly covers – a genre the Beatles loved to listen to and play, which they did with extreme ease.

Many people mistakenly believe that the Beatles routinely recorded songs in one take when in reality it happened only four times in their entire career. Let’s listen to my favorite of the four “one take” songs …. John’s version of “Rock and Roll Music” from “Beatles For Sale”.

Rock And Roll Music (Remastered 2009)
The Beatles
Beatles For Sale

Written by: ChuckBerry
Recorded: October 18, 1964
Producer: George Martin
Engineer: Norman Smith
Released: December 4, 1964 (UK), December 15, 1961 (US)
Available on:
Beatles For Sale
Anthology 2
Live At The BBC

Personnel
John Lennon: vocals, rhythm guitar, piano
Paul McCartney: bass guitar, piano
George Harrison: acoustic guitar
Ringo Starr: drums
George Martin: piano

Thanks to Jim for another great prompt in Song Lyric Sunday. I’m looking forward to seeing what other great songs were recorded in just one take.

NAR © 2023

Music Blog

IT’S TIME TO GO TO CHURCH

Today in Song Lyric Sunday
Jim is challenging us to write about
a killer album closer. Here’s my response:

Say “hello” to my little friend.
This is Eddie, the official mascot for Iron Maiden.
Eddie is a perennial fixture of the group’s artwork,
appearing on all their album covers and merchandise,
which includes T-shirts, posters and action figures.
Eddie, AKA Eddie the Head, made his debut February 8, 1980.


There are metal singers and then there are METAL SINGERS.
Bruce Dickinson, without a single solitary doubt in my mind,
falls into the latter category.
He is among the best of the best!

“Hallowed Be Thy Name,” the end track from the epic “The Number of The Beast” album, is not only one of Iron Maiden’s best songs, it’s one of the greatest metal tracks of all-time, period. The epic 7+ minute track instantly became a mainstay at live shows and has been covered by numerous artists, including Dream Theater and Machine Head.

Allmusic describes it as “perhaps the most celebrated of the band’s extended epics; it’s the tale of a prisoner about to be hanged, featuring some of Harris’ most philosophical lyrics.” Several band-members have since stated that it is one of their favorite tracks, with Bruce Dickinson describing it as “fantastic” and that performing it live is like “narrating a movie to the audience.”

On the evening of October 2, 1982, my mister and I hired a babysitter for our boys and drove into Manhattan for one of our final rock concerts. It had been a while. Now that we had kids, who knew when we would be able to have this experience again. We were all grown up with a different set of priorities but this was one event we could not miss. Performing that night at Madison Square Garden were two British groups Bill and I didn’t have a chance to see B.K. (Before Kids).

The concert tour was called “Beast On the Road” and the two groups were Judas Priest and Iron Maiden. It was incredible and the closing song sounded a lot like this:

Hallowed Be Thy Name” by Iron Maiden

Lyrics

I’m waiting in my cold cell when the bell begins to chime
Reflecting on my past life and it doesn’t have much time
‘Cause at 5 o’clock, they take me to the Gallows Pole
The sands of time for me are running low
Running low, yeah!

When the priest comes to read me the last rites
Take a look through the bars at the last sights
Of a world that has gone very wrong for me

Can it be that there’s some sort of error?
Hard to stop the surmounting terror
Is it really the end, not some crazy dream?

Somebody, please tell me that I’m dreaming
It’s not easy to stop from screaming
The words escape me when I try to speak
Tears flow, but why am I crying?
After all, I’m not afraid of dying
Don’t I believe that there never is an end?

As the guards march me out to the courtyard
Somebody cries from a cell, “God be with you”
If there’s a God, why has he let me go?

As I walk, my life drifts before me
Though the end is near I’m not sorry
Catch my soul, it’s willing to fly away

Mark my words, believe my soul lives on
Don’t worry now that I have gone
I’ve gone beyond to seek the truth

When you know that your time is close at hand
Maybe then you’ll begin to understand
Life down here is just a strange illusion

Yeah-yeah-yeah, hallowed be thy name
Yeah-yeah-yeah, hallowed by thy name

Yeah

Source: LyricFind
Songwriters: Stephen Percy Harris
Hallowed Be Thy Name lyrics © BMG Rights Management, Capitol CMG Publishing, Integrity Music, Universal Music Publishing Group

“Hallowed Be Thy Name”
Song by Iron Maiden
from the album The Number of the Beast
Released22 March 1982
RecordedJanuary–February 1982
StudioBattery, London
GenreHeavy Metal
Length7:08
LabelEMI
Songwriter(s)Steve Harris
Producer(s)Martin Birch

Thanks to Jim for another great prompt in Song Lyric Sunday!

