Written for Song Lyric Sunday
where the challenge is to write
about a song with βblackβ in
the title. This is my song.
Tag: Song Lyric Sunday
Cool Dry Place
Written for Jim Adamsβ Song Lyric Sunday
post entitled ‘Doctor’s Day’ and the theme
of doctors and all the work they do.
Hereβs my response to the challenge.
It’s All About The Rain
Written for Jim Adamsβ Song Lyric Sunday post
entitled ‘World Meteorological Day’
and the theme of βweather conditionsβ.
Hereβs my response to this weekβs challenge.
How Sweet It Is!
Written for Jim Adamsβ Song Lyric Sunday post,
‘Parts of the Day’. Jim has asked us to write
about a song that incorporates times of day.
Hereβs my response to this weekβs challenge.
The Story of Youngblood Priest
Written for Jim Adamsβ Song Lyric Sunday
post ‘Get Over It Day’. This is my song.
Tuesday’s Child: A Waltmarie
Written for dVerse Poets Meet At the Bar:
The Poetry of Names. Just last week
the theme at Song Lyric Sunday was
songs that feature our names.
This is my Waltmarie.*
The Name Game
Written for Jim Adamsβ Song Lyric Sunday theme
‘Namesake Day’, where he has asked us to
write about a song that mentions our name.
This is my name and these are my songs.
Love Me Tender
Written for Jim Adamsβ Song Lyric Sunday post
‘Matching Song and Movie Titles’ where he asks us
to write about a song that was used as the
title of a movie. Here is my ‘matching title’.
They’ve Got It Covered
Today in Jim Adamsβ Song Lyric Sunday post
entitled ‘Transcending the Original’, he has asked us
to write about a song we feel was better than the original.
Written for Song Lyric Sunday, here are my songs.
A Band In Name Only
Today in Jim Adamsβ Song Lyric Sunday post
entitled ‘Band Reunion’ he has asked us to
write about a song(s) played by a band that
got together for a reunion. Written for
Song Lyric Sunday, here is my song.
Regrets, I’ve Had A Few
Today in Jim Adamsβ Song Lyric Sunday post
entitled ‘Groundhog Day’ he has asked us to
write about a song(s) about being stuck, feeling
trapped, or about regret. Written for
Song Lyric Sunday, here are my songs.
It’s Two, By George!
Today in Jim Adamsβ Song Lyric Sunday post
entitled ‘Quasimodo Rang The Bell’, he has asked us
to write about a song that mentions a bell, buzzer,
chime, gong, horn, siren or whistle. Written for
Song Lyric Sunday, here’s my selection.
Re-mem-mem, re-mem-mem-mem-ber?
This week in Jim Adamsβ Song Lyric Sunday post
entitled ‘Brush With Fame’ he has asked us to
write about a song from a forgotten band.
Written for Song Lyric Sunday, hereβs my choice.
Four By Four
Today in Jim Adamsβ Song Lyric Sunday post
entitled ‘Work Harder Day’, he has asked us to
write about a song that includes the words
work or hard. Bonus points for using both!
Written for Song Lyric Sunday, here’s my response.
Crystal-Clear & Velvet-Smooth
Today in Jim Adams’ post entitled Kicking It Off,
Jim has asked us to write about a song by
someone who was born in the month of January
Written for Song Lyric Sunday, this is my choice.
Storm Front
Today in Jim Adams’ post entitled ‘The Seven Seas’,
he has asked us to write about a song that features nautical
terms, words connected with ships, sailing or navigation.
Written for Song Lyric Sunday, this is my choice.
Old Grey Whistle Test – May 30, 1975
Today in Jim Adams’ post ‘Emphasis On Album Acts’,
he has gone with a theme suggested by
βthe only deadhead in the hameauβ which
is to write about a song that was played on
the BBCβs βThe Old Grey Whistle Testβ TV show.
Written for Song Lyric Sunday, here is my choice.
