Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on that day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Jimmy Dorsey Born February 29, 1904 in Shenandoah, Pennsylvania
This is it, kids …. the final installment of Feb Fab Faux Four! What a trip this has been for me!
The Beatles have been in my life since WMCA NY disc jockey Jack Spector played “I Want To Hold Your Hand” on December 26, 1963. That’s a very long time ago – just over 60 years – and I imagine some of you weren’t even born yet. I’ve seen the Beatles perform live in concert and I’ve lived through every transformation in the 7 years, 7 months and 24 days they were together. I loved them. I still love them. They are not only in my heart but in my soul.
My goal here on this month-long blog was to have fun and not try to convert anyone into becoming Beatles fans, but after 29 days, I think I may have done exactly that with a few of you.
During this month I discovered that really good Beatles covers are very difficult to find; they are few and far between. Also, judging by the fact that almost every Beatles video presented on this blog was preferred over the cover reinforced what I already knew: the Beatles are hard to beat. They are the best group that ever was or ever will be!
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Now it’s time to get into our final song.
Many Beatles tracks have had interesting afterlives, and this is one of them. It sits towards the end of the last album they made together – 1969’s Abbey Road – but it is less a song than a segment, a tender part of the medley at the end of side two. In one minute and 32 seconds, it evokes nostalgia, innocence and loss in its lyrics and melody, about the impossibility of getting back home (“Once there was a way…”), and the singing of lullabies to a child (“Sleep, pretty darling, do not cry”).
Next comes the seventh and penultimate song in the album’s climactic medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. The middle bridge – featuring brass instruments, electric guitar, and vocals – reprises the beginning of “You Never Give Me Your Money”, but with different words. The lyrics have been interpreted as an acknowledgement by the group that nothing they would do as individual artists would equal what they had achieved together, and they would always carry the weight of their Beatle past. The song is said to be about the Beatles’ business difficulties and the atmosphere at Apple at the time.
The final song of the medley is quite clearly the denouement, not only of the album but of the Beatles as a group. All four Beatles have a solo, including a Ringo Starr drum solo. Ringo disliked solos, preferring to cater drum work to whoever sang in a particular performance; in fact, this is the only drum solo he recorded with the Beatles. George, John and Paul perform a rotating sequence of three, two-bar guitar solos. The idea for a guitar instrumental over this section was George’s, and John suggested the three of them each play a section. The Beatles’ recording engineer, Geoff Emerick, later recalled: “John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all – you could tell they were simply having fun.” In 2007, the final track of the medley was ranked at number 7 on Q magazine’s list “The 20 Greatest Guitar Tracks”.
I listened to a lot of cover versions of this medley and it was impossible to find one that I really liked, except for Phil Collins. I came very close to going with Phil’s recording but I just couldn’t hit the share button on the video. For me, his remake is more of a George Martin remake with Phil singing Paul’s part and playing the drums over a Beatles’ recording. Since I couldn’t find the perfect cover, I made the decision to close out this month by playing only one version …. the original. Nothing else will do. If anyone knows of a version they think is better than or comparable to the original, you are most welcome to drop the link into the comments box. I look forward to hearing them. No professional tribute bands, please.
I can’t think of a better way to say “the end” than by featuring the medley from the fabulous Abbey Road. Here are the Beatles with “Golden Slumbers/Carry That Weight/The End”.
That, my friends, is how it’s done!
I hope you enjoyed spending February together listening to Beatles music; it’s been an incredible experience for me. To you who stuck with me and left comments throughout the month, I am in awe of you and so greatly appreciative. Thank you!
As the Beatles sang: “And in the end the love you make is equal to the love you take“.
This is the final challenge this month from Glyn at Mixed Music Bag, which is to write about a band or singer that starts with the Letters C or D.
Ellen Naomi Cohen was born in Baltimore, Maryland on September 19, 1941, the granddaughter of Russian-Jewish immigrants. Her family was subject to significant financial stress and uncertainty during her childhood years. Ellen’s father ran a lunch wagon and her mother was a nurse. Sometime in high school Ellen began calling herself “Cass”. She became interested in acting and shortly before graduation, moved to New York to further her acting career. After the death of one of her friends, she took on his name and Cass Elliot was born.
You may know her better as “Mama Cass”, from her time with the Mamas and the Papas.
Cass Elliot was known for her sense of humor and optimism and was considered by many to be the most charismatic member of the group. Her powerful, distinctive voice was a major factor in their string of hits. If you want to know more about the Mamas and the Papas, there’s plenty to read in Wiki.
After the group broke up, Cass Elliot released five solo albums; for this post I will feature Cass Elliot’s biggest hit as well as my favorite song by Mamas and the Papas.
“Dream a Little Dream of Me“, a 1931 song with music by Fabian Andre, Wilbur Andre and Wilbur Schwandt and lyrics by Gus Kahn, enjoyed its highest-charting success when it was covered in 1968 by Cass Elliot with the Mamas and the Papas. Gus Kahn’s sentimental, bucolic lyrics citing “birds singing in the sycamore tree”, “stars shining” and “night breezes” are a lullaby, specifically a romantic one of parting lovers.
This is a solo Cass Elliot with “Dream a Little Dream of Me” from her album “Mama’s Big Ones”.
“Creeque Alley” is an autobiographical hit single written by John and Michelle Phillips in late 1966, narrating the story of how the Mamas and the Papas was formed, and its early years. It also recounts Cass Elliot’s life after leaving high school and moving to NYC to pursue an acting career.
The title of the song, which does not occur in the lyrics, is derived from Creque or Crequi (pronounced “creaky“) Alley, home to a club in the Virgin Islands where the New Journeymen, John and Michelle Phillips’ original group, spent time on vacation. The lyric “Greasin’ on AmericanExpress cards” refers to that time during which they could only make ends meet by using their credit cards, and the lyric “Duffy’s good vibrations, and our imaginations, can’t go on indefinitely” refers to Hugh Duffy, the owner of the club on Creeque Alley.
The Phillips’ lyrics mention, directly or indirectly, many artists and bands who were part of the folk music scene at the time, including fellow band members Cass Elliot and Denny Doherty, Zel Yanovsky and John Sebastian of the Lovin’ Spoonfull, Roger Mcguinn of the Byrds and Barry McGuire of the New Christy Minstrels. Michelle Phillips is referred to in the lyrics by her nickname Michi (“John and Michi were getting kind of itchy, just to leave the folk music behind”).
The song peaked at #5 on the U.S. Billboard pop singles chart the week in 1967, becoming their last Top 10 hit. It made #9 on the UK Singles Chart, #4 on the Australian and #1 on the Canadian charts.
This is “Creeque Alley” by the Mamas and the Papas.
