Music Blog

She’ll Only Come Out At Night

Today’s theme at Song Lyric Sunday is all about songs
that feature the saxophone

Hall & Oates saxophone player, Charles DeChant

There’s only one musical duo who can say they are the number one selling duo in music history. That twosome is Daryl Hall and John Oates.

Beginning as two devoted disciples of earlier soul greats, Hall & Oates are today soul survivors in their own right. They have become such a musical influence on future generations of popular artists that they are the most sampled performers today and their impact can be heard everywhere from boy band harmonies to rap-rock fusion.

Signed to Atlantic in the early 1970s, Hall & Oates had a noteworthy start to their career. Their 1973 album, Abandoned Luncheonette yielded the Top 10 single, “She’s Gone,” which also went to #1 on the R&B charts. The duo recorded one more album with Atlantic, War Babies (produced by Todd Rundgren) before they signed to RCA. Their tenure at RCA would catapult Daryl and John to international superstardom.

From the mid-’70s to the mid-’80s, they would score six #1 singles from six multi-platinum albums. The era would also produce an additional 8 Top 10 singles. By 1984, the Recording Industry Association of America (R.I.A.A.) recognized Daryl Hall and John Oates as the number one selling duo of all time, a record they still hold today.

In 1985 singer Paul Young covered the Daryl-written Voices album track “Every Time You Go Away,” scoring a #1 hit and helping to establish the song as a modern standard. That same year, Daryl and John participated in the historic “We Are the World” session, reopened the legendary Apollo Theatre in the company of their heroes David Ruffin & Eddie Kendricks of the Temptations, and closed the globally broadcast Live Aid show in Philadelphia.

Across the succeeding decades, Daryl and John have continued to record and tour both individually and together, while their self-composed songs have evolved from current hits to timeless classics. In 2003, Daryl Hall and John Oates were inducted into the Songwriters Hall of Fame, followed by their 2014 induction into the Rock and Roll Hall of Fame.

Demonstrating the duo’s massive popularity across decades, generations and listening formats, in 2020 Daryl and John celebrated a milestone 1 billion streams of “You Make My Dreams (Come True).” Ubiquitous in films, commercials and playlists, the song encapsulates the essential and enduring appeal of Daryl Hall & John Oates.

Unfortunately, Hall and Oates are in the middle of a legal battle. Daryl Hall has filed a lawsuit stemming from Oates’ attempt to sell off his share of their joint venture, Whole Oats Enterprises LLP, which would violate the terms of a business agreement the duo had forged. The move quickly prompted a judge to temporarily block the sale while legal proceedings and a previously initiated arbitration continue.

One thing cannot be denied, despite their legal troubles: their music makes people feel good …. always has, always will.

The song I have chosen today which features a saxophone prominently throughout is their 1982 mega-hit, “Maneater”, a song about a very seductive woman who uses men to satisfy her expensive tastes. Much like the line “Her mind is Tiffany twisted” in the Eagles song “Hotel California”, the lyrics to “Maneater” use a luxury brand to develop the character as she is described as “a she-cat tamed by the purr of a Jaguar”, referring to the car.

The song was a showcase for Hall & Oates’ sax player Charles “Mr. Casual” DeChant who appears in the video during his solo. The song spent four weeks at #1 in the US, making it the biggest US hit of the 80s to feature a sax solo.

This is one of several Hall & Oates songs that Daryl Hall’s long-time girlfriend Sara Allen had a hand in writing. According to Hall, his original lyric had some additional words in the chorus after “she’s a maneater”. Allen convinced him to end the line there, which Hall says made the song come together.

“Maneater” was used on the soundtrack to the Julia Roberts/Richard Gere movie “Runaway Bride”, the story of a woman with the reputation for jilting her fiancĂ©s at the altar.

Maneater” is featured on Hall & Oates’ 11th studio album “H2O”.  It reached #1 on the Billboard Hot 100 chart on December 18, 1982. It remained in the top spot for four weeks, longer than any of the duo’s five other number-one hits.

This is “Maneater” by Daryl Hall and John Oates, featuring Charles DeChant on saxophone.

Lyrics

She’ll only come out at night
The lean and hungry type
Nothing is new
I’ve seen her here before
Watching and waiting
Ooh, she’s sitting with you
But her eyes are on the door

So many have paid to see
What you think you’re getting for free
The woman is wild
A she-cat tamed by the purr of a Jaguar
Money’s the matter
If you’re in it for love
You ain’t gonna get too far

Oh-oh, here she comes
Watch out, boy, she’ll chew you up
Oh-oh, here she comes
She’s a man-eater
Oh-oh, here she comes
Watch out, boy, she’ll chew you up
Oh-oh, here she comes
She’s a man-eater, oh-oh

I wouldn’t if I were you
I know what she can do
She’s deadly, man
And she could really rip your world apart
Mind over matter
Ooh, the beauty is there
But a beast is in the heart

Oh-oh, here she comes
Watch out, boy, she’ll chew you up
Oh-oh, here she comes
She’s a man-eater
Oh-oh, here she comes
Watch out, boy, she’ll chew you up
Oh-oh, here she comes
She’s a man-eater, oh-oh

Hey!

