Jenne, our genial host at The Unicorn Challenge, has offered up the photo below as our inspiration to write a story of no more than 250 words. This is my 250-word response to that challenge.
There was once a land so very far away from every other land that it was almost completely forgotten by all the inhabitants of the world.
And on that land there were trees and bushes and plants of every type imaginable. Each tree, plant and bush bore the most incredible edibles β¦ luscious fruits of every variety known and unknown to man. There were at least 10,000 kinds of grapes, 8,000 sorts of apples, 3,000 types of pears, 2,000 varieties of peaches, 1,000 kinds of bananas, 400 types of berries, 400 varieties of oranges, etc. There were many sorts of vegetables that grew underground as well as on trees. There were streams, lakes and rivers with crystal clear water abundant with fish.
And on that very far away land lived a cyclops β¦ giant, of course, as all cyclopes are. He was left there years ago by his parents who knew he would never survive life in the city, a life of ridicule and torment and loneliness. They also knew they would never be able to show him any kind of love or affection; indeed, his mother was repulsed by the feel of his rough skin, and unable to look into his one large, blood red eye.
But the cyclops was not forgotten. Every birthday his parents would travel thousands of miles to bring him candy. He would greedily eat the candy and they would leave. Until the last visit when he ate the candy and for dessert, his parents.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to the final week of Feb Fab Faux Four! Let the countdown begin!
Today I’m featuring a lovely ballad off their 1970 “Let It Be” album. John explained how the words of the first line came to him: “I was lying next to my first wife in bed and I was irritatedand I was thinking. She must have been going on and on about something and she’d gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song, rather than “Why are you always mouthing off at me?” [The words] were purely inspirational and were given to me as boom! I don’t own it you know; it came through like that.“
This is “Across The Universe” by the Beatles.
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With his remake from the “I Am Sam” soundtrack, this is Rufus Wainwright and “Across The Universe”
Truth be told, I don’t really know that much about Rufus Wainwright so I Googled him and found out that he is a Canadian-American singer, songwriter and composer. He has recorded eleven studio albums and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare’s sonnets to music for a theatre piece by American director and playwright Robert Wilson. Up until today I had no songs by Wainwright on my playlist; now I have one.
I listened to a few covers of this piece, including Bowie’s and one by Wainwright with Moby and Sean Lennon. None of them came close to the original.
This solo piece was a shining star for me. I’m not quite ready to call it a draw so score one more for the Beatles.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Rochelle, our gracious host at Friday Fictioneers, has challenged us to write a story of 100 words or less, using the photo below as inspiration. This is my story.
Photo Copyright Alicia Jamtaas
Too many arguments, too many years of spiteful words. Sheβd had enough.
He walked into their bedroom where she was packing. βHow can you do this, like it was nothing?β
βLike it was nothing? Do you really think this is easy, like tossing out yesterdayβs leftovers?β
βTwenty-three years, Beth. You canβt throw that away.β
βWould you just let it be, Sam, and go to work.β
βIβll see you when I get home, Beth.β
βObliviousβ she murmured.
Of course she was gone when he returned. Nothing left but remains of the day.
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There wonβt be any chit chat from me, no facts and figures β just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Marni Nixon (Voice Dubber/Ghost Singer) Born February 22, 1930 in Altadena, California
Marni Nixon talks about Dubbing for Marilyn Monroe and Debora Kerr
Yul Brynner & Deborah Kerr perform “Shall We Dance” from “The King and I”. (Marni Nixon dubbed Deborah Kerr’s singing)
“Tonight” from “West Side Story” with Marni Nixon as ghost singer for Natalie Wood
Audrey Hepburn’s voice was dubbed by Marni Nixon for “I Could Have Danced All Night” from “My Fair Lady”
Marni Nixon doing her best Marilyn Monroe in “Diamonds Are A Girl’s Best Friend” from “Gentlemen Prefer Blondes”
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today I’m featuring a fun song from Sgt. Pepper’s Lonely Hearts Club Band, a work regarded by musicologists as an early concept album. At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests. While on a return flight to London in November 1966,Β PaulΒ came up with an idea that formed the impetus of the Sgt. Pepper concept: creating songs for an Edwardian military rock band.
Meanwhile……
John was out one day and he stopped at an antique store where he saw a framed poster on display advertising a circus. As he read the poster, an idea started forming. He bought the poster and hung it in his music room at home. Everything came together, incorporating many of the words from the poster almost exactly as they were written (except Henry the Horse was actually named Zanthus) and the result was a fantastical number unlike anything the Beatles had done before.
Here is “Being For The Benefit Of Mr. Kite!” by the Beatles.
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And here is Cheap Trick with their rendition of “Being For The Benefit Of Mr. Kite!”.
There was always a method to the Beatles madness. Love it or hate it, this song beautifully displays the brilliant imagination, unparalleled musicality and creative genius of the Beatles. This song helped keep Sgt. Pepper fromΒ becomingΒ an overwhelming Paul McCartney project …. and thank goodness for that!
So, what about the Cheap Trick version. It’s very good, the best cover I could find, and why wouldn’t it be good? It sounds like Cheap Trick bought the sheet music for “Mr. Kite”, rehearsed it and did their level best to sound as close to the Beatles as possible. It’s a replica of the original and shows little imagination of its own but it’s done well …. I’ll give Cheap Trick that much.
This one goes to the Beatles, without question. Join me tomorrow for an interesting selection.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Written for Glyn’s Mixed Music Bag #8 February Monthly Challenge where we’re asked to write about a song by any group or solo singer beginning with the letter C or D.
Formed in San Jose, California in 1970, The Doobie Brothers are known for their vocal harmonies and their flexibility in performing across numerous genres. Active for 50+ years, with their greatest success during the 1970s, the group is still performing and touring today.
