Written for Song Lyric Sunday –
“Geographical Areas”.
This is my response to the challenge.
Tag: The Beatles
RDP Monday: hullabaloo
Today at RDP, sgeoil asks us to get creative
with the word ‘hullabaloo’. Thanks, Heather!
Here’s where the prompt word took me.
Title Track: Photograph
Written for Song Lyric Sunday
where we’re writing about a song
that became the title of an album.
Here’s how the theme inspired me.
That’s Entertainment – Letter H
Welcome back to “That’s Entertainment!” –
The A To Z Challenge.
I hope you enjoy my musical selections.
Let’s see what’s up today!
Live From New York
Written for Jim’s Thursday Inspiration #272 –
‘People Get Ready’.
Our inspiration is ‘ticket’. Here’s my spin on things.
They’ve Got It Covered
Today in Jim Adams’ Song Lyric Sunday post
entitled ‘Transcending the Original’, he has asked us
to write about a song we feel was better than the original.
Written for Song Lyric Sunday, here are my songs.
Four By Four
Today in Jim Adams’ Song Lyric Sunday post
entitled ‘Work Harder Day’, he has asked us to
write about a song that includes the words
work or hard. Bonus points for using both!
Written for Song Lyric Sunday, here’s my response.
The Eighth Of December
A tribute to John Lennon who was taken from us on this date in 1980. Many of you have read this; many of you who are new to my site have not. Please indulge me one more time. Roughly four years ago I had the great pleasure and honor of narrating a few of my stories on the BBC Radio program called “Upload”. I also submitted my story, “The Eighth of December”, never expecting to receive an email from the program manager of the radio station asking me if I’d like to read my story and do a live interview. To us here in The States, The BBC is a pretty big deal so I was rather blown away and, despite my nerves, I agreed to the interview. The format of the radio station has since changed and “Upload” was replaced by another show; it’s now impossible to find my interview. All I have is my story; every word is true. This is “The Eighth of December”.
Continue reading “The Eighth Of December”Get That Cat-A-Comb!
Just Because
Today at Song Lyric Sunday, Jim has asked his readers
to choose a song by their favorite band; here is mine.
If you were here last Sunday and read my post, you might recall I wrote that this week and last week could end up being interchangeable … and that is the case. The band this week remains the same but the song has changed, although last week’s song could have worked very nicely for this week’s prompt. In fact, just about any of my favorite group’s songs from their vast catalog could have qualified for today’s prompt. I’m not picky.
It’s a well-known fact to everyone who knows me … and that includes you, the people who read my posts … that my favorite group is the Beatles. While my attraction to them during the British Invasion was more of a crazed teenybopper-ish, Beatlemania thing, my love and appreciation for their music has continued to grow throughout the years.
The Beatles have been referred to as a phenom and their music as groundbreaking. No other group has been able to come close to their sound, musicality, artistry, lyrical or harmonic skills. The Beatles are the total package and their music will still be playing long after you and I are gone.
Now, onto the Beatles song I have selected today … from the album Abbey Road, my pick is “Because”. The lyrics are deep, poetic and simply wonderful while the harmony is lush, often heartbreakingly beautiful. The unexpected chords and accidentals are so brilliant, I feel like saying “I saw what you did there and it was very special!”
Composed primarily by John Lennon, “Because” was the final track to be recorded for Abbey Road. The song was inspired by Beethoven’s “Moonlight Sonata” and features the Beatles’ distinctive three-part vocal harmonies.
The story surrounding the song’s creation has to do with John’s wife, Yoko Ono, who is a classically trained pianist. One day in 1969, she was playing “Moonlight Sonata” on the piano in their house and John asked if she could play the chords backwards (a little trick the Beatles were familiar with by playing tapes backwards). Yoko did as she was asked and John wrote “Because” around the backward chords.
The band gathered at Abbey Road Studio on Friday, August 1, 1969, to record the main backing track, which required 23 takes. George Martin played electric harpsichord, John Lennon played guitar, George Harrison utilized a Moog synthesizer, and Paul McCartney played bass. Ringo Starr kept time on cymbals, but they were only heard in the others’ headphones; no percussion appears on the final mix. The Beatles returned to play the vocal tracks three days later. These takes were then layered to sound like nine voices.
This approach took extensive rehearsal, and more than five hours of extremely focused recording to capture correctly. George Harrison and Paul McCartney both said it was their favorite track on Abbey Road. Engineer Geoff Emerick said, “They knew they were doing something special and they were determined to get it right.”
A remixed version of the song with the instrumentation removed (isolated vocals) so as to highlight the three-part harmony was released on 1996’s Anthology 3.
From Abbey Road, here is “Because” by the Beatles.
And from Anthology 3, here is the isolated vocals version of “Because”; those harmonies are sweet!
Lyrics
Ah, because the world is round, it turns me on
Because the world is round,
ah Because the wind is high, it blows my mind
Because the wind is high, ah Love is old, love is new
Love is all, love is you Because the sky is blue, it makes me cry
Because the sky is blue, ah, ah, ah, ah
Source: Musixmatch
Composers/Lyricists: John Lennon, Paul McCartney
Because lyrics © Sony/ATV Tunes LLC, Universal Music Publishing Pty. Ltd.
Big thanks to Jim Adams for hosting another great Song Lyric Sunday this week. Be sure to check out Jim’s site.
