Music Blog

Smooth Saturday Sounds: Rodeo – Hoe-Down

“Rodeo – Hoe-Down”
Written by: Aaron Copland
Composed: 1942

Release Date: 
October 16, 1942

Available on: America, The Dream Goes On (1985)
Conductor: John Williams
Producer: John McClure
Arranger: John Williams

Personnel:
Boston Pops Orchestra

Composed by Aaron Copland in 1942 for the ballet Rodeo, the “Hoe-Down” features two American square dance tunes and fuses evocative music and dance. Rodeo takes us to the exciting, dramatic world of cowboys, cowgirls and the American West. A hoedown is a dance competition that is often described as noisy and riotous. The music is full of vigor and energy as the cowgirls and boys pair off.

The commission for Rodeo came, surprisingly enough, from the classically oriented Ballet Russe de Monte Carlo, with the music by Copland and the choreography and scenario by Agnes de Mille. The ballet was precedent-setting; the audience demanded 22 curtain calls at its premiere at the Metropolitan Opera House on October 16, 1942. The success of this ballet ensured that dance would thrive as an integral part of American musical theater.

Aaron Copland (1900-1990) was possibly the most famous American composer of the 20th century. He was one of the first serious American composers to carve out his own path amongst the much more famous songwriters and jazz musicians of the 1920s. His music is said to ‘sound like America’ and often features a large, open sound (like the vast American prairies), and complex rhythms (like cowboys on horseback). Copland was born and raised in Brooklyn, NY, the youngest of 5 children all living above their father’s grocery shop. Copland learned piano  and started writing down ideas at the age of 8. By the age of 15 he had decided to be a composer and his love of European music led him to Paris to study with the famous music teacher Nadia Boulanger. When he returned home, he began writing music in many different styles including three symphonies, four ballets and several film scores. He also became a great teacher and supporter of young composers. Upon his death, most of his fortune was left to the Aaron Copland Fund for Composers which supports young composers and performing groups. The fund is so large, it will continue to support young musicians for decades.

The music of “Hoe-Down” is about real people 
. their folk tunes and customs; it’s full of open plains, a sense of adventure and the American pioneering spirit.

This is Aaron Copland’s “Hoe-Down” from Rodeo, performed by the Boston Pops Orchestra under the baton of John Williams.

May your Saturday be smooth and easy. Thanks for stopping by.

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog

Smooth Saturday Sounds: It Was A Very Good Year

“It Was A Very Good Year”
Written by: Ervin Drake
Recorded:  1965
Producer: Sonny Burke
Conductor: Gordon Jenkins
Arranger: Gordon Jenkins

Released: 
December 1965

Available on:
September Of My Years (1965)
Sinatra At The Sands
(1966)

Personnel:
Frank Sinatra – vocals
Featuring Gordon Jenkins and his Orchestra

Ervin Drake’s “It Was A Very Good Year” was written in 1961 and originally recorded by Bob Shane of The Kingston Trio that same year but it was Frank Sinatra’s rendition in 1965 that made the song legendary with his Grammy Award-winning version.

The nostalgic and melancholic song recounts the type of girls with whom the singer had relationships at various years in his life: when he was 17, “small-town girls … on the village green“; at 21, “city girls who lived up the stair“; at 35, “blue-blooded girls of independent means“. Each of these years he calls “very good“. In the song’s final verse, the singer reflects that he is older and in the autumn of his years, and he thinks back on his entire life “as vintage wine”. All of these romances were sweet to him, like a wine from a very good year.

Sinatra’s version of the song, which won Best Vocal Performance, Male, also took home the Grammy for Best Instrumental Arrangement Accompanying Vocalist by Gordon Jenkins. The song became Sinatra’s first #1 single on The Adult Contemporary chart and reached #28 on Billboard Hot 100.

Ervin Drake commented on Sinatra’s rendition saying, “Someone played it to me down a telephone. It wasn’t a great phone line but I knew I’d heard a masterpiece and I fell in love with it. I’ve never stopped loving it.”

This is Frank Sinatra with “It Was A Very Good Year”

May your Saturday be smooth sailing. Thanks for stopping by.