So, whatβs up with their name? Well, itβs really not that hard to figure out but the story goes that during the formative days while the group was trying to come up with a name, the guy who lived next door and hung out with them said βSince youβre always smoking pot, why not just call yourselves βThe Doobie Brothersβ?β The band members couldnβt deny that was true but thought the name was βreally dumbβ; they decided to go with it just until they came up with a better name but they never did.
Breakthrough success came to The Doobies after the 1972 release of their album βToulouse Streetβ which contained the hits βListen To The Musicβ and βJesus Is Just Alrightβ. A string of hits followed, including βLong Train Runninββ and βChina Groveβ.
“Listen To The Music” was written by lead singer and guitarist Tom Johnston and was the Doobie Brothers’ first big hit. Upon the release of the single, Cash Box said that it’s “the group’s mellowest rockin’ mood yet, one that could see them through to chart territory with AM play.” The staff of Billboard consider it the Doobie Brothers’ best song, saying that it “ranks high in the pantheon of rock nβ roll feel-good hits” and should “get your foot tapping and bring a bit of a smile to your face.”
“Listen To The Music” remains a staple of adult contemporary and classic rock radio. The band uses it as an encore song during live shows. The Doobie Brothers were inducted into the Vocal Group Hall Of Fame in 2004 and the Rock and Roll Hall Of Fame in 2020. The group has sold more than 40 million records worldwide.
Letβs listen to some Doobie Brothers; smoke βem if you got βem.
This is βListen To The Musicβ by The Doobie Brothers
LYRICS
Don’t you feel it growing, day by day People getting ready for the news Some are happy, some are sad Whoa, gotta let the music play
What the people need is a way to make ’em smile It ain’t so hard to do if you know how Gotta get a message, get it on through Oh, now momma don’t you ask me why
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Well I know, you know baby, everything I say Meet me in the country for a day We’ll be happy, and we’ll dance Oh, we’re gonna dance our blues away
And if I’m feeling good to you and you’re feeling good to me There ain’t nothing we can’t do or say Feeling good, feeling fine Oh, baby, let the music play
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Like a lazy flowing river Surrounding castles in the sky And the crowd is growing bigger Listening for the happy sounds And I got to let them fly
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pullup a chair and enjoy the tunes!
Now it’s time for something completely different. I got a request to feature today’s song; if I get a request and I have room, I’ll post it. Too bad requests didn’t start coming in until just the other day. Regarding requests …. I will give you some info about the original song but will not comment on the cover.
So, just what the hell is this song about anyway? For John Lennon, the answer was simple: βThat was just a sort of nice line that I made into a song. It was about me and Yoko. Everybody seemed to be paranoid except for us two, who were in the glow of love. Everything is clear and open when you’re in love.“
Additionally, the lyrics contain sayings the Beatles heard from Maharishi Mahesh Yogi. In further comments on the song, John said it addressed his bandmates’ initial reaction to his relationship with Yoko. There is also wide speculation that the title of the song as well as some of the lyrics reference John and Yoko’s heroin use during ’68.
Recorded early in the sessions for the White Album, the track typifies the Beatles’ return to a rock sound in 1968 after their psychedelic period.
I had originally programmed Soundgarden’s cover of this song but when the request came in, I went with that instead.
Ok, enough chitchat. Here we go.
Here are the Beatles with “Everybody’s Got Something To Hide Except For Me And My Monkey”.
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Today’s requested remake of the Beatles’ song with the longest name as done by Fats Domino.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Denise at GirlieOnTheEdge is asking us to write a Six Sentence Story using the word “pass”. This is my six sentence story.
The house is quiet tonight β¦.eerily quiet β¦. for all the lights are off and only the glow of candles shines dimly through the curtained windows, performing a ballet of shadows on the walls and ceiling; every so often a door softly opens, barely perceptible murmurings are audible, then the door gently closes as intermittent muted sobbing creeps up from the parlor.
I sit on my bed huddled under a blanket, a tiny flashlight flickering a pale yellow beam on my diary as I jot down my memories of the day; I must be quiet because my mother will be very upset with me if she discovers Iβm still awake at this late hour.
My window is open just enough to let in some fresh air and the distinct smell of cigarette smoke wafts up into my room; I peek out to see my motherβs uncles sitting on the back steps silently smoking their unfiltered Lucky Strike cigarettes, their black armbands starkly visible against their plain starched white shirts.
I tip-toe across the length of my bedroom, praying the old wooden floorboards beneath the well-worn rug will not creak and ever so slowly I turn the glass doorknob; the hallway is dark but I can detect a muted light downstairs and I scurry nearer to the staircase railing for a better look as I sit there hugging my knees asking myself if I should creep downstairs and take a peek.
A few hours earlier the ambience of the house was much different, still subdued but active as delivery men came and went and acquaintances passed through the hallway into the parlor to pay their respects while my mother and the other women labored in the kitchen like mute worker bees, preparing trays of food for the constant flow of visitors, and my father, along with my uncles, positioned the many floral arrangements throughout the parlor; we children sat quietly on the two enormous matching sofas along the side walls, eyes downcast, confused and uncharacteristically subdued, occasionally glancing toward the walnut casket resting atop a platform in the center of the room and quickly look away.
Around 6:00 we were quietly whisked away into the dining room where we silently ate our supper, then returned to the parlor to continue our vigil; it had been a long and sorrowful day, the longest day in our young lives, for the family matriarch, my great-grandmother had died.
This recording was made in September 1920, less than a year before Carusoβs death. His health was failing and the recording equipment was, by our standards, primitive. Despite all that, the power and beauty of his voice remain unmatched.