Here Comes The Sun
Written for Song Lyric Sunday. This week in his post,
“Best of the Best”, Jim Adams has asked his readers
to write about a song that won the Brit Award for
Outstanding Contribution to Music. Here is my choice.
Keeping It Casual
This week Jim Adams has asked his readers in his post,
“Recognizing and Celebrating the Most Outstanding Albumβ, to write
about a song that won the Brit Award for Album of the Year.
Written for Song Lyric Sunday, here is my choice.
Too-ra-loo-ra, Too-ra-loo-rye-ay
This week Jim Adams has asked his readers
in his post, βAn Annual Celebrationβ, to write about
a song that won the Brit Award for Best Song of the Year.
Written for Song Lyric Sunday, here is my choice.
Finding Tranquility
This week Jim Adams has asked his readers
in his post βSprouting and Thrivingβ to write about
a song that won a Grammy award for Best New Artist.
Written for Song Lyric Sunday, here is my choice.
Man, It’s A Hot One
Written for Song Lyric Sunday. This week Jim Adams
has asked his readers in his post “Songs That Matter” to write
about a song that won a Grammy Award for Record of the Year.
Todayβs gorgeous graphic was created by Kevin @
No Theme Thursday. Here’s my musical choice.
It Was 20 Years Ago Today
Written for Song Lyric Sunday. This week Jim Adams has asked
his readers in his post ‘Most Prestigious Award Category’ to write about
a song from an album that won a Grammy Award for ‘Album of the
Year’. My choice today is βSgt. Pepperβs Lonely Hearts Club Bandβ
from the Beatlesβ Grammy Award-winning album of the same name.
The Beach Girls
Written for Song Lyric Sunday. This week Jim Adams has
asked his readers in his post “Do It Again” to write about a song
by children of famous singers who also became famous.
This theme was suggested by Barbara (ghostmmnc) at teleportingweena.wordpress.com. This is my choice.
Family Affair
Written for Song Lyric Sunday. This week Jim Adams
has asked his readers in his post ‘Quality Time’ to write about
a song dealing with parenting or a child/parent relationship.
This theme was my suggestion and here is my reply.
Intoxicating Me
It’s Sunday and that means it’s time for Song Lyric Sunday!
This week Jim Adams has asked his readers in his post “Spirits”
to write about a song that mentions drinks or cocktails.
Theme suggested by Di at pensitivity101.wordpress.com. Here is my reply.

Pull up a stool and start running a tab, because weβre diving into a very popular topic in the music world: booze.
Drinking is practically a worldwide pastime. After all, Benjamin Franklin is credited with saying, βBeer is proof that God loves us and wants us to be happy.β Frank Sinatra once said, βAlcohol may be manβs worst enemy, but the Bible says to love your enemy.β And then, thereβs the greatest quote about alcohol by the legendary comic actor W.C. Fields: βI spent half my money on gambling, alcohol and wild women. The other half I wastedβ!
Whether itβs beer or wine or the hard stuff, there are countless songs about drinking. Some of these songs are upbeat, while others are dark. Some are joyous while others are sorrowful. Regardless, many have resonated with fans spanning multiple generations.
Iβm not much of a drinker; while I do occasionally enjoy a glass of wine π·, a very dirty martini with extra olivesπΈ , a spicy Bloody Mary πΉ or an ice cold Stella Artois πΊ on a hot summer day, more than one of any of those libations would wipe me out.
I took some time to explore songs about drinking through a variety of different lenses, from love ballads to cautionary tunes of heartache and everything in between. At the end of it all, when it comes to drinking, most people just want to unwind, have a good time and forget about whatever troubles theyβre dealing with.
Not so my featured song today … a classic jazz number from 1938 called βYou Go To My Headβ which artfully compares the effects of love and drink. There are quite a few versions of the song and Iβve heard most of them; none, in my opinion, come close to Billie Holiday.
