Music Blog

Belmont Avenue, Bronx, NY

As it’s now February, the challenge from Glyn at Mixed Music Bag is to write about a band or singer that starts with the letters C or D.

One of the greatest things about growing up Italian in the Bronx, NY (besides the food) was hanging out with my friends listening to music. We’d usually go to Sal’s Pizzeria on Belmont Avenue where the pizza was like nothing you ever tasted. It was thin and soft and light as a feather. On just about every street corner, doo-wop groups would gather and sing song after song and everyone would dance. Man, those were some of the best times.

One singer from Belmont Avenue (sadly a little before my time) was an Italian kid named Dion DiMucci. Dion’s dad Pasquale was a vaudeville entertainer and Dion would accompany him whenever he went on tour. Dion developed a love of country music, particularly Hank Williams, but he was really into the blues, doo-wop and rock and roll. His singing was honed on the street corners and local clubs of the Bronx.

In early 1957, Dion auditioned for Bob and Gene Schwartz for their Mohawk Records label. They asked Dion to sing a song but Dion refused, stating it sounded like something his old fashioned parents would listen to, but the Bob and Gene convinced him to give it a try. The backing vocals were by a group called “the Timberlanes”, some guys Dion had never met. The resulting single, “The Chosen Few“, was released under the name “Dion and the Timberlanes”, and became a minor regional hit which enabled Dion to perform the song on American Bandstand. The kids at the show started screaming during his performance and gave Dion his first impression of being a recording star. In his autobiography, The Wanderer, Dion explained that he didn’t even know who the Timberlanes were. “The vocal group was so white bread, I went back to my neighborhood and I recruited three guys and we called ourselves Dion and the Belmonts.”

The group’s initial hit was called “I Wonder Why” followed by “No One Knows” and “Don’t Pity Me”, which charted the Billboard Top 100. This success won a place for Dion and the Belmonts on the ill-fated “The Winter Dance Party” tour with Buddy Holly, Ritchie Valens, the Big Bopper and other performers. On February 3, 1959, after a concert stop in Clear Lake, Iowa, Buddy Holly and the others decided to charter a flight to the next venue rather than travel on the tour bus. Dion was invited to accompany the group but declined when he heard the price of the ticket was $36. That was the same amount of money his parents spent for one month’s rent for their apartment and Dion couldn’t justify the expense. The plane crashed, killing all on board; that tragic event has been referred to as “the day the music died”.

In March 1959, Dion and the Belmonts recorded “A Teenager In Love” which reached No. 5 on the U.S. pop charts and No. 28 in the UK. The group’s biggest hit, “Where Or When”  was released in November of that year and reached No. 3 on the U.S. charts. Further single releases for the group that year were less successful; with musical, personal and financial differences between Dion and members of the Belmonts, Dion left the group for a solo career.

By the end of 1960, Dion produced his first solo album on Laurie Records, “Alone with Dion”, released in 1961. The single “Lonely Teenager” rose to No. 12 in the US charts. The name on his solo releases was simply “Dion“. In 1961 Dion released “Runaround Sue” which stormed up the U.S. charts, reaching No. 1 and No. 11 in the UK, where he also toured. “Runaround Sue” sold over a million copies and was followed by “The Wanderer” another big hit for Dion. By the end of 1961, Dion had become a major star, touring worldwide.

In 2024, at the age of 84, Dion is still recording new songs and his career is going strong.

This is Dion with his biggest early hit, “Runaround Sue”. 

LYRICS

Here's my story, it's sad but true
It's about a girl that I once knew
She took my love then ran around
With every single guy in town
 
Yeah I should have known it from the very start
This girl will leave me with a broken heart
Now listen people what I'm telling you
Ah keep away from a Runaround Sue
 
I might miss her lips and the smile on her face
The touch of her hair and this girl's warm embrace
So if you don't want to cry like I do
Ah keep away from-a Runaround Sue
 
Ah, she likes to travel around
She'll love you and she'll put you down
Now people let me put you wise
She goes out with other guys
Here's the moral and the story from the guy who knows
I fell in love and my love still grows
Ask any fool that she ever knew, they'll say
Keep away from-a Runaround Sue
 
Yeah keep away from this girl
I don't know what she'll doe
Keep away from Sue
 
She likes to travel around
She'll love you and she'll put you down
Now people let me put you wise
She goes out with other guys
 
Here's the mora and the story from the guy who knows
I fell in love and my love still grows
Ask any fool that she ever knew, they'll say
Keep away from a Runaround Sue
 
Stay away from that girl
Don't you know what she'll do now

Written by: Dion Di Mucci, Ernie Maresca
Lyrics © MUSIC SALES CORPORATION, CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC
Lyrics Licensed & Provided by LyricFind

NAR©2024

This portfolio (including text, graphics and videos) is copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR © 2017-present.