βDonβt look at me, Helen. Last year’s lessons with Vanessa nearly put me over the edge.β
βWell, I canβt do it! Ever since Marcia Morelli snatched that promotion for Real Estate Agent of the Year away from me, Iβm spending all my time at work playing catch up.β
βThatβs not my problem, Helen. Anyway, I signed on to coach Brandonβs baseball team this season, remember?β
βOh, cry me a river, Bob! Youβre the one who took an early retirement; your schedule is much more flexible than mine.β
βThatβs right, I retired so I could do things I enjoy like playing golf and going fishing. Itβs important to stay mobile after retirement so we donβt become dust in the wind.β
βWell, if you canβt do it and I canβt do it, why donβt we get Vanessa to teach Danielle how to drive?β
βAre you out of your mind, woman! Vanessaβs been driving less than a year. She canβt take Danielle out driving! Can you imagine the mayhem when those two hit the streets?β
βAt least Iβm making suggestions, Bob. All youβre doing is justifying why you canβt do it.β
βOh, Helen, save your breath and donβt look at me with such contempt. Iβm right and you know it. I wonβt idly sit by and watch both our daughters driving without an adult in the car. Itβs out of the question.β
βYou wonβt? Oh, thatβs wonderful, Bob! I knew youβd come around!β
βNow hold on there, Helen. I didnβt agree to anything.β
βWhy, sure you did, Bob. You said you wouldnβt sit idly by while the girls are driving around without an adult in the car.β
βBut I didnβt meanβ¦..β
βLook at it this way, Bob. Danielle is used to being driven everywhere she goes. If you donβt teach her how to drive, youβll just have to drive here wherever she wants to go. Iβd say this is a win/win situation.β
βAnd how do you figure that, Helen?β
βSimple! By giving Danielle driving lessons, youβll be doing your part to keep our insurance rates down, youβll be able to coach Brandon’s baseball team and still have time to do the things you enjoy and you wonβt turn into dust in the wind. And all it takes is just one daily one-hour driving lesson! Youβre a genius, Bob!β
βI am? Yeah, I guess I am. Hey! Wait just a gosh darn minute, Helen!β
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to day 20 of Feb Fab Faux Four. We’re coming ’round the bend and the finish line is in sight!
Yesterday I hinted that today’s song was a huge hit for one of the Beatles during his solo career …. and by huge I mean HUGE. This was our Beatle’s first single as a solo artist and it topped the charts worldwide; it was the biggest-selling single of 1971 in the UK and the first #1 single by an ex-Beatle in the US and England. By the late 1970s, it was the most covered song written and released by any of the former Beatles since the band’s break-up. Did I say it was huge?
Our Beatle wrote today’s song in praise of the Hindu god Krishna, while intending the lyrics as a call to abandon attachment to any one religious sect through his blending of the Hebrew word “hallelujah” with chants of “Hare Krishna” and Indian prayers.
That last bit of information was a dead giveaway, I’m sure, so let’s cut to the chase and play some music.
Here is George Harrison with “My Sweet Lord”
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This is Edwin Starr’s remake of “My Sweet Lord“
My sweet lord! Can I get an “Amen”?!
I know the obvious choice for a cover version is Billy Preston but we’ve all heard that one too many times. Edwin Starr has given us a slowed down, almost gospel-like version and I have to give him kudos for taking on such a big song; his vocal range is impressive. I like his arrangement but it can’t hold a votive candle to George Harrison’s
βEvery time I put the radio on, itβs βOh my Lordβ. I’m beginning to think there must be a Godβ said John Lennon after George scored the first number one hit by any solo Beatle. Sour grapes? Typical biting humor from John. And none of them thought George had what it took to write decent songs.
In 1976 George was slapped with a lawsuit claiming that “My Sweet Lord” sounded too much like the 1963 hit by the Chiffons called “He’s So Fine”. George took his guitar to the court and demonstrated how he wrote the song, but he was found to have committed βsubconscious plagiarismβ. It doesn’t seem to have negatively impacted his career. I’ll let you be the judge. Here are the Chiffons with “He’s So Fine”.
Well, all I can say is there’s a similarity. I think the Chiffon’s lawyers got lucky on this one.
That’s it for today, kids. Nine more vids to go before I’m outta here.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Presidents’ Day is a federal holiday in the U.S., celebrated on the third Monday in February; Presidents’ Day 2024 will occur on February 19 …. hey, that’s today!
Originally established in 1885 in recognition of President George Washington, the holiday became popularly known as Presidents’ Day after it was moved as part of 1971βs Uniform Monday Holiday Act, an attempt to create more three-day weekends for the nationβs workers.
While several states still have individual holidays honoring the birthdays of Washington, Abraham Lincoln and other figures, Presidents’ Day is now popularly viewed as a day to celebrate all U.S. presidents, past and present. Very few people do that and the holiday is a day off for federal employees, kids have winter break this week and Presidents’ Day sales are going strong in stores around the country.
Hey, if you can’t laugh at the leader of the free world, who can you laugh at? Enjoy the holiday!
Presidential Bloopers
Here’s One Weird Fact About 45 Presidents (sorry Joe!)
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to day 19 of Feb Fab Faux Four. Are you having fun yet?
We’re spinning the wheel in the other direction and going back in time to another tune the Beatles covered.
Today’s number is a rockabilly song often credited to Carl Perkins; however, it been brought to light that Carl’s song is actually based on a 1936 song of the same name written by singer/songwriter Rex Griffin. Griffin’s song didn’t really go anywhere and Carl Perkins’ 1957 release achieved widespread popularity. Lucky Carl Perkins! The Beatles covered the song in 1964.