Thanks for stopping by. See you on the flip side. 😎
~ Nancy
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
The Who??
Today’s theme at Song Lyric Sunday is
all about songs that feature keyboards.
Well, kids, it’s been a while since I featured anything by The Beatles so it’s time to rectify that oversight right now. One of the things that’s so great about headlining The Beatles is everyone knows them so we can skip the foreplay and go right for the action. No introductions required.
There are a lot of great Beatles’ songs that feature keyboards; I’ve chosen two of my favorites with prominent piano throughout …. and it’s some mighty fine playing, too.
My first song up today is “Lady Madonna”. This bluesy number, written in 1967 by Paul McCartney, was recorded just prior to the group’s trip to India to study meditation with Maharishi Mahesh Yogi. It was also their final release on Parlophone/Capitol; from “Hey Jude” onward (another great keyboard piece), The Beatles released all their subsequent singles and albums on their own Apple Records label.
The original concept for “Lady Madonna” was obviously the Virgin Mary but the song quickly became symbolic of every woman, a tribute to the mother figure and women in general. Paul said “I think women are very strong, they put up with a lot of shit, they put up with the pain of having a child, of raising it, cooking for it … they are basically skivvies* a lot of their lives so I always want to pay tribute to them”. *A female servant who does all the dirty work in the house.
“Lady Madonna” was released in the UK on March 15, 1968, with George Harrison’s “The Inner Light” as the B side. It entered the charts at #5 and a week later climbed to the top. It remained there for a second week and spent 8 weeks altogether on the chart. In the US it was released on March 18, 1968, and peaked at #4.
This is “Lady Madonna” by The Beatles
Lyrics
Lady Madonna, children at your feet
Wonder how you manage to make ends meet
Who finds the money when you pay the rent?
Did you think that money was heaven sent?
Friday night arrives without a suitcase
Sunday morning creeping like a nun
Monday’s child has learned to tie his bootlace
See how they run
Lady Madonna, baby at your breast
Wonders how you manage to feed the rest
See how they run
Lady Madonna lying on the bed
Listen to the music playing in your head (head)
Tuesday afternoon is never ending
Wednesday morning papers didn’t come
Thursday night, your stockings needed mending
See how they run
Lady Madonna, children at your feet
Wonder how you manage to make ends meet
Source: Musixmatch
Songwriters: Paul McCartney / John Lennon
Lady Madonna lyrics © Sony/ATV Tunes Llc, Harrisongs Ltd, Mpl Communications Inc
Personnel
Paul McCartney: vocals, piano, bass, handclaps
John Lennon: backing vocals, lead guitar, handclaps
George Harrison: backing vocals, lead guitar, handclaps
Ringo Starr: drums, handclaps
Ronnie Scott, Bill Povey: tenor saxophones
Harry Klein, Bill Jackman: baritone saxophones
🎹🎹🎹🎹🎹🎹🎹🎹
The second song I’ve chosen is “For No One”. Also written by Paul McCartney, it is best described as his meditation on the end of a love affair. This song was a critically acclaimed masterpiece and one of the highlights of the Revolver album. It’s a song about rejection and emptiness. The breakup of a relationship has always been a rich area to explore in a song, an emotion most people have experienced.
Originally titled “Why Did It Die?”, “For No One” was written in March 1966 while Paul was on a ski vacation in Switzerland with his then girlfriend, Jane Asher. Something tells me Paul had a premonition about the trajectory of his relationship with Jane when he wrote this one. Just saying.
Upon his return from Switzerland, Paul sang the melody for George Martin, who wrote it down. At the recording session was Paul, George Martin and a French horn player named Alan Civil, the principal horn player in the Philharmonia Orchestra. Neither Paul nor George Martin played the French horn nor were they experienced in transcribing music for it. Civil took one look at what Paul had created and George Martin had written down and thought it was rudimentary, at best. There were a few notes that were higher than usual for the French horn and he was unsure what it would sound like. Fortunately, there was no need for concern as the result was incredibly memorable. When Revolver was released, Alan Civil was given credit on the sleeve of the record …. one of a scant few session musicians to receive such a distinction on a Beatles’ record. The stunning French horn solos in “For No One” are arguably the most striking feature of the song.
This may be the only Beatles’ song which does not include John Lennon and George Harrison. I’m really not sure why; I searched for info on that and came up empty. If any reader knows for certain why John and George were not included on the recording, please fill us in. This song was 100% Paul’s baby. I’m guessing John and George not being present had nothing to do with differing opinions and everything to do with Paul wanting only the absolute essential personnel involved. Even Ringo was little more than window dressing.
Recording sessions were held on three separate days in May, 1966; “For No One” was released in the UK on August 5, 1966 and on August 8, 1966 in the US. Since The Beatles never performed any songs from the Revolver album live, “For No One” never saw a concert stage until Paul began his solo touring days.
This is “For No One” by The Beatles. Poetry at work as we hear the abrupt and unexpected ending of “For No One”; there really could be no other way.