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog

Smooth Saturday Sounds: Midnight Cowboy Theme

“The Midnight Cowboy Theme”
Written by: John Barry
Recorded:  1969
Engineer: Chris Malone
Arranger: John Barry

Released: August, 1969

Available on:
Midnight Cowboy – Original Motion Picture Score
Best of John Barry
Multiple recordings released worldwide

Personnel:
Toots Thielemans – harmonica
Featuring The John Barry Orchestra
Various Artists

Although “Everybody’s Talkin’” by Nilsson is the most memorable and popular song from Midnight Cowboy, the film’s actual title song is “The Midnight Cowboy Theme,” a haunting instrumental written by the prolific songwriter John Barry, who has done numerous soundtracks. The theme is immediately recognized by the lonely harmonica which serves as the main instrument. There are lyrics, though the song has rarely been recorded as a vocal.

Midnight Cowboy was one of the first films to make extensive use of pop artists and songs. John Barry supervised the music and composed the score, winning a Grammy for Best Instrumental Theme. The movie is still shown at the cinema school at UCLA as the epitome of how songs should be used in the movies.

John Barry also composed eleven soundtracks for James Bond films between 1963 and 1987 as well as the famous “James Bond Theme” from Dr. No, the first Bond film. He also wrote the award winning scores to the films Dances With Wolves and Out Of Africa as well as the scores for The Lion in WinterBorn Free, and Somewhere in Time.

Midnight Cowboy is the only X-Rated movie to have won an Academy Award for Best Picture.

This is “The Midnight Cowboy Theme”

May your Saturday be smooth sailing. Thanks for stopping by.

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog, Sixties

Smooth Saturday Sounds: Stranger On The Shore

“Stranger On The Shore”
Written by: Acker Bilk, Robert Mellin
Recorded:  1961
Producer: Denis Preston
Engineer: Adrian Kerridge
Arranger: Leon Young

Released: October 1961

Available on:
Stranger On The Shore
Is This The Blues

Personnel:
Acker Bilk – clarinet
Featuring The Leon Young String Chorale

Acker Bilk said he thought up the song’s melody in a taxi and named the gentle tune ‟Jenny” in honor of his daughter. Having scored several hits since his first, 1960’s ‟Summer Set”, Bilk was famous enough to be asked to create the theme for a BBC TV children’s series about a French au pair in Brighton. Bilk offered them ‟Jenny” but was asked to change its title to the name of the program, Stranger on the Shore. Its wistful, airy tones, with Bilk’s ‟liquorice stick” accompanied by silken strings, was heard on TV on Sunday afternoons, accompanying the culture-shocked lead character longingly staring out across the English Channel towards her home in France. The song is certified gold by the RIAA (Recording Industry Association of America). 

This is “Stranger On The Shore” by Acker Bilk

May your Saturday be smooth sailing. Thanks for stopping by.

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog, Sixties

Smooth Saturday Sounds: By The Time I Get To Phoenix

“By The Time I Get To Phoenix”
Written by: Jimmy Webb
Recorded:  August 29, 1967
Producer(s): Al De Lory, Nick Venet
Arranger/Conductor:  Al De Lory

Released: October 23, 1967

Available on:
By The Time I Get To Phoenix

Personnel:
Glen Campbell – vocals, acoustic guitar
James Burton – acoustic guitar, electric guitars
Joe Osborne – bass
Jim Gordon – drums

The inspiration for “By the Time I Get to Phoenix” originated in Jimmy Webb’s breakup with his partner, Susan Horton. Their relationship, which peaked in mid-1965, was also the primary influence for “MacArthur Park”, another Webb composition. Webb called the song a “succinct talewith an O. Henry type twist at the end which consists merely of the guy saying, ‘She didn’t really think that I would go,’ but he did.” Although the protagonist in the song plans to leave his lover, Webb did not leave Horton; their breakup was a mutual agreement.

Glen Campbell’s version topped RPM magazine’s Canada Country Tracks, reached number two on Billboard’s Hot Country Singles chart and won two awards at the 10th Annual Grammys. BMI named it the third most performed song from 1940 to 1990. The song was ranked #20 on BMI’s Top 100 Songs Of The Century. It was #450 on Rolling Stone magazine’s Top 500 Songs of All Time. And perhaps the greatest accolade …. Frank Sinatra called it “the greatest torch song ever written”.

This is the exquisite “By The Time I Get To Phoenix” by Glen Campbell.