The Beatles recording was first released as the final track on “Beatles For Sale” in the United Kingdom late in ’64 and as the concluding track on the North American album “Beatles ’65”. The remake by the Beatles features a false ending which means the final musical phrase (not vocals) repeats itself after the song seems to have stopped; this false ending does not appear in the Carl Perkins version.
Here is Carl Perkins with his 1957 recording of “Everybody’s Trying To Be My Baby”.
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And from 1964, here’s “Everybody’s Trying To Be My Baby” by the Beatles featuring George Harrison on lead vocals. George was a life-long fan of Carl Perkins; it was a thrill for him to actually meet and perform with Carl.
There’s not a damn thing wrong with a George Harrisong!
As a diehard George fan, I love everything he ever did and believe the quality of his his solo work after the Beatles split is better than anything the other three produced. In this remake, George’s vocals were processed with the STEED effect; I doubt I’ll be able to explain this process with great clarity so I’m leaving it highlighted if you’d like to read about it.
Carl Perkin’s rockabilly recording is great but my vote goes to George and the boys.
Before I close this page out, here is a bonus track …. the original 1936 recording of Rex Griffin’s “Everybody’s Trying To Be My Baby”. Enjoy this very unusual and different arrangement.
I’m back tomorrow with what became a huge hit for one of the Beatles during his solo career. Join me to see which song it is.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to F4. This is one of those songs that had everybody wondering what the hell it was all about.
John Lennon wrote today’s song to bewilder listeners who had been seriously trying to interpret some of the Beatles’ lyrics. He was partly inspired by two LSD trips and Lewis Carroll’s poem “The Walrus and the Carpenter”.
George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. A 16-voice choir of professional studio vocalists also joined the recording singing nonsense lines and shrill whooping noises. Shortly after release, the song was banned by the BBC for the line “Boy, you’ve been a naughty girl, you let your knickers down.” Scandalous!
Have you figured out today’s song? I’m sure you have. Let’s check it out.
This is “I Am The Walrus” by the Beatles
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With their cover of “I Am The Walrus”, this is Spooky Tooth
So, what did you think of this version by the progressive rock band, Spooky Tooth? I thought it was pretty good except for one thing ….. it was too slow. As you can see, the cover lasted almost two minutes longer than the original. It dragged on and probably should have been called “I Am The Sloth”.
No question …. this one goes to the Beatles. That’s my opinion; what’s yours?
Stop by for a jumping little number coming up tomorrow.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Today in Song Lyric Sunday, Jim as asking us to write about a song(s) composed by a duo. Iβve chosen a duo not only from the US but from my hometown of New York. As a kid, I’d sing these songs in my bedroom pretending I was a major recording artist. Didn’t we all? I found myself happily swimming in a sea of wonderful memories as I wrote this post.
This former husband and wife duo wrote many of the 60s biggest hits and those songs were recorded by everyone from Aretha Franklin to James Taylor to the Beatles. He wrote the lyrics and she wrote the music to songs such as βWill You Still Love Me Tomorrowβ, βTake Good Care Of My Babyβ and βThe Loco-Motionβ, and chances are youβve danced to a hit single by this dynamic songwriting duo.
Iβm talking about Carole King and Gerry Goffin.
During the spring semester of her freshman year at Queens College in NY, Carole King was introduced to Gerry Goffin while at the student lounge. Goffin, three years older than King, was looking for someone to write lyrics for a musical he was writing. King took a look, said she wasn’t interested and added “You know, I write rock ‘n’ roll songs” but allowed Goffin to drive her home. Soon she was writing songs for his musical, he writing lyrics for her songs.
King and Goffin were married in 1959 when she was only 17 and pregnant with their first child. They quit college and took day jobs, Goffin working as an assistant chemist and King as a secretary. And in the evenings, they wrote songs together. High school friend Neil Sedaka got them an audition with music producer Don Kirshner; he offered a guaranteed advance against royalties of $1000 a year, to be doubled if the deal was renewed for a second year and tripled if for a third. The rest is history.
Their songs were always impeccably structured. Their music was for teens and dealt with themes of love, rejection and jealousy and teenagers dealing with them on their own terms. Carole’s heart-tugging melodies and Gerry’s superb lyrics captured the tone and the everyday language of their audience’s inner experiences with uncanny accuracy.
Carole had a gift for arrangement, knowing how to build a song. To help sell her songs, she began making low cost tapes to demonstrate her ideas to the producers. Those demos were so good that often the producer only had to copy them with the proper instrumentation to have a hit record.
One night in the fall of 1960 Carole and Gerry returned from an evening out and found a note from Don Kirshner saying he needed a lyric by the next day for the Shirelles. Goffin immediately began writing and King composing; the result was “Will You Still Love Me Tomorrow.” In January 1961, the song became the first song by a female group to reach #1 on the pop charts since the McGuirre Sisters in 1958, and first ever for a black female group.
Kirshner decided that Goffin & King were capable of running a record label and put them in charge of Dimension Records. For over a year they had a more consistent track record than any of their competition, including Phil Spector’s Philles Records. By 1964 they had come up with another 23 hits, but their best work was behind them and the British Invasion had begun.
However Goffin & King were heroes to these English groups. The Beatles recorded “Chains” and Paul McCartney was quoted as saying he wished he could write as well. On their first U.S. tour, meeting them was a priority. The Beatles were not the only British band that felt that way but by 1965, Carole and Gerry’s talents were becoming less important as groups such as the Byrds, the Young Rascals and the Beach Boys set the tone for other upcoming artists who wrote their own material.
By 1967 Goffin & Kingβs marriage was crumbling due to creative disenchantment, internal pressures and the times. They were divorced with King moving to California where she started a group called βThe Cityβ and came into her own as a performer. When Carole King found her solo niche, the team of Goffin & King ended.