Lyrics
John and Mitchy were gettin’ kind of itchy Just to leave the folk music behind Zal and Denny workin’ for a penny Tryin’ to get a fish on the line In a coffee house Sebastian sat And after every number they’d pass the hat McGuinn and McGuire just a gettin’ higher In L.A., you know where that’s at And no one’s gettin’ fat except Mama Cass*
Zally said Denny, you know there aren’t many Who can sing a song the way that you do, let’s go south Denny said Zally, golly, don’t you think that I wish I could play guitar like you Zal, Denny and Sebastian sat (at the Night Owl) And after every number they’d pass the hat McGuinn and McGuire still a gettin’ higher In L.A., you know where that’s at And no one’s gettin’ fat except Mama Cass
When Cass was a sophomore, planned to go to Swarthmore But she changed her mind one day Standin’ on the turnpike, thumb out to hitchhike Take me to New York right away When Denny met Cass he gave her love bumps Called John and Zal and that was the Mugwumps McGuinn and McGuire couldn’t get no higher But that’s what they were aimin’ at And no one’s gettin’ fat except Mama Cass
Mugwumps, high jumps, low slumps, big bumps Don’t you work as hard as you play Make up, break up, everything is shake up Guess it had to be that way Sebastian and Zal formed the Spoonful Michelle, John, and Denny gettin’ very tuneful McGuinn and McGuire just a catchin’ fire In L.A., you know where that’s at And everybody’s gettin’ fat except Mama Cass Di di di dit dit dit di di di dit, whoa
Broke, busted, disgusted, agents can’t be trusted And Mitchy wants to go to the sea Cass can’t make it, she says we’ll have to fake it We knew she’d come eventually Greasin’ on American Express cards It’s low rent, but keeping out the heat’s hard Duffy’s good vibrations and our imaginations Can’t go on indefinitely And California dreamin’ is becomin’ a reality
*“And no one’s getting fat except Mama Cass” refers to making money and has nothing to do with gaining weight. By the end of the song, hinting at Cass Elliot’s struggles with recording success, the lyrics changes to “And everybody’s getting fat except Mama Cass”.
On July 27, 1974, Cass Elliot finished two weeks of solo concerts at the London Palladiumand went on a 24-hour celebration binge. She first attended the 31st birthday party for Mick Jagger after which she went to a brunch in her honor presented by Georgia Brown. While there, according to biographer Eddi Fiegel, Elliot was blowing her nose frequently, coughing and having trouble breathing. Next she attended a cocktail party hosted by American entertainment journalist Jack Martin. She seemed in high spirits but also appeared physically exhausted and sick. She left that party at 8:00 pm on Sunday, July 28, saying she was tired and needed to get some sleep.
Elliot retired to an apartment owned by singer-songwriter Harry Nilsson who allowed her to stay there. Several hours after Elliot left Jack Martin’s cocktail party, she died in her sleep at age 32. According to autopsy results, she died of a heart attack, and there were no drugs in her system. Four years later, the Who’s drummer Keith Moon died in the same bedroom, also aged 32 years.
Cass Elliot’s ashes are buried in Mount Sinai Memorial Park Cemetery in Los Angeles.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today I have chosen for you one of the most beautiful songs ever recorded by the Beatles. I was hoping I’d be able to feature this number for a couple of reasons; in addition to being a stunning piece of music with gorgeous lyrics, it’s one that’s rarely heard.
The song begins with a distinctive electric harpsichord intro, then John Lennon joins in, his guitar mimicking the harpsichord line. The vocals enter in their prominent and perfectly tuned three-part harmony. This was one of the few Beatles recordings to feature a Moog synthesizer, played by George Harrison.
According to John, the song’s close musical resemblance to the first movement of Beethoven’s “Moonlight Sonata” was no coincidence: “Yoko was playing ‘Moonlight Sonata’ on the piano and I said, ‘Can you play those chords backwards?’ Our song was written around those chords. The lyrics speak for themselves …. no imagery, no obscure references.“
While I was hoping to feature this song I was also reluctant; I couldn’t find any good covers. And then I discovered today’s remake and I’m pretty sure I forgot to breathe for a few of seconds.
Let’s listen to the song.
This is “Because” by the Beatles
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This is Elliott Smith with his remake of “Because”
This may very well be my favorite Beatles song. If I’ve said that before, please excuse me; I have so many favorite Beatles songs.
Elliott Smith was a dedicated fan of the Beatles, as well as their solo projects and claimed that hearing the White Album was his original inspiration to become a musician. In 1998, Smith contributed a cover of the Beatles song “Because” to the soundtrack and closing credits of the film “American Beauty”. This was the only Beatles song that Smith ever officially released.
This is too close to call; for me it’s definitely a draw.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to Feb Fab Faux Four. We’re down to the final three days of the month; after this, I won’t be allowed to play another Beatles song until summer!
This next song is clearly about a guy begging for his woman not to leave him. It’s a real belter, with a hard and heavy Louisiana-style blues/rock sound.
Paul says he remembers “wanting to get the vocal right, wanting to get it good; it’s hard on the voice and if it comes off even a little bit lukewarm, then you’ve missed the whole point.“
John said “Paul wrote it, so what the hell, he’s going to sing it. If he’d had any sense, he should have let me sing it.”
Haha! I happen to like this song a lot and think Paul did a fine job on it. Let’s see what you think of my cover choice; as usual, the original will play first.
From the Beatles, this is “Oh! Darling”
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With his rendition of “Oh! Darling”, this is Graham Bonnet
Oh, sweet baby Jesus! This is how to do a cover! You stick to the basics, changing it up just enough to make it your own without tearing the hell out of it and making it unrecognizable.
I’ve always loved the gritty, down & dirty sound of the blues; “Oh! Darling” is a perfect example of that style of song. Graham Bonnet, front man for such hard rock and heavy metal bands as Rainbow, Michael Schenker Group and Alcatrazz was born to sing a song like this.
I adore Graham Bonnet. He’s got one of the best voices in rock, hard rock and metal. And since today is my birthday, Graham Bonnet singing “Oh! Darling” is my gift to me!
Talk about hitting all the right notes. My vote goes to Graham Bonnet.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today’s song is another request. I did not have this one programmed so the cover choice is not mine. It’s a great number for the category of lesser known songs and I was glad to receive the request and cover suggestion.
During the recording of today’s song, Paul McCartney reportedly stormed out of the studio due to tension and disagreement with the band over the song’s arrangement and direction. The creative process for the Beatles during this time was often intense and fraught with artistic differences, which could lead to such incidents.
The song was originally inspired by an LSD trip; the lyrics were written by John Lennon based on an experience he had with actor Peter Fonda. It’s another case of he said, she said …. or in this case …. she said, she said.
This is “She Said, She Said” by the Beatles
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And here is our requested cover version of “She Said, She Said” by Lonestar.
No input from me on this one, kids, so you’ll have to virtually duke it out on your own. No hitting below the belt!
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today’s song is another in your face, bare naked plea inspired by John’s love for Yoko. As he put it: “When it gets down to it, when you’re drowning, you don’t say, “I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,” you just scream.”
John and Yoko had a real connection. I don’t think the other Beatles disliked Yoko; I think they resented her hanging around all the time. None of the other wives came to the “office” every day; she was the 5th wheel, a distraction. John was totally into her and not what the group was doing. She was a constant presence and made things uncomfortable but neither she nor John cared.
Here are the Beatles with “Don’t Let Me Down”
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From Wales with their cover of “Don’t Let Me Down”, this is Stereophonic.
Here we have another case of “If I didn’t know the original, I’d be all over this one“. I love the sound of the lead singer’s voice and the group has a really good vibe. I like this cover a lot but, just like the cover of “I Am The Walrus”, it’s too slow. Besides, all I think of when I hear this song is the Beatles rooftop concert.
Another one for the Beatles. What are your thoughts?