NAR © 2023

Music Blog

BEFORE HIS COUNTRY DIES

Ravi Shankar/George Harrison

This week the theme at Song Lyric Sunday is to find a song by an artist or group that won a Grammy.

Where do I begin? Where my heart takes me!

If you know me, chances are very good you know I’m a Beatles lover from Day 1. If you know me really well, there’s no question which of the Fab Four is closest to my heart.

Perhaps it’s because we’re both Pisces. Maybe it’s because I always root for the underdog. Maybe it’s because he was an immensely humble man never allowing money or success to be the end all in his life. He was accepting, gracious, genuine …. a man of great faith who possessed an enormous talent.

He was, of course, George Harrison.

George has an amazing catalog of songs; in my mind one of the best things he ever did was the “Concert for Bangla Desh” which won a Grammy in 1973 for Album of the Year. I will not bore you with statistics; here’s a link to Wiki where you can find out everything you ever wanted to know:

https://en.wikipedia.org/wiki/The_Concert_for_Bangladesh_(album)

Today we’re just going to sit back and enjoy the legendary eponymous song from that phenomenal concert. Here is “Bangla Desh”:

Please follow me this week as I feature a different George song every day as a tribute to and in memory of the great George Harrison.

On Wednesday, November 29, we will mark the 22nd anniversary of his passing. That was a day that truly broke my heart. Thank the gods his music will never die.

As I like to say, “There’s not a single thing wrong with a George Harrisong!”

Thanks, Jim, for another great prompt!

NAR © 2023

Lyrics

My friend came to me, with sadness in his eyes
He told me that he wanted help
Before his country dies
Although I couldn’t feel the pain, I knew I had to try
Now I’m asking all of you
To help us save some lives
Bangla Desh, Bangla Desh
Where so many people are dying fast
And it sure looks like a mess
I’ve never seen such distress
Now won’t you lend your hand and understand
Relieve the people of Bangla Desh
Bangla Desh, Bangla Desh
Such a great disaster – I don’t understand
But it sure looks like a mess
I’ve never known such distress
Now please don’t turn away, I want to hear you say
Relieve the people of Bangla Desh
Relieve Bangla Desh
Bangla Desh, Bangla Desh
Now it may seem so far from where we all are
It’s something we can’t neglect
It’s something I can’t neglect
Now won’t you give some bread to get the starving fed
We’ve got to relieve Bangla Desh
Relieve the people of Bangla Desh
We’ve got to relieve Bangla Desh
Relieve the people of Bangla Desh

Words and music by George Harrison

“BanglaDesh”
Single by George Harrison
B-sideDeep Blue
Released28 July 1971
RecordedJuly 1971
Record Plant West, Los Angeles
GenreRockgospel
Length3:57
LabelApple
Songwriter(s)George Harrison
Producer(s)George Harrison, Phil Spector
George Harrison singles chronology
What Is Life
(1971) “BanglaDesh
(1971) “Give Me Love (Give Me Peace on Earth)
(1973)

The Concert for Bangladesh
Live album by George Harrison & Friends
Released20 December 1971
Recorded1 August 1971
VenueMadison Square Garden, New York
GenreRock[1]Hindustani classicalfolkgospel
Length99:32
LabelApple
ProducerGeorge HarrisonPhil Spector
George Harrison chronology
All Things Must Pass
(1970)The Concert for Bangladesh
(1971)Living in the Material World
(1973)
Music Blog

UNPLUGGED IN L.A.

Jim over at Song Lyric Sunday is asking us to get unplugged today by writing about an acoustic rock song.

Of course, my immediate reaction was to go right to the source, the premier #1 acoustic song, the most covered song in the history of songs …. “Yesterday” by the Beatles …. but I changed my mind. Too predictable; anyone who knows me would expect me to go there. So I went with another member of British royalty and selected one of the greatest acoustic songs I’ve ever had the privilege of hearing live.

Led Zeppelin could do it all, including ballads, and the finest has to be “Going to California” from their unchallenged masterpiece, 1971’s Led Zeppelin IV.

This folk-leaning rock song features only Robert Plant on vocals, acoustic guitar by Jimmy Page and the mesmerizing ring of the mandolin by the group’s bassist and multi-instrumental wizard, John Paul Jones.

The track came about after Jimmy Page and some crew members experienced a small earthquake while in Los Angeles. Folk legend Joni Mitchell supplied the “aha moment” for this song by inspiring the line: “She plays guitar and cries and sings”. When playing it live, Robert Plant would sometimes sing ‘Joni’ after this portion of lyrics. Well, he did the night I heard it.

Thanks to Jim for this fantastic prompt today.