I’d like you to think for a minute about those exhilarating days of young love as teenagers. Our parents called it “puppy love” and didn’t take us seriously, saying it would never last and we’d get over it. Some parents were dead set against their daughters or sons getting romantically involved at such a young age; really, who could blame them but who could blame us teenagers for falling in love? We can’t control what the heart feels and it was especially difficult for teenage girls. As much as we like to think people have evolved, they really haven’t changed all that much. Teen girls who have sex are thought of as promiscuous while guys are macho and sewing their wild oats. It’s an age old dilemma, the most personal situation young people can find themselves in.
Nothing obvious or indelicate was ever revealed in our featured song but if you read between the lines of Gerry Goffin’s gorgeous lyrics, there’s little doubt what this song is about. Using a variation on the theme “will you respect me in the morning?”, here are the Shirelles asking in a sublimely delicate and romantic way, “Will You Still Love Me Tomorrow?”
Lyrics
Tonight, you’re mine completely You give your love so sweetly Tonight, the light of love is in your eyes But will you love me tomorrow?
Is this a lasting treasure Or just a moment’s pleasure? Can I believe the magic of your sighs? Will you still love me tomorrow?
Tonight with words unspoken You say that I’m the only one But will my heart be broken When the night (when the night) Meets the mor- (meets the morning sun)
I’d like to know that your love Is love I can be sure of So tell me now, and I won’t ask again Will you still love me tomorrow?
So tell me now, and I won’t ask again Will you still love me tomorrow? Will you still love me tomorrow? Will you still love me-
In 1960, the Shirelles released the first version of “Will You Still Love Me Tomorrow” with “Boys” on the B-side. The single’s first pressing was labeled simply “Tomorrow“, then lengthened later. When first presented with the song, lead singer Shirley Owens did not want to record it because she thought it was “too country“; she relented after a string arrangement was added. However, Owens recalled on Jim Parsons’s syndicated classic radio program, “Shake Rattle Showtime“, that some radio stations had banned the record because they had felt the lyrics were too sexually charged.
In addition to reaching No. 1 in the US, the song reached No. 2 on the R&B chart, No. 4 in the UK and No. 3 in New Zealand. This version, with session musicians Paul Griffin on piano and Gary Chester on drums, was ranked at No. 126 among Rolling Stone’s list of The 500 Greatest Songs of All Time. Billboard named the song No. 3 on its list of 100 Greatest Girl Group Songs of All Time.
From 1971, the incredibly talented Carole King with “Will You Still Love Me Tomorrow”
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to the Feb Fab Faux Four. This song is surrounded by mystery, skepticism and a lot of a disappointment.
The story goes that John Lennon wrote this song about Maharishi Mahesh Yogi, the Beatles’ Indian guru. The group took an interest in Transcendental Meditation after attending one of Maharishi’s lectures. They went to India to study TM specifically at his camp, but left early when they began to fear he was more of a cult leader than an enlightened being. Speculation was Maharishi Mahesh Yogi was using his status to seduce women.
Controversy among the Beatles lies in whether they all believed the stories or if John was seeing and believing things that weren’t really happening. Sadly, there’s no one who will tell the real story. John and George are dead, Ringo’s all about peace and love and Paul’s all about Paul.
There are many people who believe there are strange events surrounding the Beatles, including the conspiracy theory that the original Paul was killed in a car crash in 1966 and was replaced by a look-alike named William Shears Campbell (who also happened to be extremely talented!) Supposedly, they were sworn to secrecy. Who knows …. maybe when there’s only one man standing will some of the truths be revealed, but I doubt it.
Lennon called today’s song “Maharishi,” but changed the title to “Sexy Sadie” to keep from getting sued. The opening lines make Lennon’s sentiments perfectly clear.
This is “Sexy Sadie” by the Beatles.
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Doing his cover of “Sexy Sadie” this is Paul Weller
Paul Weller achieved fame with the new wave band, the Jam then had further success with the blue-eyed soul sound of the Style Council before setting out on a solo career.
I think he did a fine cover of Sexy Sadie, keeping very true to the original, but his remake lacked the finesse and subtlety of John’s. My vote goes to the Beatles.
We’re going in the opposite direction tomorrow; come join me.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
It’s time once again for The Unicorn Challenge where we are asked to respond to the photo prompt by writing something brilliant in 250 words or less. In exactly 250 words, this is my response.
The first half of my morning commute was always quite pleasant. Iβd buy a muffin and a freshly brewed cup of coffee at Britain and McCainβs, then hop on the Metro North New Haven line. The 7:18 train was brightly lit, clean, and the seats were suitably arranged, making for a comfortable ride. Iβd always see the same faces, fellow suburbanites with their briefcases and newspaper tucked under an arm. A nod or a wave was all that was necessary; it was all quite civilized. Arriving at Grand Central Terminal, Iβd hustle to catch the subway; once inside, all masks of civility were discarded. It became a jungle, survival of the fittest. Finding a seat on the subway was a continuous battle. Any shred of human decency was stripped away as people trampled each other in the hope of securing a place to sit or, at the very least, a spot against a wall on which to lean. If you were unable to find neither seat nor wall, youβd have no choice but to position yourself in the aisles where you could hang onto the hand straps suspended from the ceiling or stand shoulder-to-shoulder like disgruntled sheep crammed in a stall with no place to go. If anyone should stumble and fall, God help them because no one else would! Livestock on their way to the slaughterhouse. No wonder so many people were frustrated and disillusioned, dragging themselves to jobs they hated in conditions not fit for man or beast.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to F4. We are now two days into the second half of the month.
Considering the edgy progressive complexity of today’s song, it’s amazingly difficult to believe it was released in 1963 and was composed primarily by two guys who could neither read nor write music. This little number takes us all over the place with notes and chords and harmonies we don’t expect and somehow, it all works.