Ooh!

Oh-oh, here she comes (here she comes)
Watch out, boy, she’ll chew you up
Oh-oh, here she comes (watch out)
She’s a man-eater
Oh-oh, here she comes (she’s a man-eater)
Ooh, she’ll chew you up
Oh-oh, here she comes (here she comes)
She’s a man-eater

Oh-oh, here she comes (watch out)
She’ll only come out at night, ooh
Oh-oh, here she comes (here she comes)
She’s a man-eater, oh-oh
Oh-oh, here she comes (she’s a man-eater)
The woman is wild, ooh
Oh-oh, here she comes (here she comes)
Watch out, boy, watch out, boy

Oh-oh, here she comes
Oh, watch out, watch out, watch out, watch out
Oh-oh, here she comes (watch out)
Yeah-yeah, she’s a man-eater
Oh-oh, here she comes (she’s a man-eater)
She’s watching and waiting, ooh
Oh-oh, here she comes
Oh, she’s a man-eater

Source: Musixmatch
Songwriters: Daryl Hall / Sara Allen / John Oates
Maneater lyrics © Unichappell Music Inc., Hot Cha Music Co., Geomantic Music, Hot Cha Music Co

Big thanks to Jim for hosting another great Song Lyric Sunday and to Willow for coming up with a terrific theme.

Thanks for stopping by. See you on the flip side. 😎

NAR©2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.

Music Blog

BLUE EYED PHILLY SOUL

Okay, we’re gonna turn the heat up just a bit here and really get in the groove with a little Philadelphia (Blue Eyed) Soul, as prompted this morning by Jim at Song Lyric Sunday.

When this song first came out in September of 1972, I was a newlywed of exactly three months with nothing but loving on my mind. I thought this was possibly the sexiest, most titillating and steamy song I’d ever heard.

It’s the story of an affair between a married man and his equally married lover. In the song, the two meet in secret “every day at the same cafĂ©â€ at 6:30 where they hold hands and talk. The two are in a quandary: â€œWe’ve got a thing going on. We both know that it’s wrong but it’s much too strong to let it go now.”

I’m presenting a cover version of this song by my favorite duo of all time – Hall and Oates, the most successful pair in music history (yes, even more successful than Simon & Garfunkel).

Why a cover and not the original when the original is an excellent recording? Two words: Daryl Hall. Fifty-plus years after seeing him on MTV, I still “have a thing going on” for Daryl Hall so please allow me this one indulgence.

Here now are Hall and Oates doing a live performance of â€œMe and Mrs. Jones”.

“Me and Mrs. Jones” was a #1 single originally performed by Billy Paul, recorded and released in 1972 on CBS Records’ Philadelphia International imprint. The single, included on the album 360 Degrees of Billy Paul, was written by Cary ‘Hippy’ Gilbert, Kenny Gamble, and Leon Huff, and arranged by Bobby Martin.

Lyrics
Me and Mrs. Jones
We got a thing goin’ on
We both know that it’s wrong
But it’s much too strong
To let it go now

We meet every day at the same café
Six-thirty and no one knows she’ll be there
Holding hands, making all kinds of plans
While the jukebox plays our favorite songs

Me and Mrs., Mrs. Jones
Mrs. Jones, Mrs. Jones, Mrs. Jones
We got a thing goin’ on
We both know that it’s wrong
But it’s much too strong
To let it go now

We gotta be extra careful
That we don’t build our hopes up too high
‘Cause she’s got her own obligations
And so, and so do I

Me and Mrs., Mrs. Jones
Mrs. Jones, Mrs. Jones, Mrs. Jones
We got a thing goin’ on
We both know that it’s wrong
But it’s much too strong
To let it go now

Well, it’s time for us to be leaving
It hurts so much, it hurts so much inside
Now she’ll go her way and I’ll go mine
Tomorrow we’ll meet
The same place, the same time

Me and Mrs., Mrs. Jones
Mrs. Jones, Mrs. Jones, Mrs. Jones
We got a thing goin’ on (thing)
We gotta be extra careful (goin’ on)
We can’t afford to build our hopes up too high
I wanna meet (thing) and talk with you
At the same place (goin’ on), the same cafĂ©, the same time
And we gonna hold hands like we used to
We gonna talk it over, talk it over
(Thing) we know, they know (goin’ on), and you know
And I know that it was wrong
But our thing is strong, we gotta let ’em know now
That we got a thing going on, a thing going on

Source: LyricFind
Songwriters: Cary Grant Gilbert / Kenneth Gamble / Leon Huff
Me and Mrs Jones lyrics © Warner Chappell Music, Inc

And now for the original by Billy Paul:

This will always be one of the smoothest, coolest and sexiest songs ever recorded.

Thanks, Jim, for a fun Philadelphia Soul prompt!