Born April 7, 1915 in Philadelphia, Pennsylvania, Billie Holiday was a superstar of her day. She first rose to prominence in the 1930’s with a unique style that reinvented the conventions of modern singing and performance. More than 80 years after making her first recording, Billie’s legacy continues to embody what is elegant and cool in contemporary music. Billieβs complicated life and genre-defining autobiography βLady Sings the Bluesβ made her a cultural icon. The evocative, soulful voice which she boldly put forth as a force for good, turned any song she sang into her own. Today, Billie Holiday is remembered for her musical masterpieces, her songwriting skills, creativity and courageous views on inequality and justice. To read more about the extraordinary life of Billie Holiday, please follow this link.
Three different recordings of βYou Go to My Headβ by J. Fred Coots and Haven Gillespie made the Top 20 list in 1938: Billie Holidayβs version was one of them. Written after a long night at a local speakeasy, the songβs melody can be played as bright and effervescent or as introspective and melancholy. The song has been featured in the movies Laura (1944) and The Big Sleep (1946).
Iβve been in love with βYou Go To My Headβ since the first time I heard it as a young teenager. Itβs a sophisticated jazz piece about love and booze β¦ a very unusual choice for a 13 or 14 year old girl who didnβt know anything about either subject. Somehow I knew this song was much more than a ditty about drinks and love. Itβs also the first song with an adult theme which I memorized and practiced singing. Iβm sure no matter how many times I performed this song later in life, I never sounded as cool and classy as Billie Holiday.
This is βYou Go To My Headβ by Billie Holiday
LYRICS
You go to my head
And you linger like a haunting refrain
And I find you spinning round in my brain
Like the bubbles in a glass of champagne
You go to my head
Like a sip of sparkling burgundy brew
And I find the very mention of you
Like the kicker in a julep or two
The thrill of the thought
That you might give a thought to my plea
Casts a spell over me
Still I say to myself, “Get a hold of yourself”
Can’t you see that it never can be?
You go to my head
With a smile that makes my temperature rise
Like a summer with a thousand Julys
You intoxicate my soul with your eyes
Though I’m certain that this heart of mine
Hasn’t a ghost of a chance in this crazy romance
You go to my head
You go to my head
Source: Musixmatch
Songwriters: J. Fred Coots/Haven Gillespie
You Go to My Head lyrics Β© Wb Music Corp., Toy Town Tunes Inc, Toy Town Tunes, Inc., John F. Coots Jr. Trust Music
Producer(s): John Hammond, Bernie Hanighen
Vocal: Billie Holiday
Composer, Lyricist: J.F. Coots/H. Gillespie
Guitar: Danny Barker
Drums: Cozy Cole
Re-Mastering Engineer(s): Seth Foster, Mark Wilder
Piano: Billy Kyle
Saxophone: Babe Russin
Clarinet: Buster Bailley
Trumpet: Charlie Shavers

Big thanks to Jim Adams for hosting another great Song Lyric Sunday this week and to Di for a terrific theme suggestion! Be sure to follow the links and check out their sites.
Thanks for stopping by. See you on the flip side. π
NARΒ©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephantβs Trunk and The Rhythm Section and is not for use by anyone without permission. NARΒ©2017-present.
Getting the Knack
Written for Song Lyric Sunday. This week Jim Adams
has asked his readers in his post, ‘Significance of Names’,
to write about a song with a personβs name in the title.

When youβre 17, raging hormones and unrequited young love can be a combustible combination. And for the American rock band The Knack (named after the British comedy film The Knack β¦ And How To Get It), they provided the spark for their first #1 song and the biggest single of 1979 β βMy Sharonaβ.