NAR © 2023

This is Led Zeppelin and “Going To California”

Lyrics

Spent my days with a woman unkind
Smoked my stuff and drank all my wine
Made up my mind to make a new start
Going to California with an aching in my heart
Someone told me there’s a girl out there
With love in her eyes and flowers in her hair

Took my chances on a big jet plane
Never let ’em tell ya that they’re all the same
Oh, the sea was red and the sky was grey
I wonder how tomorrow could ever follow today
The mountains and the canyons start to tremble and shake
The children of the sun begin to awake (watch out)

It seems that the wrath of the gods got a punch on the nose
And it’s startin’ to flow, I think I might be sinkin’
Throw me a line, if I reach it in time
I’ll meet you up there where the path runs straight and high

To find a queen without a king
They say she plays guitar and cries and sings, la-la-la
Ride a white mare in the footsteps of dawn
Tryin’ to find a woman who’s never, never, never been born
Standin’ on a hill in the mountain of dreams
Tellin’ myself it’s not as hard, hard, hard as it seems

Source: Musixmatch
Songwriters: Jimmy Page / Robert Anthony Plant
Going to California lyrics © Succubus Music Ltd., Sons Of Einion Publishing, Flames Of Albion Music, Inc.

“Going to California”
Song by Led Zeppelin
from the album Led Zeppelin IV
Released8 November 1971
Recorded1971
StudioHeadley Grange, Hampshire, England
GenreFolk Art rock
Length3:32
LabelAtlantic
Songwriter(s)Jimmy Page, Robert Plant
Producer(s)Jimmy Page
Music Blog

ABOUT THAT BRIDGE

Continue reading “ABOUT THAT BRIDGE”

Music Blog

UNDERRATED? GO FISH!

 Jim at Song Lyric Sunday has presented us with this challenge:
“Find a song that you feel is an underrated deep album cut.”
OK, friends. Here we go! 

“Nantucket Sleighride” is the second studio album by the American hard rock band Mountain, released in January 1971.

The title track “Nantucket Sleighride” (To Owen Coffin) and album title is a reference to the experience of being towed along in a boat by a harpooned whale.

Poor Owen, to whom the song is dedicated, was a young seaman on the Nantucket whaler Essex, which was rammed and sunk by a sperm whale in 1820. In the aftermath of the wreck, Coffin was shot and eaten by his shipmates. The story of the Essex was recorded by its First Mate Owen Chase, one of eight survivors, in his 1821 “Narrative of the Most Extraordinary and Distressing Shipwreck of the Whale-Ship Essex”.

On the list of 100 Most Underrated Rock Songs, “Nantucket Sleighride” stands in the whopping #10 slot. What?? Are you kidding me? The 10th most underrated rock song of all time. What are these list-compilers smoking?

I don’t have the answer to that and I can’t even hazard a guess. “Nantucket Sleighride” is one of Mountain’s  (and Leslie West’s) greatest achievements. It is a stone classic of 1970s heavy metal and a guitarist’s dream. This title track from the album is easily Mountain’s greatest individual song. The band took its inspiration from Cream and turned it into some of the finest guitar driven hard rock ever put on record. If anyone doesn’t agree that Leslie West is a great guitarist and this song is epic, then I suggest they just listen.

#10 FFS!

NAR © 2023

This is Mountain and “Nantucket Sleighride” (To Owen Coffin)

Lyrics
Goodbye, little Robin-Marie
Don’t try following me
Don’t cry, little Robin-Marie
‘Cause you know I’m coming home soon

My ships’ leaving on a three-year tour
The next tide will take us from shore
Windlaced, gather in sail and spray
On a search for the mighty sperm whale

Fly your willow branches
Wrap your body round my soul
Lay down your reeds and drums on my soft sheets
There are years behind us reaching
To the place where hearts are beating
And I know you’re the last true love I’ll ever meet

Starbuck’s sharpening his harpoon
The black man’s playing his tune
An old salt’s sleeping his watch away
He’ll be drunk again before noon

Three years sailing on bended knee
We found no whales in the sea
Don’t cry, little Robin-Marie
‘Cause we’ll be in sight of land soon

Source: LyricFind
Songwriters: Felix Pappalardi / Gail Collins
Nantucket Sleighride (To Owen Coffin) lyrics © Universal Music Publishing Group

  • Leslie West – guitar, vocals
  • Felix Pappalardi – bass, vocals, production
  • Steve Knight – keyboards
  • Corky Laing – drums, percussion
Nantucket Sleighride
Studio Album by  Mountain
ReleasedJanuary 1971
Recordedlate 1970
StudioThe Record Plant, New York City, NY
GenreHard rock
Length35:12
LabelWindfall (US)
Island (UK)
ProducerFelix Pappalardi
Mountain chronology
Climbing! (1970)
Nantucket Sleighride (1971)
Flowers of Evil (1971)
Music Blog

DESTINATION UNKNOWN

Our friend Jim Adams over at Song Lyric Sunday” has given us a new challenge. This week the theme is to find a song by an artist or group that has a color in their name.