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Today, Jim at Song Lyric Sunday is asking us to write about a song that was not originally released as an album single or never became a single.
The songs I’ve chosen were written and recorded by one of the biggest bands to come out of the UK in the 60s. No, not the Beatles! This time I’m talking about the Rolling Stones. Contrary to what some people believe, a person can be into both the Beatles and the Stones. Shocking, isn’t it!
Here’s a quick bio: The Rolling Stones were formed in London by founding members, vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman and drummer Charlie Watts. During their early years, Jones was the primary leader of the band.
Just like all bands starting out at that time, the Stones’ catalog consisted of cover songs. When they began writing their own songs, the Jagger-Richards partnership became the band’s primary songwriting and creative force; this alienated Brian Jones, who developed a drug addiction that by 1968 interfered with his ability to contribute meaningfully. Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. In 1971 the Stones released the album Sticky Fingers, the first of eight consecutive #1 studio albums in the US. Taylor left the band at the end of 1974 and was replaced by Ronnie Wood. Following Wyman’s departure in 1993, the band continued as a foursome.
Two of the Rolling Stones’ songs that were never released as singles are both mega hits – “Gimme Shelter” off their 1969 album Let It Bleed and “Can’t You Hear Me Knocking” from their first #1 album, Sticky Fingers.
“Gimme Shelter”is about the political and social unrest at the time. There was the war in Vietnam, race riots, the murders by the Manson Family and politicians being assassinated. Mick Jagger sings of needing shelter from this “storm”. Merry Clayton is the female vocalist featured singing the line “Rape, murder, it’s just a shot away”. She delivered a chilling vocal with her voice cracking on the word “murder” at the 3:01 mark and you can hear Jagger in the background saying “Whoo!” The Stones didn’t release the song as a single but Merry Clayton did …. in 1970 which made it to #73 in the US.
This is “Gimme Shelter” by the Rolling Stones; be sure to listen for Merry in the background.
“Can’t You Hear Me Knocking” is the fourth track on the Rolling Stones’ 1971 album Sticky Fingers. The first two and a half minutes of the song are down and dirty, riff-tastic Rolling Stones. The last four and a half minutes are an improvised, instrumental jam session. The length of this song made for a tough sell; in order to improve the chances of radio play, singles were held to around three minutes. The entire track was captured in one take, with the jam being a happy accident. The band had assumed the tape machine had been stopped and were surprised to find the entire session had been captured. Originally they were going to end the song before the jam started, but were so pleased with the results, they decided to keep it in.
The four singles from Sticky Fingers were “Brown Sugar,” “Bitch,” “Wild Horses,” and “Sway.” However, popular consensus is “Can’t You Hear MeKnocking” stands miles higher than “Sway”. Not only does it bear one of the Rolling Stones’ most instantly recognizable guitar riffs, but it’s been included in the soundtracks for a number of movies including Casino and The Fighter.
But what’s the song all about? What are the Stones trying to tell us? It’s probably best not to read too much into the lyrics of this one since even Mick Jagger isn’t exactly sure what he wrote! Appearing on the track is Bobby Keys, who had debuted his saxophone for the Stones on “Live With Me” back on Let It Bleed. Mick Taylor’s got that impressive guitar track starting at the 4:32 mark.
So, since I don’t have any spectacular words of wisdom to add to that, let’s just enjoy the Stones and “Can’t You Hear Me Knocking”.
The Rolling Stones’ estimated record sales of 200 million makes them one of the best-selling music artists of all time. They have won three Grammy Awards and a Grammy Lifetime AchievementAward. They were inducted into the Rock and Roll Hall ofFame in 1989 and the UK Music Hallof Fame in 2004. Billboard and Rolling Stone magazine have ranked them as one of the greatest musical groups of all time. I definitely concur.
Thanks so much to Jim for all the work he does week after week on Song Lyric Sunday.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to F4! We’re going to take a trip back in time.
I’m featuring another Beatle covering one of their favorite rock & roll songs; if you’ve been keeping track you know there’s only one Beatle I haven’t featured yet. So, who’s the last man standing? You’re about to find out …. but first, let’s listen to the original song which the Beatles covered.
From 1960, here are The Shirelles with their hit, “Boys”
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And here are the Beatles with their version of “Boys” with Ringo doing the singing.
There’s no doubt the fabulous girl groups from the early 60s broke boundaries and paved the way for future artists BUT …. and you knew there was a but coming …. this definitely goes to the high octane performance by Ringo and the boys. You can tell they are all into this one 100% and having the time of their lives! We can’t forget, however …. without groups like The Shirelles, the Beatles might not even exist.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to the final week of Feb Fab Faux Four! Let the countdown begin!
Today I’m featuring a lovely ballad off their 1970 “Let It Be” album. John explained how the words of the first line came to him: “I was lying next to my first wife in bed and I was irritatedand I was thinking. She must have been going on and on about something and she’d gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song, rather than “Why are you always mouthing off at me?” [The words] were purely inspirational and were given to me as boom! I don’t own it you know; it came through like that.“
This is “Across The Universe” by the Beatles.
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With his remake from the “I Am Sam” soundtrack, this is Rufus Wainwright and “Across The Universe”
Truth be told, I don’t really know that much about Rufus Wainwright so I Googled him and found out that he is a Canadian-American singer, songwriter and composer. He has recorded eleven studio albums and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare’s sonnets to music for a theatre piece by American director and playwright Robert Wilson. Up until today I had no songs by Wainwright on my playlist; now I have one.
I listened to a few covers of this piece, including Bowie’s and one by Wainwright with Moby and Sean Lennon. None of them came close to the original.
This solo piece was a shining star for me. I’m not quite ready to call it a draw so score one more for the Beatles.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Marni Nixon (Voice Dubber/Ghost Singer) Born February 22, 1930 in Altadena, California
Marni Nixon talks about Dubbing for Marilyn Monroe and Debora Kerr
Yul Brynner & Deborah Kerr perform “Shall We Dance” from “The King and I”. (Marni Nixon dubbed Deborah Kerr’s singing)
“Tonight” from “West Side Story” with Marni Nixon as ghost singer for Natalie Wood
Audrey Hepburn’s voice was dubbed by Marni Nixon for “I Could Have Danced All Night” from “My Fair Lady”
Marni Nixon doing her best Marilyn Monroe in “Diamonds Are A Girl’s Best Friend” from “Gentlemen Prefer Blondes”
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today I’m featuring a fun song from Sgt. Pepper’s Lonely Hearts Club Band, a work regarded by musicologists as an early concept album. At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests. While on a return flight to London in November 1966, Paul came up with an idea that formed the impetus of the Sgt. Pepper concept: creating songs for an Edwardian military rock band.
Meanwhile……
John was out one day and he stopped at an antique store where he saw a framed poster on display advertising a circus. As he read the poster, an idea started forming. He bought the poster and hung it in his music room at home. Everything came together, incorporating many of the words from the poster almost exactly as they were written (except Henry the Horse was actually named Zanthus) and the result was a fantastical number unlike anything the Beatles had done before.
Here is “Being For The Benefit Of Mr. Kite!” by the Beatles.
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And here is Cheap Trick with their rendition of “Being For The Benefit Of Mr. Kite!”.
There was always a method to the Beatles madness. Love it or hate it, this song beautifully displays the brilliant imagination, unparalleled musicality and creative genius of the Beatles. This song helped keep Sgt. Pepper from becoming an overwhelming Paul McCartney project …. and thank goodness for that!