It’s a classic.
Here are the Beatles with “Not A Second Time”
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This is “Not A Second Time” as done by the Pretenders
It seems only right that this progressive, edgy and complex piece be covered by the Pretenders and their legendary front-woman Chrissie Hynde; they are, after all, the icons of punk and New Wave music.
This is a really good cover; it stayed true to the original with a good electric piano break but I expected a little more from this group which has always been on the cutting edge.
This one goes to the Beatles.
Join me tomorrow for a cool tune off the White Album.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Itβs time for Friday Fictioneers Fun with Rochelle! Hereβs something different for you today. I wrote Part 2 to Dale Rogersonβs terrific story, Β Endless Love and piggy backed my story onto hers. Hereβs the link to Daleβs site; please read her story before mine. Thanks to our host Rochelle and my friend Dale for a fun read and a great photo!
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There wonβt be any chit chat from me, no facts and figures β just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Harold Arlen (Composer) Born February 15, 1905 in Buffalo, New York
From “The Wizard Of Oz”, it’s Judy Garland singing “Somewhere Over The Rainbow”
“Blues In The Night” from the album “Sentimental Journey: Hits From The Second World War”
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
It’s time to shake things up again by featuring another song which the Beatles covered. We’re going back to the 50s; this song was a staple of the Beatles’ live set from the very earliest formative years until they stopped touring in 1966. In fact, it was the last song they played at their final concert at San Francisco’s Candlestick Park in August 1966.
Is that ringing any bells for you? Let’s get the phonograph cranked up; it’s time for some good old rock & roll.
From 1957, this is little Richard with “Long Tall Sally”
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And here are the Beatles with their version of Little Richard’s “Long Tall Sally”; this time it’s Paul on lead vocals.
Damn! That’s how you do a cover!
When Paul and John first met, back in the summer of 1957, βLong Tall Sallyβ was among the songs Paul played for John, after which John invited him to join his band. As Paul told Playboy in 1984: βI knew the words to 25 rock and roll songs so I got in the band. “Long Tall Sally” and“Tutti-Frutti,”that’s what got me in. That was my audition.β
Well, kids, this is a tough one. For quality of sound, that banging piano and George’s incredible guitar playing, the Beatles win this one hands down. BUT let’s not forget something: without the likes of Little Richard, there just might not be a Paul McCartney and the Beatles.
Come join me tomorrow as we take it down a notch or two.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Weβre well into February so the challenge from Glyn at Mixed Music BagΒ is to write about a band or singer that starts with the LettersΒ CΒ orΒ D.
There werenβt too many artists in rock history to successfully straddle the line between music and comedy. The Coasters was one of those groups. Their undeniably funny lyrics and on-stage antics might have suggested a simple troupe of clowns, but the Coastersβ records were no mere novelties; their material was too witty, their arrangements too well-crafted, and the group itself too skilled musically. That engaging and infectious combination made them one of the most popular early R&B/rock & roll acts, as well as one of the most consistently entertaining doo-wop/vocal groups of all time.
Originally from Los Angeles, The Coasters began as the Robins; instead of singing the usual ballads and rhythm pieces, they sang novelty songs written by the duo of Leiber and Stoller. In 1955 they became The Coasters and started recording what would become a series of rock & roll hits directed at teenage listeners. βSearchinβ β and βYoung Bloodβ (both 1957), βYakety Yakβ (1958), and βCharlie Brownβ and βPoison Ivyβ (both 1959).
The Coasters alternated lead singers and featured clever arrangements, including amusing bass replies and tenor saxophone solos by King Curtis, who played a crucial role in creating Atlanticβs rhythm-and-blues sound. With further personnel changes they continued performing in βoldiesβ shows into the 1990s. The Coasters were inducted into the Rock and Roll Hall of Fame in 1987.
Here are two of The Coastersβ hits, βYakety Yakβ and βPoison Ivyβ.
LYRICS
Take out the papers and the trash Or you don’t get no spendin’ cash If you don’t scrub that kitchen floor You ain’t gonna rock and roll no more
Yakety yak (don’t talk back)
Just finish cleanin’ up your room Let’s see that dust fly with that broom Get all that garbage out of sight Or you don’t go out Friday night
Yakety yak (Don’t talk back)
You just put on your coat and hat And walk yourself to the laundromat And when you finish doin’ that Bring in the dog and put out the cat
Yackety yack (Don’t talk back)
Don’t you give me no dirty looks Your father’s hip, he knows what cooks Just tell your hoodlum friend outside You ain’t got time to take a ride
She comes on like a rose but everybody knows She’ll get you in Dutch You can look but you better not touch
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
She’s pretty as a daisy but look out man she’s crazy She’ll really do you in If you let her under your skin
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
Measles make you bumpy And mumps’ll make you lumpy And chicken pox’ll make you jump and twitch A common cold’ll fool ya And whooping cough’ll cool ya But poison ivy, Lord’ll make you itch!
You’re gonna need an ocean of calamine lotion You’ll be scratchin’ like a hound The minute you start to mess around
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
Measles make you bumpy And mumps’ll make you lumpy And chicken pox’ll make you jump and twitch A common cold’ll fool ya And whooping cough’ll cool ya But poison ivy, Lord’ll make you itch!!
You’re gonna need an ocean of calamine lotion You’ll be scratchin’ like a hound The minute you start to mess around
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
La da la da la da La da la da la da La da la da la da La da la da la da
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If youβre on the fence about the Beatles or if you just donβt like them, this blog is for you. My goal is not to convert you; itβs to expose you to the lesser-known Beatles songs we donβt hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Happy Valentine’s Day and welcome back to FFFF, all you romantic fools!