Though lead singer Doug Fieger was 25 at the time, he purposefully cast himself in the role of a sex-crazed adolescent for the song. βIt was a conscious effort for me to come at it from the point of view of my remembered teenage self,β Fieger once said. βI wanted to tell the story from that place where it’s more raw and direct.β
Lead guitarist Berton Averre came up with the famous intro guitar riff, inspired by the intro and beat of Elvis Costelloβs song βPump It Upβ and βGoing To A Go-Goβ by Smokey Robinson & The Miracles. If you want to hear what inspired Berton Averre, check out those two songs on YouTube. It was pretty obvious to me.
But the real inspiration for the song was one Sharona Alperin (see photo above).
In 1978, when The Knack was on the rise in the Los Angeles pop scene, Doug Fieger was introduced to Sharona Alperin, a dark-haired 17-year-old beauty who worked as a clerk in a clothing shop. Fieger said, βIt was love at first sight. Literally. I broke up with my girlfriend and chased Sharona for a year.β
Though Alperin was in a relationship and put Fieger off, it didn’t stop him from pursuing her. βDoug made it very clear he was in love with me,β Alperin said. βIt wasn’t like my boyfriend and the world didn’t know. I always say that he was my groupie, I wasn’t his.β Indeed, it was a strange dynamic.
In late 1978, The Knack signed with Capitol, home of their favorite band, the Beatles. βMy Sharonaβ was released a few weeks later, taking over the airwaves in 1979, and has remained a staple in classic rock radio. It has also appeared in several movies, including Reality Bites and Super 8.
Fieger and Alperin finally did get together and had a four year run as a couple. They remained friendly and even 30 years later Fieger called Sharona the love of his life. Fieger died from cancer in 2010 at age 57. Alperin is a now a successful real estate agent in Beverly Hills. Her website’s welcome page (mysharona.com, of course) features the familiar drum beat and guitar riff.
Of the song, Alperin has said, βMichelle, Yoko, Roxanne β there are so many great songs named after women in history. I feel incredibly fortunate that I’ve had this experience. It’s a really exciting adventure that never leaves me.”
βMy Sharonaβ remained at #1 on the Billboard Hot 100 singles chart for six weeks; it was also #1 on Billboard‘s 1979 Top Pop Singles year-end chart. It was certified gold by the Recording Industry Association of America, representing one million copies sold, and was Capital Recordsβ fastest gold status debut single since the Beatlesβ βI Want To Hold Your Handβ in 1964. βMy Sharonaβ has since gone on to sell more than 10 million copies as of 2010.
This is βMy Sharonaβ by The Knack.
LYRICS
Ooh, my little pretty one, pretty one
When you gonna give me some time, Sharona?
Ooh, you make my motor run, my motor run
Gun it coming off of the line, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up for the touch of the younger kind
My, my, my, I, yi, woo!
M-m-m-my Sharona
Come a little closer, huh, ah, will ya, huh?
Close enough to look in my eyes, Sharona
Keeping it a mystery gets to me
Running down the length of my thighs, Sharona
Never gonna stop, give it up, such a dirty mind
I always get it up for the touch of the younger kind
My, my, my, I, yi, woo!
M-m-m-my Sharona
M-m-m-my Sharona
When you gonna give to me, g-give to me?
Is it just a matter of time, Sharona?
Is it j-just destiny, d-destiny
Or is it just a game in my mind, Sharona?
Never gonna stop, give it up, such a dirty mind
I always get it up for the touch of the younger kind
My, my, my, I, yi, woo!
M-m-m-my, my, my, I, yi, woo!
M-m-m-my Sharona
M-m-m-my Sharona
M-m-m-my Sharona
M-m-m-my Sharona
Mmh, ohh, my Sharona
Mmh, ohh, my Sharona
Mmh, ohh, my Sharona
Source: Musixmatch
Songwriters: Doug Fieger/Burton Averre
My Sharona lyrics Β© Wise Brothers Music Llc, Eighties Music

Β© RisMedia
For fans of the popular TV show βMonkβ, youβll remember that Sharona Fleming was Adrian Monkβs nurse and assistant during the first three seasons. Monk was in a catatonic state for three and a half years following the murder of his wife, Trudy, until Sharona began taking care of him. A detective with OCD, Monk (played by award-winning actor Tony Shalhoub) was able to resume work because of Sharonaβs care. Monk once remarked, “When she found me, I was drowningβ. Sharona Fleming was portrayed by actress Bitty Schram. Here are some clips from βMonkβ.