Lyrics
Your day breaks, your mind aches
You find that all her words of kindness linger on
When she no longer needs you
She wakes up, she makes up
She takes her time and doesn’t feel she has to hurry
She no longer needs you
And in her eyes, you see nothing
No sign of love behind the tears
Cried for no one
A love that should have lasted years
You want her, you need her
And yet you don’t believe her
When she says her love is dead
You think she needs you
And in her eyes, you see nothing
No sign of love behind the tears
Cried for no one
A love that should have lasted years
You stay home, she goes out
She says that long ago she knew someone
But now he’s gone, she doesn’t need him
Your day breaks, your mind aches
There will be times when all the things she said will fill your head
You won’t forget her
And in her eyes, you see nothing
No sign of love behind the tears
Cried for no one
A love that should have lasted years
Source: LyricFind
Songwriters: John Lennon / Paul McCartney
For No One lyrics © Kobalt Music Publishing Ltd., Royalty Network, Songtrust Ave, Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Warner Chappell Music, Inc, Word Collections Publishing
Personnel
Paul McCartney: vocals, bass, piano, clavichord
Ringo Starr: drums, tambourine, maracas
Alan Civil: French horn
Big thanks to Jim Adams for hosting another great Song Lyric Sunday. Be sure to check out his site.
Thanks for stopping by. See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Feb Fab Faux Four #29
This is it, kids …. the final installment of Feb Fab Faux Four! What a trip this has been for me!
The Beatles have been in my life since WMCA NY disc jockey Jack Spector played “I Want To Hold Your Hand” on December 26, 1963. That’s a very long time ago – just over 60 years – and I imagine some of you weren’t even born yet. I’ve seen the Beatles perform live in concert and I’ve lived through every transformation in the 7 years, 7 months and 24 days they were together. I loved them. I still love them. They are not only in my heart but in my soul.
My goal here on this month-long blog was to have fun and not try to convert anyone into becoming Beatles fans, but after 29 days, I think I may have done exactly that with a few of you.
During this month I discovered that really good Beatles covers are very difficult to find; they are few and far between. Also, judging by the fact that almost every Beatles video presented on this blog was preferred over the cover reinforced what I already knew: the Beatles are hard to beat. They are the best group that ever was or ever will be!
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Now it’s time to get into our final song.
Many Beatles tracks have had interesting afterlives, and this is one of them. It sits towards the end of the last album they made together – 1969’s Abbey Road – but it is less a song than a segment, a tender part of the medley at the end of side two. In one minute and 32 seconds, it evokes nostalgia, innocence and loss in its lyrics and melody, about the impossibility of getting back home (“Once there was a way…”), and the singing of lullabies to a child (“Sleep, pretty darling, do not cry”).
Next comes the seventh and penultimate song in the album’s climactic medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. The middle bridge – featuring brass instruments, electric guitar, and vocals – reprises the beginning of “You Never Give Me Your Money”, but with different words. The lyrics have been interpreted as an acknowledgement by the group that nothing they would do as individual artists would equal what they had achieved together, and they would always carry the weight of their Beatle past. The song is said to be about the Beatles’ business difficulties and the atmosphere at Apple at the time.
The final song of the medley is quite clearly the denouement, not only of the album but of the Beatles as a group. All four Beatles have a solo, including a Ringo Starr drum solo. Ringo disliked solos, preferring to cater drum work to whoever sang in a particular performance; in fact, this is the only drum solo he recorded with the Beatles. George, John and Paul perform a rotating sequence of three, two-bar guitar solos. The idea for a guitar instrumental over this section was George’s, and John suggested the three of them each play a section. The Beatles’ recording engineer, Geoff Emerick, later recalled: “John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all – you could tell they were simply having fun.” In 2007, the final track of the medley was ranked at number 7 on Q magazine’s list “The 20 Greatest Guitar Tracks”.
I listened to a lot of cover versions of this medley and it was impossible to find one that I really liked, except for Phil Collins. I came very close to going with Phil’s recording but I just couldn’t hit the share button on the video. For me, his remake is more of a George Martin remake with Phil singing Paul’s part and playing the drums over a Beatles’ recording. Since I couldn’t find the perfect cover, I made the decision to close out this month by playing only one version …. the original. Nothing else will do. If anyone knows of a version they think is better than or comparable to the original, you are most welcome to drop the link into the comments box. I look forward to hearing them. No professional tribute bands, please.
I can’t think of a better way to say “the end” than by featuring the medley from the fabulous Abbey Road. Here are the Beatles with “Golden Slumbers/Carry That Weight/The End”.
That, my friends, is how it’s done!
I hope you enjoyed spending February together listening to Beatles music; it’s been an incredible experience for me. To you who stuck with me and left comments throughout the month, I am in awe of you and so greatly appreciative. Thank you!
As the Beatles sang: “And in the end the love you make is equal to the love you take“.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #28
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to the second to last day of F4.
Today I have chosen for you one of the most beautiful songs ever recorded by the Beatles. I was hoping I’d be able to feature this number for a couple of reasons; in addition to being a stunning piece of music with gorgeous lyrics, it’s one that’s rarely heard.
The song begins with a distinctive electric harpsichord intro, then John Lennon joins in, his guitar mimicking the harpsichord line. The vocals enter in their prominent and perfectly tuned three-part harmony. This was one of the few Beatles recordings to feature a Moog synthesizer, played by George Harrison.
According to John, the song’s close musical resemblance to the first movement of Beethoven’s “Moonlight Sonata” was no coincidence: “Yoko was playing ‘Moonlight Sonata’ on the piano and I said, ‘Can you play those chords backwards?’ Our song was written around those chords. The lyrics speak for themselves …. no imagery, no obscure references.“
While I was hoping to feature this song I was also reluctant; I couldn’t find any good covers. And then I discovered today’s remake and I’m pretty sure I forgot to breathe for a few of seconds.