My choice is a song I found visually interesting and musically appealing right off the bat. It’s unusual (in a good way) and bold and still delivers a great song with an intriguing spy story video attached.

My song of choice today is “Twilight Zone” by Golden Earring.

The Dutch band Golden Earring had a hit in 1982 with their song “Twilight Zone”. It was written by the band’s guitarist George Kooymans who drew inspiration from the book, “The Bourne Identity”. The song spent 27 weeks on the US Pop charts and was the group’s sole Top 10 Pop single on the US Billboard Hot 100. It hit No. 1 on the Billboard Top Album Tracks chart, the band’s only No. 1 hit single in the US. Lead vocals are divided between Kooymans and Golden Earring frontman, Barry Hay

The music video was one of the first to feature a cinematic storyline and dance choreography and was a hit on the fledgling MTV network. Golden Earring followed their success on MTV with an extensive tour of the US, Canada and Europe. MTV commissioned the band to shoot a movie of the final “homecoming” concert of the tour in the Netherlands. The concert was released in 1984 as “Live from The Twilight Zone” along with an album of the concert titled “Something Heavy Going Down: Live From the Twilight Zone”. It aired on MTV and was published as a video on VHS, Beta and Laserdisc.

Golden Earring’s ”Cut” album cover image of the Jack of diamonds playing card being shredded by a bullet is used in the video and represents the life of a rogue secret agent.

Thanks for another great challenge today, Jim! Always fun!

NAR © 2023

Now here’s the video of Golden Earring’s “Twilight Zone”.

LYRICS

Somewhere in a lonely hotel room there’s a guy
Starting to realize that eternal fate has turned its back on him
It’s two A.M.

It’s two A.M. (It’s two A.M.)
Fear is gone (fear is gone)
I’m sitting here waiting
The Gun still warm (the gun still warm)
Maybe my connection is tired of taking chances

Yeah, there’s a storm on the loose
Sirens in my head
Wrapped up in silence, all circuits are dead
Cannot decode, my whole life spins into a frenzy

Help, I’m steppin’ into the twilight zone
Place is a madhouse, feels like being cold
My beacon’s been moved under moon and star
Where am I to go now that I’ve gone too far? (Oh oh oh)

Help, I’m steppin’ into the twilight zone
Place is a madhouse, feels like being alone
My beacon’s been moved under moon and star
Where am I to go now that I’ve gone too far?

So you will come to know
When the bullet hits the bone
So you will come to know
When the bullet hits the bone

I’m fallin’ down a spiral, destination unknown
Double crossed messenger, all alone
Can’t get no connection, can’t get through
Where are you?

Well the night weighs heavy on his guilty mind
This far from the borderline
When the hitman comes
He knows damn well he has been cheated

And he says
Help, I’m steppin’ into the twilight zone
Place is a madhouse, feels like being cold
My beacon’s been moved under moon and star
Where am I to go now that I’ve gone too far? (Oh oh oh)

Help, I’m steppin’ into the twilight zone
Place is a madhouse, feels like being alone
My beacon’s been moved under moon and star
Where am I to go now that I’ve gone too far?

So you will come to know
When the bullet hits the bone
So you will come to know
When the bullet hits the bone
When the bullet hits the bone

Help, I’m steppin’ into the twilight zone
Place is a madhouse, feels like being cold
My beacon’s been moved under moon and star
Where am I to go now that I’ve gone too far? (Oh oh oh)

Help, I’m steppin’ into the twilight zone
Place is a madhouse, feels like being alone
My beacon’s been moved under moon and star
Where am I to go now that I’ve gone too far?

So you will come to know
When the bullet hits the bone
So you will come to know
When the bullet hits the bone
So you will come to know
When the bullet hits the bone
So you will come to know
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone

Source: LyricFind
Songwriters: George Kooymans
Twilight Zone lyrics © Sony/ATV Music Publishing LLC

Twilight Zone”
Single by Golden Earring
from the album Cut
B-side“King Dark”
Released23 August 1982 (NL) 
Recorded1982
GenreRock, new wave
Length7:58 (album version)
4:47 (single version)
Label21/Polygram
Songwriter(s)George Kooymans
Producer(s)Schell Schellekens
Uncategorized

READY FOR A CHANGE

For this week’s Song Lyric Sunday, Jim Adams is asking us to think about songs dealing with “changes”. Well, how can I pass up an opportunity like that? Today I am going with a song from a group usually not associated with ballads. My featured artist is Black Sabbath and my song choice is an obvious one: “Changes”.