Just for today I’ve switched out Misky’s Feb Fab Faux Four Beatles Tiki Gods graphic; as you can see, they’re all wearing their hearts on their sleeves chests …. except for the one in the middle. I wonder what happened to make him so grumpy? Maybe he’s Pete Best!
You probably have a favorite Beatles love song; after all (as we learned last week), according to Paul’s aunt, all they ever wrote were love songs. I have my favorite but I’m not playing it because, as my friend Keith pointed out the other day, some Beatles songs should just be left alone.
I chose today’s song for three reasons: (1) we’re long overdue for a song from the ladies; (2) the harmony is so rich and unexpected, it just makes you smile and (3) it’s perfect for Valentine’s Dayβ£οΈ
Here’s one of the few Beatles’s songs just begging you to get up and do the Cha ChaCha.
This is the Beatles with “If I Fell”
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Here is “If I Fell” by the MonaLisa Twins
Wasn’t that just like eating a big, yummy chocolate heart? Oh my, so very sweet!
The MonaLisa Twins …. Mona & Lisa Wagner …. are Austrian-born, Liverpool-based musicians known primarily for their covers of Beatles songs and other artists from the 60s. Their voices blend so beautifully and this Lennon-McCartney number is perfect for them.
I love when a piece of music surprises me with it’s accidental* chords and intricate harmony; “If I Fell” does that every time I listen to it. For me, it’s one of the Beatles finest pieces and definitely one you don’t hear too often.
Happy Valentines Dayβ£οΈ I love you all for stopping by and sticking with me this month. If you have a Beatles remake that you like and want me to share on my blog, leave the name of the song and who covered it in the comments box and I’ll take it from there. Simple as that!
*Accidental: A musical term meaning that a note is either higher or lower than the original natural note;βit’s called accidental but it’s no accident.
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
Rachel and Paul had been together for six years. They assumed one day they would marry, have kids β the whole nine yards β but life has a funny way of taking twists and turns. Their romance and dreams just fizzled out but they remained very close and relied on each other for guidance β from the job scene to the dating game.
One night Rachel texted Paul: “Hey, babe. Ella & Sam set us up with blind dates for Fri. U in?”
Paul: “Y not? No plans anyway!”
Rachel: “Great! Emilio’s @ 7. Glad U R my back-up!”
Paul: “Ditto, babe! C U there.”
Both kicked themselves for calling the other “babe”. Old habits.
Friday night the foursome met at Emilio’s. While checking-out their prospective dates, Paul and Rachel exchanged alarmed glances; her eyes were screaming “WTF!” It was the fastest dinner in the history of Emilio’s restaurant.
As soon as Paul got home, he called Rachel: “What was that?!“
Rachel howled: “A TOTAL FREAK SHOW!! Your date was downright scary! She looked like Vampira and I swear her eyes were red! And what was up with that black cape β with a hood, for Christ’s sake? Did you notice her steak? It wasn’t rare; it was raw and practically throbbing!”
“And what about YOUR date?!” Paul exclaimed. “Wrist-to-neck tattoos, eyebrow, nose and lip piercings, boots with spikes and a “Carcass” t-shirt! He downed a bottle of beer in two gulps and belched like a bloody Viking!”
“I’ll never let Sam and Ella play matchmakers again. I’m sure they thought it was hysterical” Rachel quipped. “Anyway, my mother set me up with her friend’s cousin’s son, “The Doctor”, for next Saturday …. on Valentine’s Day, for Pete’s sake! If you get a date maybe we can try this again.”
“Sure. Nothing could be as bad as tonight” Paul replied. “I’ll call ya.”
A few days later Paul called to say he had a date for Saturday β a friend of a friend. “But she said “drinks only” and she’ll take a taxi.”
“Ok, fine, with me, but if it turns into another debacle like that last date, we all go our separate ways.”
Arrangements were made to meet at The Aviary in Central Park. Rachel’s date was Wesley, an OB/GYN. He was handsome, tan and suave. Paul’s date was Ginger, a salesgirl at Victoria’s Secret with modeling/acting ambitions. She was a vivacious redhead with mischievous green eyes.
“Well, there’s no point in me hanging around” Rachel said glumly. “Ginger should be back any second and three’s a crowd.”
As Rachel got up to leave she glanced out the window and saw Wesley and Ginger getting into his car. “What the hell? Paul! We’ve been dumped …. on Valentine’s Day!”
Paul and Rachel started the slow walk of rejection through Central Park. He jokingly bumped her shoulder with his.
“There’s a hockey game on tonight. Any chance you wanna watch?” Paul asked.
She bumped him back.
“Why not? I don’t have any plans now, anyway” Rachel sighed.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to Beatles songs we don’t hear day in and day out. These are treasures. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Let’s start with a little background info about today’s song. Legend has it that Paul McCartney’s aunt asked if he could ‘please write something other than love songs‘. Determined to give it a go, Paul was inspired to write about something new and different when he spotted Ringo back stage at a concert venue reading a dime store novel …. and today’s song was born.
This is “Paperback Writer” by the Beatles
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This is SAXON doing their interpretation of “Paperback Writer”.
Back in 2021, British hard/metal rockers SAXON recorded an album called “Inspirations”, covering groups such as the Beatles, Hendrix, MotΓΆrhead, Deep Purple, Zeppelin, Thin Lizzy, AC/DC and Black Sabbath. According to lead singer Bill Byford, the group “didn’t want to change any of the songs too much, just play them more like Saxon.”
If I didn’t know the original version, Saxon’s remake would get my vote; it’s one of my favorite covers since I started doing this blog. That said, I’m calling this a draw; its a great example of excellence in two genres β pop rock and hard rock.