Let’s listen to the song.
This is “Because” by the Beatles
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This is Elliott Smith with his remake of “Because”
This may very well be my favorite Beatles song. If I’ve said that before, please excuse me; I have so many favorite Beatles songs.
Elliott Smith was a dedicated fan of the Beatles, as well as their solo projects and claimed that hearing the White Album was his original inspiration to become a musician. In 1998, Smith contributed a cover of the Beatles song “Because” to the soundtrack and closing credits of the film “American Beauty”. This was the only Beatles song that Smith ever officially released.
This is too close to call; for me it’s definitely a draw.
What do you say about “Because”?
Join me tomorrow for my final post of F4.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #27
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to Feb Fab Faux Four. We’re down to the final three days of the month; after this, I won’t be allowed to play another Beatles song until summer!
This next song is clearly about a guy begging for his woman not to leave him. It’s a real belter, with a hard and heavy Louisiana-style blues/rock sound.
Paul says he remembers “wanting to get the vocal right, wanting to get it good; it’s hard on the voice and if it comes off even a little bit lukewarm, then you’ve missed the whole point.“
John said “Paul wrote it, so what the hell, he’s going to sing it. If he’d had any sense, he should have let me sing it.”
Haha! I happen to like this song a lot and think Paul did a fine job on it. Let’s see what you think of my cover choice; as usual, the original will play first.
From the Beatles, this is “Oh! Darling”
🪲
With his rendition of “Oh! Darling”, this is Graham Bonnet
Oh, sweet baby Jesus! This is how to do a cover! You stick to the basics, changing it up just enough to make it your own without tearing the hell out of it and making it unrecognizable.
I’ve always loved the gritty, down & dirty sound of the blues; “Oh! Darling” is a perfect example of that style of song. Graham Bonnet, front man for such hard rock and heavy metal bands as Rainbow, Michael Schenker Group and Alcatrazz was born to sing a song like this.
I adore Graham Bonnet. He’s got one of the best voices in rock, hard rock and metal. And since today is my birthday, Graham Bonnet singing “Oh! Darling” is my gift to me!
Talk about hitting all the right notes. My vote goes to Graham Bonnet.
Two more days after this; stop by again tomorrow.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #26
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to Feb Fab Faux Four!
Today’s song is another request. I did not have this one programmed so the cover choice is not mine. It’s a great number for the category of lesser known songs and I was glad to receive the request and cover suggestion.
During the recording of today’s song, Paul McCartney reportedly stormed out of the studio due to tension and disagreement with the band over the song’s arrangement and direction. The creative process for the Beatles during this time was often intense and fraught with artistic differences, which could lead to such incidents.
The song was originally inspired by an LSD trip; the lyrics were written by John Lennon based on an experience he had with actor Peter Fonda. It’s another case of he said, she said …. or in this case …. she said, she said.
This is “She Said, She Said” by the Beatles
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And here is our requested cover version of “She Said, She Said” by Lonestar.
No input from me on this one, kids, so you’ll have to virtually duke it out on your own. No hitting below the belt!
I’m looking forward to reading your comments.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #25
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to the 4F Club! Four days to go.
Today’s song is another in your face, bare naked plea inspired by John’s love for Yoko. As he put it: “When it gets down to it, when you’re drowning, you don’t say, “I would be incredibly pleased if someone would have the foresight to notice me drowning and come and help me,” you just scream.”
John and Yoko had a real connection. I don’t think the other Beatles disliked Yoko; I think they resented her hanging around all the time. None of the other wives came to the “office” every day; she was the 5th wheel, a distraction. John was totally into her and not what the group was doing. She was a constant presence and made things uncomfortable but neither she nor John cared.
Here are the Beatles with “Don’t Let Me Down”
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From Wales with their cover of “Don’t Let Me Down”, this is Stereophonic.
Here we have another case of “If I didn’t know the original, I’d be all over this one“. I love the sound of the lead singer’s voice and the group has a really good vibe. I like this cover a lot but, just like the cover of “I Am The Walrus”, it’s too slow. Besides, all I think of when I hear this song is the Beatles rooftop concert.
Another one for the Beatles. What are your thoughts?
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #24
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to F4! We’re going to take a trip back in time.
I’m featuring another Beatle covering one of their favorite rock & roll songs; if you’ve been keeping track you know there’s only one Beatle I haven’t featured yet. So, who’s the last man standing? You’re about to find out …. but first, let’s listen to the original song which the Beatles covered.
From 1960, here are The Shirelles with their hit, “Boys”
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And here are the Beatles with their version of “Boys” with Ringo doing the singing.
There’s no doubt the fabulous girl groups from the early 60s broke boundaries and paved the way for future artists BUT …. and you knew there was a but coming …. this definitely goes to the high octane performance by Ringo and the boys. You can tell they are all into this one 100% and having the time of their lives! We can’t forget, however …. without groups like The Shirelles, the Beatles might not even exist.
What do you say …. girls or boys?
Join me again tomorrow; only five days left.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #23
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to the final week of Feb Fab Faux Four! Let the countdown begin!