Big thanks to Jim Adams for hosting another great Song Lyric Sunday this week. Be sure to follow the link and check out Jimβs site.
Thanks for stopping by. See you on the flip side. π
NARΒ©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephantβs Trunk and The Rhythm Section and is not for use by anyone without permission. NARΒ©2017-present.
Land of the Ice and Snow
Written for Song Lyric Sunday. This week Jim Adams has asked his
readers to write about a song by a band they wish was still together.

Honestly, I would be very surprised if Iβm the only one who chose my featured group and song for Jim Adams’ Song Lyric Sunday theme “Can’t Always Get What You Want”. Thatβs ok, though; it just reinforces my thoughts and feelings about this iconic group and the incredible music they recorded over the years.
On January 31, 1969, my then boyfriend/now husband and I went to the concert mecca of the Lower East Side of Manhattan β the Fillmore East β where we saw Iron Butterfly perform. The warm-up group was a relatively unknown band from England that totally blew our minds. The name of that band was Adam and the Ants. Wait … I’m kidding! Just checking to see if you’re paying attention.
The name of the band was Led Zeppelin.
Formed in 1968, Led Zeppelin went on to become one of the most influential, innovative, and successful groups in modern music, having sold more than 300 million albums worldwide. The band rose from the ashes of The Yardbirds when Jimmy Page brought in John Bonham, John Paul Jones, and Robert Plant to tour as The New Yardbirds. In 1969, Led Zeppelin released its self-titled debut album, produced by Jimmy Page. It marked the beginning of a 12-year reign during which the group was widely considered to be the biggest and most innovative rock band in the world. In the world; that, my friends, is no small potatoes.
Zeppelin developed their style by drawing from a variety of influences including blues and folk music. With a heavy guitar-driven sound, they are cited as one of the forerunners of hard rock and heavy metal music. Zeppelin has been credited as significantly impacting the nature of the music industry, particularly in the development of album-oriented rock and stadium rock.
Shortly after the tragic death of the bandβs drummer John Bonham in 1980, the group disbanded. In a statement released by the group, they explained that they couldnβt go on without their friend. After the break-up, Led Zeppelin had four brief reunions in 1985, 1988, 1995, and 2007. After the gig in 2007, there were rumors about a reunion tour but Robert Plant has continued his touring with American bluegrass-country singer/fiddler/producer Alison Krauss. Plant told the group that he was too busy and they would have to wait. That was 17 years ago. If you’re anticipating a reunion, I wouldn’t hold my breath. But, we can dream.
Led Zeppelinβs catalogue is huge and choosing one song was not easy. In the end, I decided to skip the obvious ones and go with one of my favorites.
βImmigrant Songβ is a classic rock anthem that showcases the bandβs signature sound. From the bandβs 1970 album Led Zeppelin III, the track has surpassed its original context and now serves as a powerful and evocative anthem for the enduring struggles of mythical conflict. The songβs driving riff and powerful lyrics draw inspiration from Norse mythology, with references to Valhalla and war-making. To this day, the song remains a beloved track among fans of Led Zeppelin and rock music in general.
This is βImmigrant Songβ by Led Zeppelin.
LYRICS
Ah-ah, ah!
Ah-ah, ah!
We come from the land of the ice and snow
From the midnight sun where the hot springs flow
The hammer of the gods
Will drive our ships to new lands
To fight the horde, sing and cry
Valhalla, I am coming
On we sweep with threshing oar
Our only goal will be the western shore
Ah-ah, ah!
Ah-ah, ah!