So, what about the Cheap Trick version. It’s very good, the best cover I could find, and why wouldn’t it be good? It sounds like Cheap Trick bought the sheet music for “Mr. Kite”, rehearsed it and did their level best to sound as close to the Beatles as possible. It’s a replica of the original and shows little imagination of its own but it’s done well …. I’ll give Cheap Trick that much.
This one goes to the Beatles, without question. Join me tomorrow for an interesting selection.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Written for Glyn’s Mixed Music Bag #8 February Monthly Challenge where we’re asked to write about a song by any group or solo singer beginning with the letter C or D.
Formed in San Jose, California in 1970, The Doobie Brothers are known for their vocal harmonies and their flexibility in performing across numerous genres. Active for 50+ years, with their greatest success during the 1970s, the group is still performing and touring today.
So, what’s up with their name? Well, it’s really not that hard to figure out but the story goes that during the formative days while the group was trying to come up with a name, the guy who lived next door and hung out with them said “Since you’re always smoking pot, why not just call yourselves ‘The Doobie Brothers’?” The band members couldn’t deny that was true but thought the name was “really dumb”; they decided to go with it just until they came up with a better name but they never did.
The Doobie Brothers improved their playing by performing live all over Northern California in 1970. They attracted a particularly strong following among local chapters of the Hells Angels and got a recurring gig at one of the bikers’ favorite venues, the Chateau Liberté in the Santa Cruz mountains, playing there through the summer of 1970. A set of demos, which showcased dual lead electric guitars, three-part harmonies and some wicked drumming, caught the ear of the Warner Brothers’ staff and eventually earned the group a contract before the year was out.
Breakthrough success came to The Doobies after the 1972 release of their album “Toulouse Street” which contained the hits “Listen To The Music” and “Jesus Is Just Alright”. A string of hits followed, including “Long Train Runnin’” and “China Grove’.
“Listen To The Music” was written by lead singer and guitarist Tom Johnston and was the Doobie Brothers’ first big hit. Upon the release of the single, Cash Box said that it’s “the group’s mellowest rockin’ mood yet, one that could see them through to chart territory with AM play.” The staff of Billboard consider it the Doobie Brothers’ best song, saying that it “ranks high in the pantheon of rock n’ roll feel-good hits” and should “get your foot tapping and bring a bit of a smile to your face.”
“Listen To The Music” remains a staple of adult contemporary and classic rock radio. The band uses it as an encore song during live shows. The Doobie Brothers were inducted into the Vocal Group Hall Of Fame in 2004 and the Rock and Roll Hall Of Fame in 2020. The group has sold more than 40 million records worldwide.
Let’s listen to some Doobie Brothers; smoke ’em if you got ‘em.
This is “Listen To The Music” by The Doobie Brothers
LYRICS
Don’t you feel it growing, day by day People getting ready for the news Some are happy, some are sad Whoa, gotta let the music play
What the people need is a way to make ’em smile It ain’t so hard to do if you know how Gotta get a message, get it on through Oh, now momma don’t you ask me why
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Well I know, you know baby, everything I say Meet me in the country for a day We’ll be happy, and we’ll dance Oh, we’re gonna dance our blues away
And if I’m feeling good to you and you’re feeling good to me There ain’t nothing we can’t do or say Feeling good, feeling fine Oh, baby, let the music play
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Like a lazy flowing river Surrounding castles in the sky And the crowd is growing bigger Listening for the happy sounds And I got to let them fly
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
Whoa, oh listen to the music Whoa, oh listen to the music Whoa, oh listen to the music All the time
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pullup a chair and enjoy the tunes!
Now it’s time for something completely different. I got a request to feature today’s song; if I get a request and I have room, I’ll post it. Too bad requests didn’t start coming in until just the other day. Regarding requests …. I will give you some info about the original song but will not comment on the cover.
So, just what the hell is this song about anyway? For John Lennon, the answer was simple: “That was just a sort of nice line that I made into a song. It was about me and Yoko. Everybody seemed to be paranoid except for us two, who were in the glow of love. Everything is clear and open when you’re in love.“
Additionally, the lyrics contain sayings the Beatles heard from Maharishi Mahesh Yogi. In further comments on the song, John said it addressed his bandmates’ initial reaction to his relationship with Yoko. There is also wide speculation that the title of the song as well as some of the lyrics reference John and Yoko’s heroin use during ’68.
Recorded early in the sessions for the White Album, the track typifies the Beatles’ return to a rock sound in 1968 after their psychedelic period.
I had originally programmed Soundgarden’s cover of this song but when the request came in, I went with that instead.
Ok, enough chitchat. Here we go.
Here are the Beatles with “Everybody’s Got Something To Hide Except For Me And My Monkey”.
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Today’s requested remake of the Beatles’ song with the longest name as done by Fats Domino.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to day 20 of Feb Fab Faux Four. We’re coming ’round the bend and the finish line is in sight!
Yesterday I hinted that today’s song was a huge hit for one of the Beatles during his solo career …. and by huge I mean HUGE. This was our Beatle’s first single as a solo artist and it topped the charts worldwide; it was the biggest-selling single of 1971 in the UK and the first #1 single by an ex-Beatle in the US and England. By the late 1970s, it was the most covered song written and released by any of the former Beatles since the band’s break-up. Did I say it was huge?
Our Beatle wrote today’s song in praise of the Hindu god Krishna, while intending the lyrics as a call to abandon attachment to any one religious sect through his blending of the Hebrew word “hallelujah” with chants of “Hare Krishna” and Indian prayers.
That last bit of information was a dead giveaway, I’m sure, so let’s cut to the chase and play some music.
Here is George Harrison with “My Sweet Lord”
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This is Edwin Starr’s remake of “My Sweet Lord“
My sweet lord! Can I get an “Amen”?!
I know the obvious choice for a cover version is Billy Preston but we’ve all heard that one too many times. Edwin Starr has given us a slowed down, almost gospel-like version and I have to give him kudos for taking on such a big song; his vocal range is impressive. I like his arrangement but it can’t hold a votive candle to George Harrison’s
“Every time I put the radio on, it’s ‘Oh my Lord’. I’m beginning to think there must be a God” said John Lennon after George scored the first number one hit by any solo Beatle. Sour grapes? Typical biting humor from John. And none of them thought George had what it took to write decent songs.
In 1976 George was slapped with a lawsuit claiming that “My Sweet Lord” sounded too much like the 1963 hit by the Chiffons called “He’s So Fine”. George took his guitar to the court and demonstrated how he wrote the song, but he was found to have committed “subconscious plagiarism”. It doesn’t seem to have negatively impacted his career. I’ll let you be the judge. Here are the Chiffons with “He’s So Fine”.
Well, all I can say is there’s a similarity. I think the Chiffon’s lawyers got lucky on this one.
That’s it for today, kids. Nine more vids to go before I’m outta here.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to day 19 of Feb Fab Faux Four. Are you having fun yet?
We’re spinning the wheel in the other direction and going back in time to another tune the Beatles covered.
Today’s number is a rockabilly song often credited to Carl Perkins; however, it been brought to light that Carl’s song is actually based on a 1936 song of the same name written by singer/songwriter Rex Griffin. Griffin’s song didn’t really go anywhere and Carl Perkins’ 1957 release achieved widespread popularity. Lucky Carl Perkins! The Beatles covered the song in 1964.