Sabbath was formed in Birmingham, England in 1968 by guitarist Toni Iommi, drummer Bill Ward, bassist Geezer Butler and vocalist Ozzy Osborne. Like so many young guys from that time period, they were looking to escape a life of factory work through music. They got their start in such bands as the psychedelic Rare Breed and Mythology. Influenced by the reigning British rock and blues bands of Led Zeppelin, Cream and John Mayall’s Bluesbreakers, our four enterprising guys formed Earth Blues Company (shortened to Earth) in 1968. Then, as Black Sabbath, the group helped define the heavy metal music genre early in its career with the release of albums such as the eponymous Black Sabbath (1970), Paranoid (1971) and Master of Reality (1971).

Black Sabbath has sold over 75 million records worldwide, making the group one of the most commercially successful metal bands. They were ranked by MTV as the “Greatest Metal Band of All Time” and placed 2nd on VH1’s list of “100 Greatest Artists of Hard Rock”. Black Sabbathwas inducted into the UK Music Hall of Fame in 2005 and the Rock & Roll Hall of Fame in 2006. In 2019 the band was presented a Grammy Lifetime Achievement Award.

As I mentioned earlier, these four guys suffered the same plight as many young men …. give up your youth and life to working day after day in the factories, the mines or on the docks doing back-breaking manual labor and earning barely enough to exist or find an escape through music. This is true for so many guys who formed bands back then. And success did not come overnight. They earned it all. This is just one of the many reasons I love heavy metal music and why I get annoyed at people who dismiss it out of hand as nothing but noise.

But I digress…..

“Changes” is a piano ballad mainly inspired by drummer Bill Ward’s ongoing breakup with his first wife. As explained in Ozzy Osbourne’s autobiography, while in the studio and experimenting with the piano, guitarist Tony Iommi composed the song’s sentimental melody. This was later accompanied by bassist Geezer Butler’s lyrics. The song was not recorded with a real string ensemble. Instead, Geezer Butler and Tony Iommi used a Mellotron to create the sound of an orchestra. The ballad also does not feature guitar or drums. Quite different from Sabbath’s previous work, “Changes” has been described as ‘heartbreaking’ and ‘forlornly pretty’.

From Black Sabbath’s 1972 album, “Vol 4”, this is “Changes”:

Lyrics

I feel unhappy, I feel so sad
I’ve lost the best friend that I ever had
She was my woman, I loved her so
But it’s too late now, I’ve let her go

I’m going through changes
I’m going through changes

We shared the years, we shared each day
In love together, we found the way
But soon the world had its evil way
My heart was blinded, love went astray

I’m going through changes
I’m going through changes

It took so long to realise
And I can still hear her last goodbyes
Now all my days are filled with tears
Wish I could go back and change these years

I’m going through changes
I’m going through changes

Source: Musixmatch
Songwriters: Tony Iommi / John Osbourne / Terence Butler / W.t. Ward
Changes lyrics © Metal Skull Music, Onward Music Ltd

“Changes”
                                Song by Black Sabbath
from the album Vol. 4
Released25 September 1972
Recorded1972
GenreSoft rock
Length4:43
LabelWarner Bros.
Songwriter(s)Ozzy Osbourne Tony Iommi Geezer Butler Bill Ward
Producer(s)Patrick Meehan Black Sabbath

Three decades later in 2003, Ozzy Osbourne re-recorded “Changes” as a duet with his daughter, Kelly. The lyrics for this version were revised to reflect their relationship and moments of their life together focusing on the changing relationship of a father and daughter drifting apart. This rendition reached No. 1 in the UK singles chart.

Here are Ozzy and Kelly Osbourne performing “Changes”:

Lyrics

[Verse 1: Kelly Osbourne & Ozzy Osbourne]
I feel unhappy, I am so sad
I’ve lost the best friend that I ever had
She is my baby, I love her so
But it’s too late, now, I’ve let her go


[Chorus: Ozzy Osbourne with Kelly Osbourne]
We’re going through changes
We’re going through changes

[Verse 2: Kelly Osbourne & Ozzy Osbourne]
We shared the years, we shared each day
I love you, daddy, but I’ve found my way
You know, the world is an evil place
My baby’s grown, now, she found her way


[Chorus: Ozzy Osbourne with Kelly Osbourne]
We’re going through changes
We’re going through changes

[Verse 3: Kelly Osbourne & Ozzy Osbourne]
It took so long to realize
And I can still hear his last goodbye
Now, all my days are filled with fears
Wish I could go back and change the years