Today I’m featuring a lovely ballad off their 1970 “Let It Be” album. John explained how the words of the first line came to him: “I was lying next to my first wife in bed and I was irritated and I was thinking. She must have been going on and on about something and she’d gone to sleep and I kept hearing these words over and over, flowing like an endless stream. I went downstairs and it turned into a sort of cosmic song rather than an irritated song, rather than “Why are you always mouthing off at me?” [The words] were purely inspirational and were given to me as boom! I don’t own it you know; it came through like that.“
This is “Across The Universe” by the Beatles.
🪲
With his remake from the “I Am Sam” soundtrack, this is Rufus Wainwright and “Across The Universe”
Truth be told, I don’t really know that much about Rufus Wainwright so I Googled him and found out that he is a Canadian-American singer, songwriter and composer. He has recorded eleven studio albums and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare’s sonnets to music for a theatre piece by American director and playwright Robert Wilson. Up until today I had no songs by Wainwright on my playlist; now I have one.
I listened to a few covers of this piece, including Bowie’s and one by Wainwright with Moby and Sean Lennon. None of them came close to the original.
This solo piece was a shining star for me. I’m not quite ready to call it a draw so score one more for the Beatles.
What are your thoughts?
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #22
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to F4!
Today I’m featuring a fun song from Sgt. Pepper’s Lonely Hearts Club Band, a work regarded by musicologists as an early concept album. At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests. While on a return flight to London in November 1966, Paul came up with an idea that formed the impetus of the Sgt. Pepper concept: creating songs for an Edwardian military rock band.
Meanwhile……
John was out one day and he stopped at an antique store where he saw a framed poster on display advertising a circus. As he read the poster, an idea started forming. He bought the poster and hung it in his music room at home. Everything came together, incorporating many of the words from the poster almost exactly as they were written (except Henry the Horse was actually named Zanthus) and the result was a fantastical number unlike anything the Beatles had done before.
Here is “Being For The Benefit Of Mr. Kite!” by the Beatles.
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And here is Cheap Trick with their rendition of “Being For The Benefit Of Mr. Kite!”.
There was always a method to the Beatles madness. Love it or hate it, this song beautifully displays the brilliant imagination, unparalleled musicality and creative genius of the Beatles. This song helped keep Sgt. Pepper from becoming an overwhelming Paul McCartney project …. and thank goodness for that!
So, what about the Cheap Trick version. It’s very good, the best cover I could find, and why wouldn’t it be good? It sounds like Cheap Trick bought the sheet music for “Mr. Kite”, rehearsed it and did their level best to sound as close to the Beatles as possible. It’s a replica of the original and shows little imagination of its own but it’s done well …. I’ll give Cheap Trick that much.
This one goes to the Beatles, without question. Join me tomorrow for an interesting selection.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #21
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to Feb Fab Faux Four.
Now it’s time for something completely different. I got a request to feature today’s song; if I get a request and I have room, I’ll post it. Too bad requests didn’t start coming in until just the other day. Regarding requests …. I will give you some info about the original song but will not comment on the cover.
So, just what the hell is this song about anyway? For John Lennon, the answer was simple: “That was just a sort of nice line that I made into a song. It was about me and Yoko. Everybody seemed to be paranoid except for us two, who were in the glow of love. Everything is clear and open when you’re in love.“
Additionally, the lyrics contain sayings the Beatles heard from Maharishi Mahesh Yogi. In further comments on the song, John said it addressed his bandmates’ initial reaction to his relationship with Yoko. There is also wide speculation that the title of the song as well as some of the lyrics reference John and Yoko’s heroin use during ’68.
Recorded early in the sessions for the White Album, the track typifies the Beatles’ return to a rock sound in 1968 after their psychedelic period.
I had originally programmed Soundgarden’s cover of this song but when the request came in, I went with that instead.
Ok, enough chitchat. Here we go.
Here are the Beatles with “Everybody’s Got Something To Hide Except For Me And My Monkey”.
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Today’s requested remake of the Beatles’ song with the longest name as done by Fats Domino.
Just for fun, here’s Soundgarden:
Discuss amongst yourselves.
That’s it for today, kids. I’m outta here.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #20
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to day 20 of Feb Fab Faux Four. We’re coming ’round the bend and the finish line is in sight!
Yesterday I hinted that today’s song was a huge hit for one of the Beatles during his solo career …. and by huge I mean HUGE. This was our Beatle’s first single as a solo artist and it topped the charts worldwide; it was the biggest-selling single of 1971 in the UK and the first #1 single by an ex-Beatle in the US and England. By the late 1970s, it was the most covered song written and released by any of the former Beatles since the band’s break-up. Did I say it was huge?
Our Beatle wrote today’s song in praise of the Hindu god Krishna, while intending the lyrics as a call to abandon attachment to any one religious sect through his blending of the Hebrew word “hallelujah” with chants of “Hare Krishna” and Indian prayers.
That last bit of information was a dead giveaway, I’m sure, so let’s cut to the chase and play some music.
Here is George Harrison with “My Sweet Lord”
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This is Edwin Starr’s remake of “My Sweet Lord“
My sweet lord! Can I get an “Amen”?!