The Beatles recording was first released as the final track on “Beatles For Sale” in the United Kingdom late in ’64 and as the concluding track on the North American album “Beatles ’65”. The remake by the Beatles features a false ending which means the final musical phrase (not vocals) repeats itself after the song seems to have stopped; this false ending does not appear in the Carl Perkins version.
Here is Carl Perkins with his 1957 recording of “Everybody’s Trying To Be My Baby”.
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And from 1964, here’s “Everybody’s Trying To Be My Baby” by the Beatles featuring George Harrison on lead vocals. George was a life-long fan of Carl Perkins; it was a thrill for him to actually meet and perform with Carl.
There’s not a damn thing wrong with a George Harrisong!
As a diehard George fan, I love everything he ever did and believe the quality of his his solo work after the Beatles split is better than anything the other three produced. In this remake, George’s vocals were processed with the STEED effect; I doubt I’ll be able to explain this process with great clarity so I’m leaving it highlighted if you’d like to read about it.
Carl Perkin’s rockabilly recording is great but my vote goes to George and the boys.
Before I close this page out, here is a bonus track …. the original 1936 recording of Rex Griffin’s “Everybody’s Trying To Be My Baby”. Enjoy this very unusual and different arrangement.
I’m back tomorrow with what became a huge hit for one of the Beatles during his solo career. Join me to see which song it is.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to F4. This is one of those songs that had everybody wondering what the hell it was all about.
John Lennon wrote today’s song to bewilder listeners who had been seriously trying to interpret some of the Beatles’ lyrics. He was partly inspired by two LSD trips and Lewis Carroll’s poem “The Walrus and the Carpenter”.
George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. A 16-voice choir of professional studio vocalists also joined the recording singing nonsense lines and shrill whooping noises. Shortly after release, the song was banned by the BBC for the line “Boy, you’ve been a naughty girl, you let your knickers down.” Scandalous!
Have you figured out today’s song? I’m sure you have. Let’s check it out.
This is “I Am The Walrus” by the Beatles
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With their cover of “I Am The Walrus”, this is Spooky Tooth
So, what did you think of this version by the progressive rock band, Spooky Tooth? I thought it was pretty good except for one thing ….. it was too slow. As you can see, the cover lasted almost two minutes longer than the original. It dragged on and probably should have been called “I Am The Sloth”.
No question …. this one goes to the Beatles. That’s my opinion; what’s yours?
Stop by for a jumping little number coming up tomorrow.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Today in Song Lyric Sunday, Jim as asking us to write about a song(s) composed by a duo. I’ve chosen a duo not only from the US but from my hometown of New York. As a kid, I’d sing these songs in my bedroom pretending I was a major recording artist. Didn’t we all? I found myself happily swimming in a sea of wonderful memories as I wrote this post.
This former husband and wife duo wrote many of the 60s biggest hits and those songs were recorded by everyone from Aretha Franklin to James Taylor to the Beatles. He wrote the lyrics and she wrote the music to songs such as “Will You Still Love Me Tomorrow”, “Take Good Care Of My Baby” and “The Loco-Motion”, and chances are you’ve danced to a hit single by this dynamic songwriting duo.
I’m talking about Carole King and Gerry Goffin.
During the spring semester of her freshman year at Queens College in NY, Carole King was introduced to Gerry Goffin while at the student lounge. Goffin, three years older than King, was looking for someone to write lyrics for a musical he was writing. King took a look, said she wasn’t interested and added “You know, I write rock ‘n’ roll songs” but allowed Goffin to drive her home. Soon she was writing songs for his musical, he writing lyrics for her songs.
King and Goffin were married in 1959 when she was only 17 and pregnant with their first child. They quit college and took day jobs, Goffin working as an assistant chemist and King as a secretary. And in the evenings, they wrote songs together. High school friend Neil Sedaka got them an audition with music producer Don Kirshner; he offered a guaranteed advance against royalties of $1000 a year, to be doubled if the deal was renewed for a second year and tripled if for a third. The rest is history.
Their songs were always impeccably structured. Their music was for teens and dealt with themes of love, rejection and jealousy and teenagers dealing with them on their own terms. Carole’s heart-tugging melodies and Gerry’s superb lyrics captured the tone and the everyday language of their audience’s inner experiences with uncanny accuracy.
Carole had a gift for arrangement, knowing how to build a song. To help sell her songs, she began making low cost tapes to demonstrate her ideas to the producers. Those demos were so good that often the producer only had to copy them with the proper instrumentation to have a hit record.
One night in the fall of 1960 Carole and Gerry returned from an evening out and found a note from Don Kirshner saying he needed a lyric by the next day for the Shirelles. Goffin immediately began writing and King composing; the result was “Will You Still Love Me Tomorrow.” In January 1961, the song became the first song by a female group to reach #1 on the pop charts since the McGuirre Sisters in 1958, and first ever for a black female group.
Kirshner decided that Goffin & King were capable of running a record label and put them in charge of Dimension Records. For over a year they had a more consistent track record than any of their competition, including Phil Spector’s Philles Records. By 1964 they had come up with another 23 hits, but their best work was behind them and the British Invasion had begun.
However Goffin & King were heroes to these English groups. The Beatles recorded “Chains” and Paul McCartney was quoted as saying he wished he could write as well. On their first U.S. tour, meeting them was a priority. The Beatles were not the only British band that felt that way but by 1965, Carole and Gerry’s talents were becoming less important as groups such as the Byrds, the Young Rascals and the Beach Boys set the tone for other upcoming artists who wrote their own material.
By 1967 Goffin & King’s marriage was crumbling due to creative disenchantment, internal pressures and the times. They were divorced with King moving to California where she started a group called “The City” and came into her own as a performer. When Carole King found her solo niche, the team of Goffin & King ended.
I’d like you to think for a minute about those exhilarating days of young love as teenagers. Our parents called it “puppy love” and didn’t take us seriously, saying it would never last and we’d get over it. Some parents were dead set against their daughters or sons getting romantically involved at such a young age; really, who could blame them but who could blame us teenagers for falling in love? We can’t control what the heart feels and it was especially difficult for teenage girls. As much as we like to think people have evolved, they really haven’t changed all that much. Teen girls who have sex are thought of as promiscuous while guys are macho and sewing their wild oats. It’s an age old dilemma, the most personal situation young people can find themselves in.
Nothing obvious or indelicate was ever revealed in our featured song but if you read between the lines of Gerry Goffin’s gorgeous lyrics, there’s little doubt what this song is about. Using a variation on the theme “will you respect me in the morning?”, here are the Shirelles asking in a sublimely delicate and romantic way, “Will You Still Love Me Tomorrow?”
Lyrics
Tonight, you’re mine completely You give your love so sweetly Tonight, the light of love is in your eyes But will you love me tomorrow?
Is this a lasting treasure Or just a moment’s pleasure? Can I believe the magic of your sighs? Will you still love me tomorrow?
Tonight with words unspoken You say that I’m the only one But will my heart be broken When the night (when the night) Meets the mor- (meets the morning sun)
I’d like to know that your love Is love I can be sure of So tell me now, and I won’t ask again Will you still love me tomorrow?