We come from the land of the ice and snow
From the midnight sun where the hot springs flow
How soft your fields so green
Can whisper tales of gore
Of how we calmed the tides of war
We are your overlords
On we sweep with threshing oar
Our only goal will be the western shore
So now you’d better stop and rebuild all your ruins
For peace and trust can win the day despite of all your losing
Ooh-ooh, ooh-ooh, ooh-ooh
Ooh-ooh, ooh-ooh, ooh-ooh
Ahh, ah
Ooh-ooh, ooh-ooh, ooh-ooh
Ooh-ooh, ooh-ooh, ooh-ooh
Ooh-ooh, ooh-ooh, ooh-ooh
Source: LyricFind
Songwriters: Jimmy Page/Robert Plant
Immigrant Song lyrics Β© Warner Chappell Music, Inc

Big thanks to Jim Adams for hosting another great Song Lyric Sunday this week. Be sure to follow the link and check out Jimβs site.
Thanks for stopping by. See you on the flip side. π
NARΒ©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephantβs Trunk and The Rhythm Section and is not for use by anyone without permission. NARΒ©2017-present.
The Big O
Written for Song Lyric Sunday. This week Jim Adams has asked his
readers to write about a song by an artist who is no longer living.

Sadly, thereβs an endless list of artists who fit the bill for todayβs theme from Jim Adams, aptly (and brilliantly) titled “Turn Me On, Dead Man”. There are so many greats to choose from, I decided to go with someone who consistently touches my heart every time I hear him sing β¦. The Big O.
Roy Orbison was born April 23, 1936, in Vernon, Texas to a working-class family, growing up immersed in musical styles ranging from rockabilly and country to zydeco, Tex-Mex and the blues. His dad gave him a guitar for his sixth birthday and he wrote his first song, “A Vow of Loveβ, when he was 8 years old. In high school, Orbison played the local circuit with a group called the Teen Kings. When their song “Ooby Dooby” came to the attention of Sun Recordsβ producer Sam Phillips, Orbison was invited to cut a few tracks. In addition to a highly collectible album called Roy Orbison at the Rockhouse, their collaboration yielded a re-recording of “Ooby Dooby” that became Orbison’s first minor hit.
After Roy Orbison landed a record deal with the Nashville-based label Monument in 1960, he began perfecting the sound that would define his career. His big break came after he tried to pitch his composition “Only the Lonely” to both Elvis Presley and the Everly Brothers and was turned down by both. Deciding to record the song himself, Orbison used his vibrato voice and operatic style to create a recording unlike anything Americans had heard at the time. Reaching as high the #2 spot on the Billboard singles chart, “Only the Lonely” has since been deemed a pivotal force in the development of rock music. Between 1960 and 1965, Orbison recorded nine Top 10 hits and another ten that broke into the Top 40, including “Running Scared,” “Crying,” “It’s Over” and “Oh, Pretty Woman“.
As distinctive as his three-octave voice was, Roy Orbison’s unglamorous style has been described as “geek chic.” Stricken with both jaundice and bad eyesight as a child, Orbison had sallow skin, a shy demeanor and wore thick eyeglasses. On a fateful day during his 1963 tour with the Beatles, Orbison left his glasses on the plane before a show, which forced him to wear his prescription sunglasses for that night’s show. Although he considered the incident “embarrassingβ, the look became an instant trademark.
Roy Orbison’s unhip underdog look suited his music well, as his lyrics were marked by incredible vulnerability. At a time when rock music went hand-in-hand with confidence and machismo, Orbison dared to sing about insecurity, heartache and fear. His stage persona went a long way toward challenging the traditional ideal of aggressive masculinity in rock & roll.
Although the first half of the 1960s saw the rise of Roy Orbison’s star, the second half of the decade brought harder times. Tragedy struck when Orbison’s wife, Claudette, was killed in a motorcycle accident in 1966, and again when his two eldest sons died in a house fire in 1968. Following those incidents, a devastated Orbison failed to generate many hits and with the rise of the psychedelic movement in rock & roll, the market for rockabilly had all but dried up.