I know the obvious choice for a cover version is Billy Preston but we’ve all heard that one too many times. Edwin Starr has given us a slowed down, almost gospel-like version and I have to give him kudos for taking on such a big song; his vocal range is impressive. I like his arrangement but it can’t hold a votive candle to George Harrison’s
“Every time I put the radio on, it’s ‘Oh my Lord’. I’m beginning to think there must be a God” said John Lennon after George scored the first number one hit by any solo Beatle. Sour grapes? Typical biting humor from John. And none of them thought George had what it took to write decent songs.
In 1976 George was slapped with a lawsuit claiming that “My Sweet Lord” sounded too much like the 1963 hit by the Chiffons called “He’s So Fine”. George took his guitar to the court and demonstrated how he wrote the song, but he was found to have committed “subconscious plagiarism”. It doesn’t seem to have negatively impacted his career. I’ll let you be the judge. Here are the Chiffons with “He’s So Fine”.
Well, all I can say is there’s a similarity. I think the Chiffon’s lawyers got lucky on this one.
That’s it for today, kids. Nine more vids to go before I’m outta here.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #19
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to day 19 of Feb Fab Faux Four. Are you having fun yet?
We’re spinning the wheel in the other direction and going back in time to another tune the Beatles covered.
Today’s number is a rockabilly song often credited to Carl Perkins; however, it been brought to light that Carl’s song is actually based on a 1936 song of the same name written by singer/songwriter Rex Griffin. Griffin’s song didn’t really go anywhere and Carl Perkins’ 1957 release achieved widespread popularity. Lucky Carl Perkins! The Beatles covered the song in 1964.
The Beatles recording was first released as the final track on “Beatles For Sale” in the United Kingdom late in ’64 and as the concluding track on the North American album “Beatles ’65”. The remake by the Beatles features a false ending which means the final musical phrase (not vocals) repeats itself after the song seems to have stopped; this false ending does not appear in the Carl Perkins version.
Here is Carl Perkins with his 1957 recording of “Everybody’s Trying To Be My Baby”.
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And from 1964, here’s “Everybody’s Trying To Be My Baby” by the Beatles featuring George Harrison on lead vocals. George was a life-long fan of Carl Perkins; it was a thrill for him to actually meet and perform with Carl.
There’s not a damn thing wrong with a George Harrisong!
As a diehard George fan, I love everything he ever did and believe the quality of his his solo work after the Beatles split is better than anything the other three produced. In this remake, George’s vocals were processed with the STEED effect; I doubt I’ll be able to explain this process with great clarity so I’m leaving it highlighted if you’d like to read about it.
Carl Perkin’s rockabilly recording is great but my vote goes to George and the boys.
Before I close this page out, here is a bonus track …. the original 1936 recording of Rex Griffin’s “Everybody’s Trying To Be My Baby”. Enjoy this very unusual and different arrangement.
I’m back tomorrow with what became a huge hit for one of the Beatles during his solo career. Join me to see which song it is.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #18
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome to F4. This is one of those songs that had everybody wondering what the hell it was all about.
John Lennon wrote today’s song to bewilder listeners who had been seriously trying to interpret some of the Beatles’ lyrics. He was partly inspired by two LSD trips and Lewis Carroll’s poem “The Walrus and the Carpenter”.
George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. A 16-voice choir of professional studio vocalists also joined the recording singing nonsense lines and shrill whooping noises. Shortly after release, the song was banned by the BBC for the line “Boy, you’ve been a naughty girl, you let your knickers down.” Scandalous!
Have you figured out today’s song? I’m sure you have. Let’s check it out.
This is “I Am The Walrus” by the Beatles
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With their cover of “I Am The Walrus”, this is Spooky Tooth
So, what did you think of this version by the progressive rock band, Spooky Tooth? I thought it was pretty good except for one thing ….. it was too slow. As you can see, the cover lasted almost two minutes longer than the original. It dragged on and probably should have been called “I Am The Sloth”.
No question …. this one goes to the Beatles. That’s my opinion; what’s yours?
Stop by for a jumping little number coming up tomorrow.
I”ll see you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #17
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to the Feb Fab Faux Four. This song is surrounded by mystery, skepticism and a lot of a disappointment.
The story goes that John Lennon wrote this song about Maharishi Mahesh Yogi, the Beatles’ Indian guru. The group took an interest in Transcendental Meditation after attending one of Maharishi’s lectures. They went to India to study TM specifically at his camp, but left early when they began to fear he was more of a cult leader than an enlightened being. Speculation was Maharishi Mahesh Yogi was using his status to seduce women.
Controversy among the Beatles lies in whether they all believed the stories or if John was seeing and believing things that weren’t really happening. Sadly, there’s no one who will tell the real story. John and George are dead, Ringo’s all about peace and love and Paul’s all about Paul.
There are many people who believe there are strange events surrounding the Beatles, including the conspiracy theory that the original Paul was killed in a car crash in 1966 and was replaced by a look-alike named William Shears Campbell (who also happened to be extremely talented!) Supposedly, they were sworn to secrecy. Who knows …. maybe when there’s only one man standing will some of the truths be revealed, but I doubt it.
Lennon called today’s song “Maharishi,” but changed the title to “Sexy Sadie” to keep from getting sued. The opening lines make Lennon’s sentiments perfectly clear.
This is “Sexy Sadie” by the Beatles.
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Doing his cover of “Sexy Sadie” this is Paul Weller
Paul Weller achieved fame with the new wave band, the Jam then had further success with the blue-eyed soul sound of the Style Council before setting out on a solo career.