So tell me now, and I won’t ask again Will you still love me tomorrow? Will you still love me tomorrow? Will you still love me-
In 1960, the Shirelles released the first version of “Will You Still Love Me Tomorrow” with “Boys” on the B-side. The single’s first pressing was labeled simply “Tomorrow“, then lengthened later. When first presented with the song, lead singer Shirley Owens did not want to record it because she thought it was “too country“; she relented after a string arrangement was added. However, Owens recalled on Jim Parsons’s syndicated classic radio program, “Shake Rattle Showtime“, that some radio stations had banned the record because they had felt the lyrics were too sexually charged.
In addition to reaching No. 1 in the US, the song reached No. 2 on the R&B chart, No. 4 in the UK and No. 3 in New Zealand. This version, with session musicians Paul Griffin on piano and Gary Chester on drums, was ranked at No. 126 among Rolling Stone’s list of The 500 Greatest Songs of All Time. Billboard named the song No. 3 on its list of 100 Greatest Girl Group Songs of All Time.
From 1971, the incredibly talented Carole King with “Will You Still Love Me Tomorrow”
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to the Feb Fab Faux Four. This song is surrounded by mystery, skepticism and a lot of a disappointment.
The story goes that John Lennon wrote this song about Maharishi Mahesh Yogi, the Beatles’ Indian guru. The group took an interest in Transcendental Meditation after attending one of Maharishi’s lectures. They went to India to study TM specifically at his camp, but left early when they began to fear he was more of a cult leader than an enlightened being. Speculation was Maharishi Mahesh Yogi was using his status to seduce women.
Controversy among the Beatles lies in whether they all believed the stories or if John was seeing and believing things that weren’t really happening. Sadly, there’s no one who will tell the real story. John and George are dead, Ringo’s all about peace and love and Paul’s all about Paul.
There are many people who believe there are strange events surrounding the Beatles, including the conspiracy theory that the original Paul was killed in a car crash in 1966 and was replaced by a look-alike named William Shears Campbell (who also happened to be extremely talented!) Supposedly, they were sworn to secrecy. Who knows …. maybe when there’s only one man standing will some of the truths be revealed, but I doubt it.
Lennon called today’s song “Maharishi,” but changed the title to “Sexy Sadie” to keep from getting sued. The opening lines make Lennon’s sentiments perfectly clear.
This is “Sexy Sadie” by the Beatles.
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Doing his cover of “Sexy Sadie” this is Paul Weller
Paul Weller achieved fame with the new wave band, the Jam then had further success with the blue-eyed soul sound of the Style Council before setting out on a solo career.
I think he did a fine cover of Sexy Sadie, keeping very true to the original, but his remake lacked the finesse and subtlety of John’s. My vote goes to the Beatles.
We’re going in the opposite direction tomorrow; come join me.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to F4. We are now two days into the second half of the month.
Considering the edgy progressive complexity of today’s song, it’s amazingly difficult to believe it was released in 1963 and was composed primarily by two guys who could neither read nor write music. This little number takes us all over the place with notes and chords and harmonies we don’t expect and somehow, it all works.
It’s a classic.
Here are the Beatles with “Not A Second Time”
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This is “Not A Second Time” as done by the Pretenders
It seems only right that this progressive, edgy and complex piece be covered by the Pretenders and their legendary front-woman Chrissie Hynde; they are, after all, the icons of punk and New Wave music.
This is a really good cover; it stayed true to the original with a good electric piano break but I expected a little more from this group which has always been on the cutting edge.
This one goes to the Beatles.
Join me tomorrow for a cool tune off the White Album.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Harold Arlen (Composer) Born February 15, 1905 in Buffalo, New York
From “The Wizard Of Oz”, it’s Judy Garland singing “Somewhere Over The Rainbow”
“Blues In The Night” from the album “Sentimental Journey: Hits From The Second World War”
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
It’s time to shake things up again by featuring another song which the Beatles covered. We’re going back to the 50s; this song was a staple of the Beatles’ live set from the very earliest formative years until they stopped touring in 1966. In fact, it was the last song they played at their final concert at San Francisco’s Candlestick Park in August 1966.
Is that ringing any bells for you? Let’s get the phonograph cranked up; it’s time for some good old rock & roll.
From 1957, this is little Richard with “Long Tall Sally”
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And here are the Beatles with their version of Little Richard’s “Long Tall Sally”; this time it’s Paul on lead vocals.
Damn! That’s how you do a cover!
When Paul and John first met, back in the summer of 1957, “Long Tall Sally” was among the songs Paul played for John, after which John invited him to join his band. As Paul told Playboy in 1984: “I knew the words to 25 rock and roll songs so I got in the band. “Long Tall Sally” and“Tutti-Frutti,”that’s what got me in. That was my audition.”
Well, kids, this is a tough one. For quality of sound, that banging piano and George’s incredible guitar playing, the Beatles win this one hands down. BUT let’s not forget something: without the likes of Little Richard, there just might not be a Paul McCartney and the Beatles.
Come join me tomorrow as we take it down a notch or two.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
We’re well into February so the challenge from Glyn at Mixed Music Bag is to write about a band or singer that starts with the Letters C or D.
There weren’t too many artists in rock history to successfully straddle the line between music and comedy. The Coasters was one of those groups. Their undeniably funny lyrics and on-stage antics might have suggested a simple troupe of clowns, but the Coasters’ records were no mere novelties; their material was too witty, their arrangements too well-crafted, and the group itself too skilled musically. That engaging and infectious combination made them one of the most popular early R&B/rock & roll acts, as well as one of the most consistently entertaining doo-wop/vocal groups of all time.
Originally from Los Angeles, The Coasters began as the Robins; instead of singing the usual ballads and rhythm pieces, they sang novelty songs written by the duo of Leiber and Stoller. In 1955 they became The Coasters and started recording what would become a series of rock & roll hits directed at teenage listeners. “Searchin’ ” and “Young Blood” (both 1957), “Yakety Yak” (1958), and “Charlie Brown” and “Poison Ivy” (both 1959).
The Coasters alternated lead singers and featured clever arrangements, including amusing bass replies and tenor saxophone solos by King Curtis, who played a crucial role in creating Atlantic’s rhythm-and-blues sound. With further personnel changes they continued performing in “oldies” shows into the 1990s. The Coasters were inducted into the Rock and Roll Hall of Fame in 1987.
Here are two of The Coasters’ hits, “Yakety Yak” and “Poison Ivy”.
LYRICS
Take out the papers and the trash Or you don’t get no spendin’ cash If you don’t scrub that kitchen floor You ain’t gonna rock and roll no more
Yakety yak (don’t talk back)
Just finish cleanin’ up your room Let’s see that dust fly with that broom Get all that garbage out of sight Or you don’t go out Friday night
Yakety yak (Don’t talk back)
You just put on your coat and hat And walk yourself to the laundromat And when you finish doin’ that Bring in the dog and put out the cat
Yackety yack (Don’t talk back)
Don’t you give me no dirty looks Your father’s hip, he knows what cooks Just tell your hoodlum friend outside You ain’t got time to take a ride
She comes on like a rose but everybody knows She’ll get you in Dutch You can look but you better not touch
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
She’s pretty as a daisy but look out man she’s crazy She’ll really do you in If you let her under your skin
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
Measles make you bumpy And mumps’ll make you lumpy And chicken pox’ll make you jump and twitch A common cold’ll fool ya And whooping cough’ll cool ya But poison ivy, Lord’ll make you itch!