“Changes”
Single by Ozzy and Kelly Osbourne
from the album Shut Up
Released8 December 2003
Length4:07
LabelSanctuary
Songwriter(s)Ozzy Osbourne Tony Iommi Geezer Butler Bill Ward
Producer(s)Mark Hudson
Ozzy Osbourne singles chronology
“Stillborn”
(2003) “Changes
(2003) “In My Life”
(2005)
Kelly Osbourne singles chronology
“Shut Up”
(2003) “Changes
(2003) “One Word”
(2005)

NAR © 2023

Music Blog

DOING IT CHICAGO STYLE

For Jim’s Song Lyric Sunday, I’m celebrating the phenomenal voice and life of the legendary Etta James, whose heartfelt tunes and soulful pipes captured an enduring spot in American music history.

James was born Jamesetta Hawkins on January 25, 1938, in Los Angeles, CA. She grew from a gospel prodigy into a versatile singer of jazz, R&B, soul, blues and rock ‘n’ roll. 

James’ greatest success came after she signed with Chicago-based Chess Records in 1960. During her time with the company, which inspired the movie “Cadillac Records”, she produced pivotal works including “A Sunday Kind of Love,” “Trust in Me,”At Last,” and “I’d Rather Go Blind” which I am showcasing today. These great songs are all part of her hits album, “The Chess Box” as well as highlighted in “The Essential Etta James”. 

“I’d Rather Go Blind”  written by Ellington Jordan and co-credited to Billy Foster and Etta James, is one of those blues songs you hear once and never forget. It was first recorded and released in 1967 by Etta James and has subsequently become regarded as a soul and blues classic.

“I’d Rather Go Blind” was written while Ellington Jordan, AKA “Fugi”, was in prison. Fugi poured his grief from being incarcerated into the song and in 2006 told an interviewer “I got tired of losing and being down. I was in prison and didn’t know when I was going to get out. I sat in a piano room and began to write”. For Etta James, the song was about being blind in her “love life” and her “personal ways”, she wrote in her autobiography “A Rage to Survive: The Etta James Story”.

Over the years, “I’d Rather Go Blind” has been covered by Rod Stewart, Christine McVie and Beyonce, among others. In her autobiography, Etta James wrote “Funny, but that’s a tune that’s deepened along with my life, its meaning growing more mysterious. Me and the song have grown old together.”

For many listeners, the two and half minutes of “I’d Rather Go Blind” convey so much of the emotion James must have been feeling. When Leonard Chess of Chess Records heard the song for the first time, he had to leave the room, crying.

This is the one and only Etta James and “I’d Rather Go Blind”.

NAR © 2023

Lyrics

Something told me it was over
When I saw you and her talkin’
Something deep down in my soul said, ‘Cry, girl’
When I saw you and that girl walkin’ around

Whoo, I would rather, I would rather go blind, boy
Then to see you walk away from me, child, no

Whoo, so you see, I love you so much
That I don’t wanna watch you leave me, baby
Most of all, I just don’t, I just don’t wanna be free, no

Whoo, whoo, I was just, I was just, I was just
Sittin here thinkin’, of your kiss and your warm embrace, yeah
When the reflection in the glass that I held to my lips now, baby
Revealed the tears that was on my face, yeah

Whoo and baby, baby, I’d rather, I’d rather be blind, boy
Then to see you walk away, see you walk away from me, yeah
Whoo, baby, baby, baby, I’d rather be blind…

Source: Musixmatch
Songwriters: Ellington Jordan / Billy Foster
I’d Rather Go Blind lyrics © Arc Music, Arc Music Corp, Urban Ideas Publishing

“I’d Rather Go Blind”
Single by Etta James
from the album Tell Mama
A-side“Tell Mama”
B-side“I’d Rather Go Blind”
Released1967
Recorded1967, FAME Studios, Muscle Shoals, Alabama 
GenreSoul Blues Deep Soul
Length     2:32
Label     Cadet 5578
Songwriters      Etta James, Ellington Jordan, Billy Foster
Producer(s)      Rick Hall
Music Blog

BLUE EYED PHILLY SOUL

Okay, we’re gonna turn the heat up just a bit here and really get in the groove with a little Philadelphia (Blue Eyed) Soul, as prompted this morning by Jim at Song Lyric Sunday.

When this song first came out in September of 1972, I was a newlywed of exactly three months with nothing but loving on my mind. I thought this was possibly the sexiest, most titillating and steamy song I’d ever heard.