May your Saturday be smooth sailing. Thanks for stopping by.

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog

Smooth Saturday Sounds: Europa

“Europa (Earth’s Cry, Heaven’s Smile)”
Written by: Santana/Coster
Recorded:  1976
Producer: David Rubinson
Engineer(s):  David Rubinson, Fred Catero
Assistant Engineer: Susie Foote

Released: March 26, 1976

Available on:
Amigos

Personnel:
Carlos Santana – lead guitar
Neal Schon – rhythm guitar
David Brown – bass
Greg Rolie – keyboards
Michael Schrieve – drums
Armando Peraza – percussion
Jose Chepito Areas – timbales

Upon seeing a friend suffering a bad experience while high on mescaline, Santana composed a piece titled “The Mushroom Lady’s Coming to Town“. This precursor contained the first lick to “Europa“. The piece was put away and not touched for some time. When Santana was touring with Earth, Wind & Fire in Manchester, England, he played the tune, this time with songwriter Tom Coster who helped him with some of the chords, and a new song was born. It was renamed as “Europa (Earth’s Cry Heaven’s Smile)”.

The track was featured in the 2004 film “Shall We Dance?” and has become one of Santana’s most beloved songs with its combination of Latin rhythms, blues and jazz influences.

This is Santana with “Europa”

May your Saturday be smooth sailing. Thanks for stopping by.

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog, Sixties

Smooth Saturday Sounds: Norwegian Wood

“Norwegian Wood (This Bird Has Flown)”
Written by: Lennon-McCartney
Recorded:  October 1965
Producer: George Martin
Engineer: Norman Smith

Released: December 3, 1965 (UK), December 6, 1965 (US)

Available on:
Rubber Soul
Anthology 2

Personnel:
John Lennon – vocals, acoustic rhythm guitar
Paul McCartney – harmony vocals, bass
George Harrison – sitar, 12-string acoustic guitar
Ringo Starr – bass drum, tambourine

The first time George Harrison saw a sitar was on the set of Help; a group of Indian musicians had been recruited to add an authentic ambiance to the restaurant scenes. Back in London after the filming, George found a store called Indian Goods; inside was an inexpensive sitar which he bought and began playing around with. While recording “Norwegian Wood”, George felt it needed something in addition to the guitars. He picked up his sitar and “just sort of found the notes”. When the recording was played back, everyone agreed the sitar brought the whole piece together.

From 1965’s Rubber Soul, here are the Beatles with “Norwegian Wood”

Thanks for stopping by. May your Saturday be smooth sailing.

See you on the flip side. 😎

NAR©2024

Lyrics

I once had a girl
Or should I say she once had me
She showed me her room
Isn’t it good Norwegian wood?

She asked me to stay
And she told me to sit anywhere
So I looked around
And I noticed there wasn’t a chair

I sat on the rug biding my time
Drinking her wine
We talked until two and then she said
“It’s time for bed”

She told me she worked
In the morning and started to laugh
I told her I didn’t
And crawled off to sleep in the bath

And when I awoke I was alone
This bird had flown
So I lit a fire
Isn’t it good Norwegian wood?

Source: Musixmatch
Songwriters: Paul McCartney/John Lennon
Norwegian Wood (This Bird Has Flown) lyrics © Sony/ATV Tunes LLC, MPL Communications Inc.

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog, Seventies

Smooth Saturday Sounds: Bridge Over Troubled Water

“Bridge Over Trouble Water“
Written by: Paul Simon
Recorded:  January 1970
Producer(s): Paul Simon, Art Garfunkel, Roy Halee 
Engineer: Roy Halee

Released: January 26, 1970

Available on:
Bridge Over Trouble Water

Personnel:
Paul Simon – lead vocals, acoustic guitar, percussion
Art Garfunkel – lead vocals, percussion
Los Incas – Peruvian instruments
Joe Osborn – bass guitar
Larry Knechtel – piano
Fred Carter Jr. – guitar
Pete Drake – Dobro, pedal steel guitar
Hal Blaine – drums
Jimmie Haskell & Ernie Freeman – strings
Jon Faddis, Randy Brecker, Lew Soloff & Alan Rubin – brass

Paul Simon said he wrote “Bridge Over Trouble Water” very quickly, so much so that he later asked himself: “Where did that come from? It doesn’t seem like me.”