In 1980, however, Roy Orbison experienced a return to his musical career when the Eagles invited him to join them on their “Hotel California” tour. That same year, he rekindled his relationship with country music fans by performing a memorable duet with Emmylou Harris on “That Lovin’ You Feeling Again,” which went on to win a Grammy. When Van Halen covered “Oh, Pretty Woman” in 1982, rock fans were reminded that gratitude for the song was owed to Roy Orbison. By the late 1980s, Orbison had staged a successful comeback, joined the all-star supergroup The Traveling Wilburys alongside Tom Petty, Bob Dylan, George Harrison and Jeff Lynn, was inducted into the Nashville Songwriters Hall of Fame and initiated into the Rock & Roll Hall of Fame.
On December 6, 1988, Roy Orbison died of a heart attack. His posthumously- released comeback album, Mystery Girl, reached #5 on the charts, becoming the highest-charting solo album of his career. Although he was only 52 years old when he died, Roy Orbison lived to see his rightful place in music history restored.
My featured song for today is Roy Orbisonβs deeply moving hit βCryingβ. Recorded and released in 1961, βCryingβ tells the story of the one who got away, that old flame thatβs so very hard to forget. Itβs a beautiful song with a haunting melody, perfect for Orbisonβs octaves-spanning voice. βCryingβ reached #1 on the US Cashbox chart for one week on October 7, 1961. On the rival Billboard Hot 100 it peaked at #2 where βHit the Road Jackβ by Ray Charles kept it from #1. Despite not reaching the summit in the latter publication, Billboard ranked the record as the #4 song of 1961. In 2002, “Crying” was honored with a Grammy Hall of Fame Award. In 2010, Rolling Stone magazine ranked it 69th on their list of the 500 greatest songs of all time.
Thereβs no other song by Roy Orbison that touches my heart and soul as deeply as βCryingβ. There are also a number of videos for βCryingβ but none quite like this.
Here is Roy Orbison with βCryingβ.
LYRICS
I was alright for a while, I could smile for a while
Then I saw you last night, you held my hand so tight
When you stopped to say, “Hello”
You wished me well, you couldn’t tell
That I’d been crying over you
Crying over you then you said, “So long”
Left me standing all alone
Alone and crying,
Crying, crying, crying
It’s hard to understand
That the touch of your hand
Can start me crying
I thought that I was over you
But it’s true, so true
I love you even more than I did before
But darling what can I do?
For you don’t love me and I’ll always be
Crying over you
Crying over you
Yes, now you’re gone
And from this moment on
I’ll be crying, crying, crying, crying,
Crying, crying, over you
Source: LyricFind
Songwriters: Joe Melson/Roy Orbison
Crying lyrics Β© Barbara Orbison Music Company, BMG Rights Management, Orbi-Lee Music, R-Key Darkus, Sony/ATV Music Publishing LLC

Big thanks to Jim Adams for hosting another great Song Lyric Sunday this week. Be sure to follow the link and check out Jimβs site.
Thanks for stopping by. See you on the flip side. π
NARΒ©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephantβs Trunk and The Rhythm Section and is not for use by anyone without permission. NARΒ©2017-present.
Remembering Roberta
Written for Song Lyric Sunday. This week Jim Adams has asked his
readers to choose a song that makes them think about life. Here’s mine.

To talk about my featured song, I first need to tell you about my friend, Roberta. She and I had been friends since our sons attended nursery school together, some 44 years ago. Even back then in her early 30s, Roberta had a shock of gorgeous silver-white hair that was always perfectly yet casually coiffed. Just like my grandmother, Robertaβs hair color changed when she was in her 20s and I never saw her with a different color or style.