It’s the story of an affair between a married man and his equally married lover. In the song, the two meet in secret “every day at the same café” at 6:30 where they hold hands and talk. The two are in a quandary: “We’ve got a thing going on. We both know that it’s wrong but it’s much too strong to let it go now.”

I’m presenting a cover version of this song by my favorite duo of all time – Hall and Oates, the most successful pair in music history (yes, even more successful than Simon & Garfunkel).

Why a cover and not the original when the original is an excellent recording? Two words: Daryl Hall. Fifty-plus years after seeing him on MTV, I still “have a thing going on” for Daryl Hall so please allow me this one indulgence.

Here now are Hall and Oates doing a live performance of “Me and Mrs. Jones”.

“Me and Mrs. Jones” was a #1 single originally performed by Billy Paul, recorded and released in 1972 on CBS Records’ Philadelphia International imprint. The single, included on the album 360 Degrees of Billy Paul, was written by Cary ‘Hippy’ Gilbert, Kenny Gamble, and Leon Huff, and arranged by Bobby Martin.

Lyrics
Me and Mrs. Jones
We got a thing goin’ on
We both know that it’s wrong
But it’s much too strong
To let it go now

We meet every day at the same café
Six-thirty and no one knows she’ll be there
Holding hands, making all kinds of plans
While the jukebox plays our favorite songs

Me and Mrs., Mrs. Jones
Mrs. Jones, Mrs. Jones, Mrs. Jones
We got a thing goin’ on
We both know that it’s wrong
But it’s much too strong
To let it go now

We gotta be extra careful
That we don’t build our hopes up too high
‘Cause she’s got her own obligations
And so, and so do I

Me and Mrs., Mrs. Jones
Mrs. Jones, Mrs. Jones, Mrs. Jones
We got a thing goin’ on
We both know that it’s wrong
But it’s much too strong
To let it go now

Well, it’s time for us to be leaving
It hurts so much, it hurts so much inside
Now she’ll go her way and I’ll go mine
Tomorrow we’ll meet
The same place, the same time

Me and Mrs., Mrs. Jones
Mrs. Jones, Mrs. Jones, Mrs. Jones
We got a thing goin’ on (thing)
We gotta be extra careful (goin’ on)
We can’t afford to build our hopes up too high
I wanna meet (thing) and talk with you
At the same place (goin’ on), the same café, the same time
And we gonna hold hands like we used to
We gonna talk it over, talk it over
(Thing) we know, they know (goin’ on), and you know
And I know that it was wrong
But our thing is strong, we gotta let ’em know now
That we got a thing going on, a thing going on

Source: LyricFind
Songwriters: Cary Grant Gilbert / Kenneth Gamble / Leon Huff
Me and Mrs Jones lyrics © Warner Chappell Music, Inc

And now for the original by Billy Paul:

This will always be one of the smoothest, coolest and sexiest songs ever recorded.

Thanks, Jim, for a fun Philadelphia Soul prompt!

Uncategorized

LET THEM EAT CAKE!

This week Jim at Song Lyric Sunday is asking us to write about a song that mentions a food suggested by Christine of Stine Writing and Miniatures. Here is a unique little ditty just about as old as bread itself.

“Bread and Butter” is a 1964 song by the American pop vocal trio Newbeats; it was the group’s first and most popular hit. The song served as the Newbeats’ demo in an effort to obtain a recording contract with Hickory Recording.

The opening two-chord piano riff and the lead falsetto of Larry Henley are the most notable features of the song.

“Bread and Butter” was the inspiration for the advertising jingle of Schmidt Baking Company used in the 1970s and 1980s; it went like this:

“I like bread and butter,
I like toast and jam,
I like Schmidt’s Blue Ribbon Bread,
It’s my favorite brand”.

Catchy, isn’t it?

The song has been featured in numerous movies and TV shows as well as a variety of television commercials. It is part of music compilations found on Billboard Top Rock’n’Roll Hits: 1964 as well as Classic Rock (Time-Life Music).

Let’s have a listen to this quirky hit from 1964:

Lyrics

… Ah, he likes bread and butter
Ah, he likes toast and jam
Ah, that’s what his baby feeds him
Ah, he’s her loving man

… Well, I like bread and butter
I like toast and jam
That’s what baby feeds me
I’m her loving man

… Ah, he likes bread and butter
Ah, he likes toast and jam
That’s what his baby feeds him
Ah, he’s her loving man

… Well, she don’t cook mashed potatoes
She don’t cook T-bone steak
She don’t feed me peanut butter
She knows that I can’t take

… Ah, he likes bread and butter
Ah, he likes toast and jam
Ah, that’s what his baby feeds him
Ah, he’s her loving man

… Well, I got home early one Monday
Much to my surprise
She was eating chicken and dumplings
With some other guy