Simon wrote it as “a little hymn“, a song about providing comfort to a person in need. Garfunkel and producer Roy Halee thought it was more epic than a little hymn and convinced Simon to write a third verse. When done, Paul Simon thought it was too long, too slow and too orchestral to be a hit single.

However, Clive Davis at Columbia Records disagreed; he identified the commercial appeal of the song and it was included on the 1970 album of the same name – their fifth and final LP.

Paul Simon told his partner Art Garfunkel that he’d like him to sing the song alone, the “white choirboy way“. At first, Garfunkel felt the song was not right for him, as he liked Simon’s falsetto on the demo version, and suggested that Simon sing instead. At the suggestion of Garfunkel and Roy Halee, Simon wrote an extra verse and a “bigger” ending, adding harmony in the final verse.

Ultimately, Paul Simon became jealous of the reaction from audiences and the attention Art Garfunkel was getting every time they performed the song and thought how the song really should have been his. Well, Paul’s the one who made the suggestion; now he was regretting it. These feelings of jealousy and animosity would contribute strongly to their eventual split. So much for the peaceful little hymn.

In the US, “Bridge Over Troubled Water” reached #1 on the Billboard Hot 100 chart in February 1970, and stayed there for six weeks. It was the biggest single of the year. It also reached #1 in the UK in 1970. It was certified gold for selling over one million copies in the US and more than six million copies worldwide, making it one of the best-selling singles ever.

Here is one of the most beautiful songs ever recorded, Simon & Garfunkel’s “Bridge Over Trouble Water”.

Lyrics

When you’re weary
Feeling small
When tears are in your eyes
I’ll dry them all
I’m on your side
Oh, when times get rough
And friends just can’t be found

Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

When you’re down and out
When you’re on the street
When evening falls so hard
I will comfort you
I’ll take your part
Oh, when darkness comes
And pain is all around

Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down

Sail on silver girl
Sail on by
Your time has come to shine
All your dreams are on their way
See how they shine
Oh, if you need a friend
I’m sailing right behind

Like a bridge over troubled water
I will ease your mind
Like a bridge over troubled water
I will ease your mind

Source: Musixmatch
Songwriters: Paul Simon
Bridge Over Troubled Water lyrics © Sony/ATV Songs LLC

I hope you enjoyed today’s little slice of heaven. May your Saturday be smooth sailing!

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog

Smooth Saturday Sounds: Because

Because
Written by: Lennon/McCartney
Recorded:  August 1, 4 & 5, 1969
Producer: George Martin 
Engineers: Geoff Emerick, Phil McDonald

Released: September 26, 1969 (UK), October 1, 1969 (US)

Available on:
Abbey Road
Anthology 3
Love

Personnel:
John Lennon: vocals, lead guitar
Paul McCartney: vocals, bass
George Harrison: vocals, Moog synthesizer
George Martin: electric spinet Baldwin harpsichord
Ringo Starr: handclaps (for timing purposes)

The ballad “Because”  features a tightly woven, lush harmony vocal performance between John Lennon, Paul McCartney and George Harrison, overdubbed three times to make nine voices in all.

The story has been told that this song is actually “Moonlight Sonata” by Ludwig van Beethoven played backwards, which is a gross simplification, but it’s safe to say Beethoven’s famous piece certainly served as an inspiration for the song. And it certainly wasn’t the first time the Beatles experimented with recording music (and lyrics) backwards.

It took 23 attempts over a 3-day period to achieve a finished product everyone was happy with. That’s not terribly long when you’re aspiring for perfection.

Here, in my opinion, is the perfect ballad by the Beatles. This is “Because”.

Lyrics

Aah
Because the world is round
It turns me on
Because the world is round

Aah
Because the wind is high
It blows my mind
Because the wind is high

Aah
Love is old, love is new
Love is all, love is you

Because the sky is blue
It makes me cry
Because the sky is blue
Aah

Source: Musixmatch
Songwriters: Paul McCartney / John Lennon
Because lyrics © Sony/ATV Tunes LLC

To fully appreciate the tight, rich harmonies of “Because”, here is an isolated vocals version.

I hope you enjoyed this little slice of something different. May your Saturday be smooth sailing!

See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.