Robertaβs laugh was one of a kind β¦. some might call it a cackle β¦. and you heard her long before you saw her! She rarely took life too seriously and was very forthcoming with her opinions, whether you wanted to hear them or not. I guess you could call her a βfree spiritβ; she lived very much in the moment, often arriving late for appointments because she ran into someone who needed a friend to talk to.
There was never any doubt where you stood with Roberta. If she was pissed off about something, you knew it. Sheβd speak her mind, clear the air and never mention the issue again. Done and forgotten. But not just forgotten β¦. forgiven as well. She didnβt hold a grudge; I always thought that was an admirable trait. And she didnβt lie. If anything, she was too honest and her βbluntnessβ could turn people off. She really didnβt care what people thought about her; life was not a popularity contest. As I said, people always knew exactly how Roberta felt.
She was a devout Catholic, attending Mass every weekend, but she was never showy about it. Roberta and her husband Martin were in charge of the churchβs food pantry β¦. collecting food for families in need β¦. and not just during the holidays or when a crisis hit but every day of the year …. however, the holidays were very important to Roberta, especially Christmas. That was when she amped up the drive for food, clothes and gifts for needy families in the area, especially the children. In all the years I knew Roberta, I donβt remember anyone else heading up the food pantry except her. She and Martin were special people, far from saints but doing Godβs work in an unassuming way.
It came as a terrible blow to everyone when Roberta became dangerously ill almost overnight in August 2014 and was diagnosed with West Nile Virus (for which there is no vaccine or cure although most people recover with proper care). Roberta had an extremely virulent case and within days she lapsed into a coma and never regained consciousness. At one point, she was the only documented case of “death by West Nile Virus” in Westchester County, NY.
The day I visited Roberta at the nursing home was one I will never forget. Had it not been for her name on the door and her glorious mane of white hair, I would not have recognized my longtime friend; the virus left her body terribly swollen, facial features almost fused together. I sat by her bedside, held her hand and sang a song I had sung many times before. And as I sang to my friend, I saw her eyelid barely flutter and her finger quiver ever so slightly and no one will ever convince me that she was unaware of my presence. Four months later, during Christmas week, Roberta died. It was the perfect time for her to take her leave.
The song I sang to my friend that day in the nursing home was βWhat A Wonderful Worldβ.
According to Wikipedia, “What A Wonderful World” was written by Bob Thiele and George David Weiss. It was first recorded by Louis Armstrong and released as a single in 1967. In April 1968, it topped the pop chart in the UK but performed poorly in the United States because the president of ABC Records disliked the song’s arrangement and refused to promote it. (Thereβs more on Wiki about that and itβs pretty interesting.) After the song was heard in the 1987 film Good Morning, Vietnam, it was reissued as a single in 1988 and rose to #32 on the Billboard Hot 100. Louis Armstrong’s recording was inducted into the Grammy Hall of Fame in 1999.
Every time I hear this song, I remember Roberta and our last visit together. This is βWhat A Wonderful Worldβ by Louis Armstrong.
LYRICS
I see trees of green
Red roses too
I see them bloom
For me and you
And I think to myself
What a wonderful world
I see skies of blue
And clouds of white
The bright blessed day
The dark sacred night
And I think to myself
What a wonderful world
The colors of the rainbow
So pretty in the sky
Are also on the faces
Of people going by
I see friends shaking hands
Saying, “How do you do?”
They’re really saying
I love you
I hear babies cry
I watch them grow
They’ll learn much more
Than I’ll ever know
And I think to myself
What a wonderful world
Yes, I think to myself
What a wonderful world
Ooh, yes
Source: LyricFind
Songwriters: George David Weiss/Robert Thiele
What a Wonderful World lyrics Β© BMG Rights Management, Concord Music Publishing LLC, Kanjian Music, Tratore

Big thanks to Jim Adams for hosting another great Song Lyric Sunday this week. Be sure to follow the link and check out Jimβs site.
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