… No more bread and butter
Ah, no more toast and jam
He found his baby eating
Ah, with some other man

… No, no, no
No more bread and butter
Ah, no more toast and jam
I found my baby eating
Ah, with some other man

… No, no, no, no
No more bread and butter
No, no, no, no
Ah, no more toast and jam

… No, no, no, no
Ah, no more bread and butter
No, no, no, no
Ah, no more toast and jam
No, no, no, no
Ah, no more bread and butter

Source: LyricFind

Songwriters: Jay Turnbow / Larry Parks

Bread and Butter lyrics © Sony/ATV Music Publishing LLC

“Bread and Butter”
Single by the Newbeats 
from the album Bread and Butter
B-side“Tough Little Buggy”
ReleasedJuly 1964 (US)
August 28, 1964 (UK)
Recorded1964
GenrePop
Length1:58
LabelHickory 1269
Songwriter(s)Larry ParksJay Turnbow
The Newbeats singles chronology
Bread and Butter
(1964)”Everything’s Alright”
(1964)


From the movie 9 1/2 Weeks:

Buffet of Options

As Jim pointed out to me, the big surprise in this song is when the guy comes home early and finds his lover eating chicken and dumplings with some other guy! What a great ending!

Well, I gotta run; I think I smell toast burning! 🍞 🧈 🥫

NAR © 2023

Music Blog

SIGN OF THE GYPSY QUEEN

Today Jim at Song Lyric Sunday is asking us to think about a musical group with a type of food in its name and write about one of their songs. I have chosen the Canadian hard rock group April Wine and their song Sign of the Gypsy Queen.

“Sign of the Gypsy Queen” was written and originally recorded by Lorence Hud. The song became a hit in Canada when released as a single in 1973. Hud’s version appeared on his eponymous debut album. The song reached the top 5 on the West Coast, #3 on CJRW-FM in Summerside, Prince Edward Island, and peaked at #16 nationally on the RPM 100 chart.

April Wine had more success with its 1981 hard rock version of the song. It was the second single from their album, The Nature of the Beast. The song reached #40 on the Canadian Hot 100, and #57 in the United States on the Billboard Hot 100, and #19 on the Mainstream Rock Tracks.

This version has become popular on album-oriented rock radio stations, getting frequent airplay in the United States and Canada; a music video aired on MTV’s first day of broadcast. It remains one of the group’s signature songs and a live concert staple.

“Sign of the Gypsy Queen” gained a brief resurgence in popularity when it was featured in an episode of the American television series Breaking Bad in 2013. The episode, “Granite State”, received critical acclaim, and is one of the most popular episodes in the series history.

Sign of the Gypsy Queen – by April Wine

Lyrics

Lightning smokes on the hillrise
Brought the man with the warning light
Shouting loud you had better fly
While the darkness can help you hide
Trouble’s comin’ without control
No one’s stayin’ that’s got a hope
Hurricane at the very least
In the words of the gypsy queen

Sign of the gypsy queen
Pack your things and leave
Word of a woman who knows
Take all your gold and you go

Get my saddle and tie it on
Western wind who is fast and strong
Jump on back, he’s good and long
We’ll resist till we reach the dawn
Running seems like the best offense
Staying just don’t make any sense
No one could ever stop it now
Show the cards of the gypsy town

Sign of the gypsy queen
Pack your things and leave
Word of a woman who knows
Take all your gold and you go

Shadows movin’ without a sound
From the hold of the sleepless town
Evil seems to be everywhere
Heed the spirit that brought despair
Trouble’s comin’ without control
No one’s stayin’ that’s got a hope
Hurricane at the very least
In the words of the gypsy queen

Sign of the gypsy queen
Pack your things and leave
Word of a woman who knows
Take all your gold and you go
Sign of the gypsy queen
Pack your things and leave
Word of a woman who knows
Take all your gold and you go
Sign of the gypsy queen
Pack your things and leave
Word of a woman who knows
Take all your gold and you go

Source: LyricFind

Songwriters: Lorence Hud

Sign of the Gypsy Queen lyrics © Universal Music Publishing Group

“Sign of the Gypsy Queen”
Single by April Wine
from the album The Nature of the Beast
B-side“Crash and Burn”
Released1981
StudioLe Manoir
GenreHard rock progressive rock
Length4:18
LabelAquarius Capitol
Songwriter(s)Lorence Hud
Producer(s)Myles Goodwyn Mike “Clay” Stone
April Wine singles chronology
Just Between You and Me
(1980) “Sign of the Gypsy Queen
(1981) “Enough Is Enough”
(1981)
Audio
“Sign of the Gypsy Queen” on YouTube

NAR © 2023