You’re gonna need an ocean of calamine lotion You’ll be scratchin’ like a hound The minute you start to mess around
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
Measles make you bumpy And mumps’ll make you lumpy And chicken pox’ll make you jump and twitch A common cold’ll fool ya And whooping cough’ll cool ya But poison ivy, Lord’ll make you itch!!
You’re gonna need an ocean of calamine lotion You’ll be scratchin’ like a hound The minute you start to mess around
Poison ivy, poison ivy Late at night while you’re sleepin’ Poison ivy comes a-creepin’ around
La da la da la da La da la da la da La da la da la da La da la da la da
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Happy Valentine’s Day and welcome back to FFFF, all you romantic fools!
Just for today I’ve switched out Misky’s Feb Fab Faux Four Beatles Tiki Gods graphic; as you can see, they’re all wearing their hearts on their sleeves chests …. except for the one in the middle. I wonder what happened to make him so grumpy? Maybe he’s Pete Best!
You probably have a favorite Beatles love song; after all (as we learned last week), according to Paul’s aunt, all they ever wrote were love songs. I have my favorite but I’m not playing it because, as my friend Keith pointed out the other day, some Beatles songs should just be left alone.
I chose today’s song for three reasons: (1) we’re long overdue for a song from the ladies; (2) the harmony is so rich and unexpected, it just makes you smile and (3) it’s perfect for Valentine’s Day❣️
Here’s one of the few Beatles’s songs just begging you to get up and do the Cha ChaCha.
This is the Beatles with “If I Fell”
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Here is “If I Fell” by the MonaLisa Twins
Wasn’t that just like eating a big, yummy chocolate heart? Oh my, so very sweet!
The MonaLisa Twins …. Mona & Lisa Wagner …. are Austrian-born, Liverpool-based musicians known primarily for their covers of Beatles songs and other artists from the 60s. Their voices blend so beautifully and this Lennon-McCartney number is perfect for them.
I love when a piece of music surprises me with it’s accidental* chords and intricate harmony; “If I Fell” does that every time I listen to it. For me, it’s one of the Beatles finest pieces and definitely one you don’t hear too often.
Happy Valentines Day❣️ I love you all for stopping by and sticking with me this month. If you have a Beatles remake that you like and want me to share on my blog, leave the name of the song and who covered it in the comments box and I’ll take it from there. Simple as that!
*Accidental: A musical term meaning that a note is either higher or lower than the original natural note; it’s called accidental but it’s no accident.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to Beatles songs we don’t hear day in and day out. These are treasures. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Let’s start with a little background info about today’s song. Legend has it that Paul McCartney’s aunt asked if he could ‘please write something other than love songs‘. Determined to give it a go, Paul was inspired to write about something new and different when he spotted Ringo back stage at a concert venue reading a dime store novel …. and today’s song was born.
This is “Paperback Writer” by the Beatles
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This is SAXON doing their interpretation of “Paperback Writer”.
Back in 2021, British hard/metal rockers SAXON recorded an album called “Inspirations”, covering groups such as the Beatles, Hendrix, Motörhead, Deep Purple, Zeppelin, Thin Lizzy, AC/DC and Black Sabbath. According to lead singer Bill Byford, the group “didn’t want to change any of the songs too much, just play them more like Saxon.”
If I didn’t know the original version, Saxon’s remake would get my vote; it’s one of my favorite covers since I started doing this blog. That said, I’m calling this a draw; its a great example of excellence in two genres – pop rock and hard rock.
Same song done two ways, each with it’s own unique sound. Which one did you prefer …. the original or the remake …. or are you calling it a draw, like me? PS: Saxon’s album “Inspirations” is now on my playlist.
Tomorrow is Valentine’s Day so regardless of what Paul’s aunt said about love songs, prepare yourselves for a little lovin’ tomorrow; stop by to check it out. And don’t forget to show your significant other some love; there’s still time to buy your Valentine’s Day candy and flowers! 💝
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Welcome Back to Feb Fab Faux Four – the only blog (I assume) devoted solely to Beatles cover songs!
Our friend Lisa gave me a suggestion for a group known for their Beatles covers. The name was familiar and was pretty sure they were a tribute band; I will not feature professional tribute bands on this blog. And when you see their album cover, you’ll understand my hesitation and doubt. However, I was wrong; they’re not a tribute band and, believe me, I gave the internet a good search to make sure.
This pop/rock group from Carteret, New Jersey made a name playing their own material, but they have recorded Beatles songs as well and have always had a soft spot for the enthusiasm and zest of British Invasion bands. Their approach to music is twofold: as fans who know it intimately and as composers who know what makes a great song durable.
I have not heard another group play a Beatles’ instrumental piece with such precision. They even perfected Paul’s screams in the background! If anyone reading this right now knows of a better group, please let me know; I welcome your comments and videos.
Here are the Beatles with “Cry For A Shadow” …. written in their very early days by George and John with Pete Best on drums!
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This is “Cry For A Shadow” by the Smithereens
As I said earlier, you can see why I had trouble believing the Smithereens are not a tribute band.
What a song! And kudos to George for his incredible guitar playing. I’m hearing a little bit of Duane Eddy, Del Shannon, Cliff Richard and Santo & Johnny.
This piece was recorded in June 1961 at Friedrich-Ebert-Halle in Hamburg, Germany. At that time the Beatles were performing as a backing band for Tony Sheridan and went by the name “Beat Brothers”. It was written by George Harrison with John Lennon in the style of the Shadows who backed Cliff Richard and were the biggest British instrumental rock & roll group at the time. “Cry For A Shadow” is the only Beatles track to be credited to Harrison and Lennon alone.
The Smithereens are still performing and have some upcoming dates at Daryl’s House with Daryl Hall.
So, what’s the verdict? I’d say this cover is as close as you can get to the real thing.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today I’m going to shake things up just a bit; instead of featuring a Beatles’ song that was covered by another artist, I’m showcasing a song which the Beatles covered themselves.
The Beatles’ greatest early influences were American Rock & Roll, R & B and some country: Elvis Presley, Chuck Berry, Larry Williams, Little Richard, Carl Perkins, Roy Orbison, Eddy Cochran, Buddy Holly, etc., as well as songwriters Goffin/King and Leiber/Stoller.
To start things off today, it’s a 1957 song written and recorded by Larry Williams. As usual, the original will always be played first. During the remainder of February, I will feature three more of these switched-around posts, each one highlighting the singing talents of another Beatle.
Let’s begin.
This is Larry Williams with his 1957 hit, “Slow Down”
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Here are the Beatles with their 1964 remake of “Slow Down”; John is singing lead vocals.
Coolness overload today, kids!
This Larry Williams cover, featured on the Beatles’ “Long Tall Sally” EP, was recorded during the same sessions as the soundtrack to “A Hard Day’s Night“.
When the Beatles were first starting out performing in places like the Cavern Club, all the groups did the same songs. A rival Liverpool group member named Ted “King-Size” Taylor told Beatles historian Mark Lewisohn how the Beatles came to watch his band, and “all four of them sat in a row and took down one line each of all the songs we did – ‘Dizzy Miss Lizzy,’ ‘Slow Down,’ ‘Money,’ all of those – and the next time we saw them, they were playing all our stuff!” Until the Beatles learned how to write their own songs, that’s how it was done.