I think he did a fine cover of Sexy Sadie, keeping very true to the original, but his remake lacked the finesse and subtlety of John’s. My vote goes to the Beatles.
We’re going in the opposite direction tomorrow; come join me.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #16
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to F4. We are now two days into the second half of the month.
Considering the edgy progressive complexity of today’s song, it’s amazingly difficult to believe it was released in 1963 and was composed primarily by two guys who could neither read nor write music. This little number takes us all over the place with notes and chords and harmonies we don’t expect and somehow, it all works.
It’s a classic.
Here are the Beatles with “Not A Second Time”
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This is “Not A Second Time” as done by the Pretenders
It seems only right that this progressive, edgy and complex piece be covered by the Pretenders and their legendary front-woman Chrissie Hynde; they are, after all, the icons of punk and New Wave music.
This is a really good cover; it stayed true to the original with a good electric piano break but I expected a little more from this group which has always been on the cutting edge.
This one goes to the Beatles.
Join me tomorrow for a cool tune off the White Album.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #15
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to Feb Fab Faux Four.
It’s time to shake things up again by featuring another song which the Beatles covered. We’re going back to the 50s; this song was a staple of the Beatles’ live set from the very earliest formative years until they stopped touring in 1966. In fact, it was the last song they played at their final concert at San Francisco’s Candlestick Park in August 1966.
Is that ringing any bells for you? Let’s get the phonograph cranked up; it’s time for some good old rock & roll.
From 1957, this is little Richard with “Long Tall Sally”
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And here are the Beatles with their version of Little Richard’s “Long Tall Sally”; this time it’s Paul on lead vocals.
Damn! That’s how you do a cover!
When Paul and John first met, back in the summer of 1957, “Long Tall Sally” was among the songs Paul played for John, after which John invited him to join his band. As Paul told Playboy in 1984: “I knew the words to 25 rock and roll songs so I got in the band. “Long Tall Sally” and “Tutti-Frutti,” that’s what got me in. That was my audition.”
Well, kids, this is a tough one. For quality of sound, that banging piano and George’s incredible guitar playing, the Beatles win this one hands down. BUT let’s not forget something: without the likes of Little Richard, there just might not be a Paul McCartney and the Beatles.
Come join me tomorrow as we take it down a notch or two.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #14
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Happy Valentine’s Day and welcome back to FFFF, all you romantic fools!
Just for today I’ve switched out Misky’s Feb Fab Faux Four Beatles Tiki Gods graphic; as you can see, they’re all wearing their hearts on their sleeves chests …. except for the one in the middle. I wonder what happened to make him so grumpy? Maybe he’s Pete Best!
You probably have a favorite Beatles love song; after all (as we learned last week), according to Paul’s aunt, all they ever wrote were love songs. I have my favorite but I’m not playing it because, as my friend Keith pointed out the other day, some Beatles songs should just be left alone.
I chose today’s song for three reasons: (1) we’re long overdue for a song from the ladies; (2) the harmony is so rich and unexpected, it just makes you smile and (3) it’s perfect for Valentine’s Day❣️
Here’s one of the few Beatles’s songs just begging you to get up and do the Cha ChaCha.
This is the Beatles with “If I Fell”
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Here is “If I Fell” by the MonaLisa Twins
Wasn’t that just like eating a big, yummy chocolate heart? Oh my, so very sweet!
The MonaLisa Twins …. Mona & Lisa Wagner …. are Austrian-born, Liverpool-based musicians known primarily for their covers of Beatles songs and other artists from the 60s. Their voices blend so beautifully and this Lennon-McCartney number is perfect for them.
I love when a piece of music surprises me with it’s accidental* chords and intricate harmony; “If I Fell” does that every time I listen to it. For me, it’s one of the Beatles finest pieces and definitely one you don’t hear too often.
Happy Valentines Day❣️ I love you all for stopping by and sticking with me this month. If you have a Beatles remake that you like and want me to share on my blog, leave the name of the song and who covered it in the comments box and I’ll take it from there. Simple as that!
See you on the flip side. 😎
NAR©2024
*Accidental: A musical term meaning that a note is either higher or lower than the original natural note; it’s called accidental but it’s no accident.
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #12
Welcome Back to Feb Fab Faux Four – the only blog (I assume) devoted solely to Beatles cover songs!
Our friend Lisa gave me a suggestion for a group known for their Beatles covers. The name was familiar and was pretty sure they were a tribute band; I will not feature professional tribute bands on this blog. And when you see their album cover, you’ll understand my hesitation and doubt. However, I was wrong; they’re not a tribute band and, believe me, I gave the internet a good search to make sure.
This pop/rock group from Carteret, New Jersey made a name playing their own material, but they have recorded Beatles songs as well and have always had a soft spot for the enthusiasm and zest of British Invasion bands. Their approach to music is twofold: as fans who know it intimately and as composers who know what makes a great song durable.
I have not heard another group play a Beatles’ instrumental piece with such precision. They even perfected Paul’s screams in the background! If anyone reading this right now knows of a better group, please let me know; I welcome your comments and videos.
Here are the Beatles with “Cry For A Shadow” …. written in their very early days by George and John with Pete Best on drums!
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This is “Cry For A Shadow” by the Smithereens
As I said earlier, you can see why I had trouble believing the Smithereens are not a tribute band.