Same song done two ways, each with it’s own unique sound. Which one did you prefer …. the original or the remake …. or are you calling it a draw, like me? PS: Saxon’s album “Inspirations” is now on my playlist.
Tomorrow is Valentine’s Day so regardless of what Paul’s aunt said about love songs, prepare yourselves for a little lovin’ tomorrow; stop by to check it out. And don’t forget to show your significant other some love; there’s still time to buy your Valentine’s Day candy and flowers! π
PS β If any video wonβt play for you, Iβve provided the name of the song and who did it so you can find it on YouTube. Itβs a pain in the ass but it does happen from time to time. My apologies.
From our kitchen window I can see my little girl Nell playing with her new best friend Elena. Since moving to Atlanta two months ago, the girls have become inseparable. They are both four years old and about the same height but thatβs where the physical similarities end.
Nell is a green-eyed lanky Irish redhead covered in a profusion of freckles while Elena is a slightly plump Spanish beauty with brown doe eyes, smooth tanned skin and lustrous black hair.
As I stand at the kitchen sink I can see the girls frolicking in the yard with Elena’s puppy, Pongo. Their energy is boundless as they dash back and forth from the swings to the trampoline to their bikes. They like to play a funny game where little Pongo is a scary monster chasing them around the yard …. and Pongo is always happy to oblige.
Moving around the kitchen doing my chores, I can hear Elena counting, followed by an excited βready or notβ¦.here I comeβ, then the hysterical giggles as Nellβs secret (but usual!) hiding place is discovered.
The yard is fenced in and Iβm completely aware of the girls and what theyβre doing …. most of the time. Occasionally theyβll wander into a concealed corner of the garden to pick wild flowers for me and Elenaβs mom. Even though I canβt see them, I can clearly hear their conspiratorial mumblings as they go from one blossom to the other.
βButtercups, Daisies and Lillies of the Valleyβ whispered Elena.
All was quiet and I presumed the girls would come dashing into the kitchen and present me with a freshly-picked bouquet; instead Pongo bounded in, yipping and yapping like crazy …. an omen that all is not as it should be. To my relief, there’s no sign of anything unusual in the dining room. The front door is locked and my handbag is still resting on the desk where I left it. To my amazement, on the crisp white tablecloth sat a short blue glass vase brimming with Daisies, Buttercups, Lillies of the Valley and ivy. It was breathtaking.
I stood there admiring the green, white and golden cluster when suddenly I heard woeful whimpering and sobbing nearby. Pongo gave a little tug on the end of the tablecloth and there, huddled closely, were Nell and Elena, their little bodies covered in itchy red rashes. Only then did I realize the vine in the vase with flowers was poison ivy!
βCome with me, my sweet girls. Itβs nothing a little calamine lotion wonβt fix. Thank you for the flowers …. the most beautiful Iβve ever seen! Wonβt daddy be surprised when he comes home tonight!β I said, smiling and chuckling to myself.
And tomorrow we will rid the garden of all the pretty shiny ivy.
Welcome Back to Feb Fab Faux Four – the only blog (I assume) devoted solely to Beatles cover songs!
Our friend Lisa gave me a suggestion for a group known for their Beatles covers. The name was familiar and was pretty sure they were a tribute band; I will not feature professional tribute bands on this blog. And when you see their album cover, you’ll understand my hesitation and doubt. However, I was wrong; they’re not a tribute band and, believe me, I gave the internet a good search to make sure.
This pop/rock group from Carteret, New Jersey made a name playing their own material, but they have recorded Beatles songs as well and have always had a soft spot for the enthusiasm and zest of British Invasion bands. Their approach to music is twofold: as fans who know it intimately and as composers who know what makes a great song durable.
I have not heard another group play a Beatles’ instrumental piece with such precision. They even perfected Paul’s screams in the background! If anyone reading this right now knows of a better group, please let me know; I welcome your comments and videos.
Here are the Beatles with “Cry For A Shadow” …. written in their very early days by George and John with Pete Best on drums!
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This is “Cry For A Shadow” by the Smithereens
As I said earlier, you can see why I had trouble believing the Smithereens are not a tribute band.
What a song! And kudos to George for his incredible guitar playing. I’m hearing a little bit of Duane Eddy, Del Shannon, Cliff Richard and Santo & Johnny.
This piece was recorded in June 1961 at Friedrich-Ebert-Halle in Hamburg, Germany. At that time the Beatles were performing as a backing band for Tony Sheridan and went by the name “Beat Brothers”. It was written by George Harrison with John Lennon in the style of the Shadows who backed Cliff Richard and were the biggest British instrumental rock & roll group at the time. “Cry For A Shadow” is the only Beatles track to be credited to Harrison and Lennon alone.
The Smithereens are still performing and have some upcoming dates at Daryl’s House with Daryl Hall.
So, what’s the verdict? I’d say this cover is as close as you can get to the real thing.
Sammi at Weekend Writing Prompt has challenged us to write creatively in exactly 60 words, incorporating the word βvapidβ. Using a few other prompt words, here is my 60-word response in the form of a Dectina Refrain and a Haiku Duet.
Old man with vapid thoughts and empty eyes lives in denial; puppeteers pulling strings feeding hypnotic untruths into flaccid, desolate brain on the outskirts of insanity. Old man with vapid thoughts and empty eyes
Gray, grayer smoke above the clouds in the sky no light shining brightly
Brown dying trees dried leaves lay at the roots no buds tacitly emerging
Dectina Refrain: This refrain is written as follows: 1st line β 1 syllable, 2nd line β 2 syllables 3rd line β 3 syllables, and so on for 9 lines; the 10th line is comprised of the first four lines as one stand-alone line.