These two versions are obviously very similar, but both done in the artists’ own style. Do you have a preference?
Tune in tomorrow when I’ll will return to my usual format.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
Jim over at Song Lyric Sundayhas challenged us to write about a band that wore uniforms or dressed alike. I’ve chosen a group from here in the U.S.
In Boise, Idaho in 1958 a little instrumental combo called the Downbeats was born; the group saw considerable U.S. mainstream success in the second half of the 1960s and early 1970s. Founded by organist Paul Revere Dick and singer Mark Lindsey, the band was known for including Revolutionary War-style clothes during their performances. The group’s name was soon changed to the catchy and more appropriate Paul Revere and the Raiders.
After charting in 1961 with a minor hit and then just missing Billboard’s Hot 100 in late 1963 with a cover of “Louie, Louie”, the band was signed to Columbia Records. In January 1966, thanks to Dick Clark’s show “Where The Action Is”, the single “Just Like Me” reached #11 on the Hot 100. The consecutive Top Tens hits “Kicks” and “Hungry” soon followed, establishing the band as national stars. Between 1966 and 1969 they reached the top 30 with 12 hits. Their three 1966 albums all were gold-certified by the RIAA (Recording Industry Association of America).
Songwriters Barry Mann and Cynthia Weil composed “Kicks” in 1966 and offered it to the Animals but lead singer Eric Burdon turned it down. Instead, Paul Revere & the Raiders recorded and released it as a single which became a #1 hit in Canada and reached #4 in the United States. “Kicks” was included on the band’s fifth album, “Midnight Ride”, released in May 1966. A live version of the song was recorded on the band’s 1996 “Greatest Hits Live” compilation album.
Considered one of the earliest anti-drug songs, “Kicks” was composed and released during the time when pro-hippie, pro-experimentation, and other counterculture themes were gaining popularity on U.S. FM radio stations. As a result, the song’s message was perceived as outdated by the emerging youth counterculture, as popular artists ranging from the Beatles to Jefferson Airplane had written songs whose themes sharply contrasted that of “Kicks”. However, the song has received generally positive reviews by music critics in the decades since its release. In 2004, “Kicks” was ranked number 400 on Rolling Stone’s list of The 500 Greatest Songs of All Time.
This is “Kicks” by Paul Revere and the Raiders
Lyrics
Girl, you thought you found the answer On that magic carpet ride last night But when you wake up in the mornin’ The world still gets you uptight Well, there’s nothin’ that you ain’t tried To fill the emptiness inside When you come back down, girl Still ain’t feelin’ right
And don’t it seem like Kicks just keep gettin’ harder to find And all your kicks ain’t bringin’ you peace of mind Before you find out it’s too late, girl You better get straight No, but not with kicks, you just need help, girl
Well you think you’re gonna find yourself A little piece of paradise But it ain’t happened yet, so girl, you better think twice Don’t you see no matter what you do You’ll never run away from you And if you keep on runnin’ you’ll have to pay the price
And don’t it seem like Kicks just keep gettin’ harder to find And all your kicks ain’t bringin’ you peace of mind Before you find out it’s too late, girl You better get straight
No, you don’t need kicks To help you face the world each day That road goes nowhere I’m gonna help you find yourself another way
Kicks just keep gettin’ harder to find And all your kicks ain’t bringin’ you peace of mind Before you find out it’s too late, girl You better get straight
Don’t it seem like Kicks just keep gettin’ harder to find And all your kicks ain’t bringin’ you peace of mind Before you find out it’s too late, girl You better get straight
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
I’ve probably said this just about every day and I’m going to say it again: this next song is one of my favorites …. not just a favorite Beatles song but a favorite George song (and if you know me at all, you know I adore George). Seeing him in concert during his solo career in 1974 was almost as exciting as seeing the Beatles at Shea Stadium in 1965.
While putting this post together, I had the recurring thought that George’s solo career, though cut short due to illness, still produced better quality music than Ringo or Paul’s solo careers. George’s musicality during “Concert for Bangladesh” was nothing short of amazing. After his death, his peers, friends and fellow performers who admired and loved him presented the “Concert For George” and “George Fest“, two tributes to George and his music. The number of big name musicians on stage at those tribute concerts was staggering.
Today’s cover song was performed at “George Fest”.
George wrote our featured song using a piano rather than his guitar and the song’s rhythm suggests the influence of ska, which he was into. In his autobiography, George says that the song’s lyrics started as a study in opposites and addresses ‘the duality of things”, not just in music but in life as well.
This is a very cool song and it’s called “Old Brown Shoe” by the Beatles, written and sung by George.
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Now those of you who have seen “Concert For George” know that Gary Booker of Procol Harum performed “Old Brown Shoe” and he did a great job; however, the cover I’ve chosen today comes from “Live At George Fest”. If you’ve seen that concert, then you may remember who performed “Old Brown Shoe”; if you haven’t seen the concert then I guarantee you will be very surprised when you see who did it.
Get ready …. here we go!
From “Live at George Fest”, performing a ridiculously cool version of “Old Brown Shoe”, this is late night TV personality Conan O’Brien.
Hot damn! That was great fun and I love both of these numbers. How do you feel about Conan O’Brien stepping out from behind his late night desk and jamming to “Old Brown Shoe” with a bunch of incredible musicians?
Me? I’m giving it to George and the boys by a hair.
I hope you’ve been enjoying the music and the comments here on Feb Fab Faux Four. Join me again tomorrow for another great song and cover.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS! If you’re on the fence about the Beatles or if you just don’t like them, this blog is for you. My goal is not to convert you; it’s to expose you to the lesser-known Beatles songs we don’t hear day in and day out. These great tunes will show you just how amazing the Beatles are. Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Today’s song is the most covered Beatles song ever and quite possibly the most covered song of all time. It’s a timeless classic, a simple yet simply beautiful song with no accompaniment other than an acoustic guitar and a string quintet. You’ve probably figured out which song I’m featuring today. The remake I’ve chosen for you was done by an extremely well-known and immediately recognizable Motown recording artist.
This is going to be an interesting pairing.
Turn up the volume and let’s get it on!
This is “Yesterday”, the Beatles most frequently covered song.
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Our Motown artist with his rendition of “Yesterday” is the incredible Marvin Gaye.
Marvin Gaye started out as a session musician for Motown; check out the earliest Motown recordings and it’s highly likely you’ll find his name listed as the drummer. He went on to become a huge star with an unmistakeable sexy, soulful voice as smooth as warm butterscotch.
Almost exactly one year after the release of his mega-hit “Sexual Healing” and his concert tour of the same name, Marvin Gaye was shot and killed by his own father following an altercation after he intervened in an argument between his parents. He was pronounced dead on arrival at the California Hospital Medical Center. His father later pleaded no contest to a charge of voluntary manslaughter.
This deliciously soulful cover of “Yesterday” was produced by Norman Whitfield, legendary songwriter and producer for Motown.
What’s the verdict on Marvin Gaye’s remake? For me it gets an enthusiastic 👍🏼
Join me tomorrow as I’ll be shifting gears again; stop by to find out what’s what.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
The Elephant's Trunk 