What a song! And kudos to George for his incredible guitar playing. I’m hearing a little bit of Duane Eddy, Del Shannon, Cliff Richard and Santo & Johnny.
This piece was recorded in June 1961 at Friedrich-Ebert-Halle in Hamburg, Germany. At that time the Beatles were performing as a backing band for Tony Sheridan and went by the name “Beat Brothers”. It was written by George Harrison with John Lennon in the style of the Shadows who backed Cliff Richard and were the biggest British instrumental rock & roll group at the time. “Cry For A Shadow” is the only Beatles track to be credited to Harrison and Lennon alone.
The Smithereens are still performing and have some upcoming dates at Daryl’s House with Daryl Hall.
So, what’s the verdict? I’d say this cover is as close as you can get to the real thing.
I’ll be back tomorrow with a new vocal cover.
See you on the flip side. 😎
NAR©2024
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #11
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
Welcome back to Feb Fab Faux Four!
Today I’m going to shake things up just a bit; instead of featuring a Beatles’ song that was covered by another artist, I’m showcasing a song which the Beatles covered themselves.
The Beatles’ greatest early influences were American Rock & Roll, R & B and some country: Elvis Presley, Chuck Berry, Larry Williams, Little Richard, Carl Perkins, Roy Orbison, Eddy Cochran, Buddy Holly, etc., as well as songwriters Goffin/King and Leiber/Stoller.
To start things off today, it’s a 1957 song written and recorded by Larry Williams. As usual, the original will always be played first. During the remainder of February, I will feature three more of these switched-around posts, each one highlighting the singing talents of another Beatle.
Let’s begin.
This is Larry Williams with his 1957 hit, “Slow Down”
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Here are the Beatles with their 1964 remake of “Slow Down”; John is singing lead vocals.
Coolness overload today, kids!
This Larry Williams cover, featured on the Beatles’ “Long Tall Sally” EP, was recorded during the same sessions as the soundtrack to “A Hard Day’s Night“.
When the Beatles were first starting out performing in places like the Cavern Club, all the groups did the same songs. A rival Liverpool group member named Ted “King-Size” Taylor told Beatles historian Mark Lewisohn how the Beatles came to watch his band, and “all four of them sat in a row and took down one line each of all the songs we did – ‘Dizzy Miss Lizzy,’ ‘Slow Down,’ ‘Money,’ all of those – and the next time we saw them, they were playing all our stuff!” Until the Beatles learned how to write their own songs, that’s how it was done.
These two versions are obviously very similar, but both done in the artists’ own style. Do you have a preference?
Tune in tomorrow when I’ll will return to my usual format.
Thanks for joining me today.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
Feb Fab Faux Four #10
WARNING: THIS BLOG WAS NOT CREATED FOR BEATLEMANIACS!
If you’re on the fence about the Beatles or if you just don’t like them,
this blog is for you. My goal is not to convert you; it’s to expose you
to the lesser-known Beatles songs we don’t hear day in and day out.
These great tunes will show you just how amazing the Beatles are.
Of course, if you are a Beatles fan, pull up a chair and enjoy the tunes!
I’ve probably said this just about every day and I’m going to say it again: this next song is one of my favorites …. not just a favorite Beatles song but a favorite George song (and if you know me at all, you know I adore George). Seeing him in concert during his solo career in 1974 was almost as exciting as seeing the Beatles at Shea Stadium in 1965.
While putting this post together, I had the recurring thought that George’s solo career, though cut short due to illness, still produced better quality music than Ringo or Paul’s solo careers. George’s musicality during “Concert for Bangladesh” was nothing short of amazing. After his death, his peers, friends and fellow performers who admired and loved him presented the “Concert For George” and “George Fest“, two tributes to George and his music. The number of big name musicians on stage at those tribute concerts was staggering.
Today’s cover song was performed at “George Fest”.
George wrote our featured song using a piano rather than his guitar and the song’s rhythm suggests the influence of ska, which he was into. In his autobiography, George says that the song’s lyrics started as a study in opposites and addresses ‘the duality of things”, not just in music but in life as well.
This is a very cool song and it’s called “Old Brown Shoe” by the Beatles, written and sung by George.
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Now those of you who have seen “Concert For George” know that Gary Booker of Procol Harum performed “Old Brown Shoe” and he did a great job; however, the cover I’ve chosen today comes from “Live At George Fest”. If you’ve seen that concert, then you may remember who performed “Old Brown Shoe”; if you haven’t seen the concert then I guarantee you will be very surprised when you see who did it.
Get ready …. here we go!
From “Live at George Fest”, performing a ridiculously cool version of “Old Brown Shoe”, this is late night TV personality Conan O’Brien.
Hot damn! That was great fun and I love both of these numbers. How do you feel about Conan O’Brien stepping out from behind his late night desk and jamming to “Old Brown Shoe” with a bunch of incredible musicians?
Me? I’m giving it to George and the boys by a hair.
I hope you’ve been enjoying the music and the comments here on Feb Fab Faux Four. Join me again tomorrow for another great song and cover.
Thanks for keeping me company.
See you on the flip side. 😎
NAR©2024
PS – If any video won’t play for you, I’ve provided the name of the song and who did it so you can find it on YouTube. It’s a pain in the ass but it does happen from time to time. My apologies.
This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.
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