Written for Stream of Consciousness Saturday
where our prompt word is “sum” Here is my SoC.

When I was a very small child, one of my older cousins was suffering from a case of consumption, also know as tuberculosis. She was 16 years old and literally wasting away from this disease once called the “Great White Plague” due to the extremely pale complexion of those afflicted.
My cousin was always cold, requiring multiple blankets to keep warm, and time outside in the sun and fresh air, especially during the spring and summer. She was either in bed or reclining on a chaise lounge near the window in the parlor.
She looked like death. To the school age children in the house, this was a frightening time and they glanced at her with pity and wariness. They also avoided her, which was not very kind; some of them stayed away by spending extra time practicing their penmanship lessons and math sums.
At least twice each week my great-aunt Chesaria would stop by to administer her special “tonic”, light a candle and leave her mark on my cousin. The ritual never changed: first a dose of the safe-for-human-consumption red berry juice from the sumac plant. Next, Aunt Chesaria would draw a birdcage in blue ink on both of my cousin’s earlobes. The door to the birdcage was always drawn in the open position which allowed the evil spirits in my cousin’s body to find their way out. Finally, my great-aunt would light a tea candle and place it on my cousin’s chest to draw out the congestion. She would close the curtains and leave my cousin in the darkened room to allow her potions to do their magic.
Who knows if any of this strange “medicine” worked; our parents clung to the phrase “the whole is greater than the sum of its parts”. My cousin eventually recovered, because of or in spite of Aunt Chesaria’s administrations. She was never a robust woman after her ailment but she married and was healthy enough to give birth to nine children in just 12 years. She welcomed more than 40 grandchildren and a batch of great-grandchildren before passing away at the age of 86 just two years ago.
As a rule, Aunt Chesaria was summoned whenever anyone in the family or immediate vicinity became ill. She drew birdcages on my own earlobes during every childhood malady. But the question that remains unanswered is “Who took care of Aunt Chesaria when she became ill?” No one is around to fill in the blanks so I can only assume there was a witch doctor of sorts living in my neighborhood …. perhaps a black magic woman from Sumatra residing in the unassuming borough of The Bronx!
Presumptuous? Possibly. But fascinating, nonetheless.
NAR©2024
#SoCS

This is “Black Magic Woman” by Santana
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and are not to be used without permission. NAR©2017-present.
Aunt Chesaria reminds me of a similar character for her unique tantrums. We used to call her Mausi (mother’s sister). A fascinating post, Nancy!
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Aunt Chesaria was definitely an interesting character!
Thanks for your thoughts, KK.
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Always my pleasure!
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Very interesting..the birdcage drawing is just cool somehow 😎
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It is! Even as a kid I thought so.
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Fascinating! I’ve never heard of anyone drawing birdcages on earlobes as a form of medicine, but I kind of love it. She sure lived an active life. That’s a lot of offspring!
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I found my Great Aunt to be both fascinating and scary when I was very young. What mattered most was the people who were her ‘patients’ believed in what she was doing.
There are a few women in my family who had a crazy number of children! My Great-grandmother had 11.
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What probably worked more than anything was the fact that Great-Aunt Chesaria was there showing concern for your cousin. Knowing someone cared was important…
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That’s for sure, John. She had a way of making everyone feel totally protected.
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My grandmother lived with us when I was a child, a crusty old Yankee, and she had more superstitions than I can remember. She was always tossing salt over her shoulder, changing direction, opening and closing windows to change luck, walking around her chair (I forget why) and spitting on things. I don’t believe in any of it, but you bet I toss salt over my shoulder and never fail to pick up that penny or pin.
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All of Aunt Chesaria’s magic was rather spooky and fascinating to me. What mattered the most was the people she treated believed in what she was doing.
I’m with you about superstitions. I like the little joke which goes ‘I’m not superstitious, just a little stitious!’, so I do the salt thing, too, and will never pass by a penny on the ground.
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The ear thing was really odd.
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Aunt Chesaria did a lot of odd things! People believed in them and that’s what counted.
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Families are a culture, within a culture, within a culture. Always baffling. And fascinating!
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True. My great-aunt was a real trip!
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Fascinating story.
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Thank you, Iris, and all true. My parents tried to raise us as Americans with Sicilian blood but the Sicilian culture was deeply ingrained in us and I’m glad for it.
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Any port in a storm Nancy … (a glass of port-wine!)
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I raise my glass to that, Ivor! 🍷
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🌝😍🍷
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Per Clive’s request, here is the original version of Black Magic Woman by Peter Green’s Fleetwood Mac.
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Thank you! They were one of the first bands I really loved, some classic singles here.
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No problem! I hadn’t heard this version in forever. Good call!
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Glad you liked it and added it in. I played it in my tribute post for Peter Green when he died, four years ago now:
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A good tale, but I’d have preferred the original of the tune 😉
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Fleetwood Mac?
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Yes. Peter Green’s Fleetwood Mac, as they were in those days. Early blues-based beginnings before they morphed into an AOR monster!
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Done! Thanks for the tip.
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