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POOR ALTHEA’S BOY

Sirens tore through the silence of the crisp fall night as police responded to a robbery on Corsa Avenue, a quiet street of middle class two story homes in The Bronx, NY. 

Police officers Ralph Taylor and Mario DeMarco were the first to arrive at the scene. Jasper Gardner, an eye witness, told the officers he was out walking his dog when two guys came running down the front steps of the house in such a hurry, they practically knocked him over. When asked for a description, Mr. Gardener said it happened so fast, he didn’t get a good look at them, just that they were wearing dark hooded sweatshirts. 

The homeowners, Drew and Chloe Bennett, apparently arrived home from work while the intruders were still inside their house. Tenant Albert Farrell who occupies the first floor of the Bennetts’ house was home at the time. When questioned, Mr. Farrell stated that he was playing video games all evening with his headphones on and didn’t hear anything. The police speculated that the rumbling noise of the Bennetts’ electric garage door scared off the intruders. 

The police determined that the perps didn’t have much time; only the bedroom had been ransacked. They probably knew the Bennetts’ regular work schedule and got spooked when the couple came home early. There were also muddy footprints in the backyard and on the fire escape leading to the second floor. No doubt the intruders gained access through a bedroom window.

When police asked the Bennetts what was missing, Chloe Bennett pointed to her suede coat on the floor. “Look at this” she told the police. “They left my expensive suede coat behind but ripped off the faux fur collar and took it with them, probably thinking it was real fur.” 

When asked if any valuables were missing, Drew Bennett said that other than the jewelry his wife was wearing, everything was in an armoire in their bedroom. “These guy are idiots and have no idea of the value of things!” he exclaimed. “My wife’s collection of Lenox and Lladro figurines hasn’t been touched. And my original John Lennon drawing is hanging right there. I’ll bet this was all done by those no good, lousy punks Chucky Green and Bobo Bulfamente! What a couple of losers!”

The police were well acquainted with Charles “Chucky” Green and Roberto “Bobo” Bulfamente, small time thieves who grew up in the neighborhood. Bobo was currently staying with his sister and brother-in-law; Chucky lived with his mother, Althea. Both had been picked up several times for petty thefts but were always released. Police never found anything on them; they couldn’t even charge them with breaking and entering.  

Chucky and Bobo worked as a team, entering houses and apartments when the homeowners were out; they scored a few items which Bobo stashed in the trunk of a rusted-out car in his brother-in-law’s garage. When they collected enough stuff to hawk, Chucky and Bobo were going to take off for Miami to try their luck in new turf. The one thing Bobo never told Chucky about was the pair of diamond earrings he pocketed one night. Bobo figured if Chucky ever got nabbed, those earrings would be his ticket out of The Bronx, even if it meant turning his back on Chucky.

By now a crowd of people had gathered near The Bennetts’ house. One man quickly walked over to the cops to report seeing Bobo racing down Given Avenue. Officers Taylor and DeMarco jumped into their car and sped to Given where they came upon an accident. Getting out to investigate, they spotted Bobo craning his neck for a better look. Bobo wasn’t even aware of Officer DeMarco until he was right on top of him. DeMarco nabbed Bobo, handcuffed him, tossed him into the back of the police car and locked the doors. It was only a matter of time before the cops would discover Bobo’s stash in the rusted-out car, including the diamond earrings. His string of breaking and entering would be over and he’d be shipped off to the slammer … if only temporarily.

Meanwhile Officer Taylor approached the accident scene. A bus and a truck had collided; pinned between the two vehicles was a very unfortunate Chucky Green. His run of small time thefts had come to an end … permanently. On the ground lay a pillowcase containing a few items, including Chloe Bennett’s faux fur collar. Charles “Chucky” Green got pinned last night but not the way the police expected and certainly not the way they hoped. 

Alright folks. The excitement is over. Go on home now” announced Officer Taylor. “Ok, Mario, let’s bring Bozo Bobo down to the station. And get a squad car over to Chucky’s house; someone’s gotta break the news to his mother. No matter what a screw up Chucky was, he’s still her son. Poor woman.”  

NAR © 2023

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BIG BLUE

“Well, hello there. I’m Big Blue. And you? Ah, a pleasure to meet you, Reader. Please have a seat, get comfortable and let me tell you a little about myself. 

My family and I were purchased in 1964 by Nancy’s parents, Vito and Connie Schembre, for their home in the Bronx. Oh, we didn’t look anything like I do now! No, our upholstery was a green and gold velvet paisley which looked very elegant with the marble coffee table and white rug in the formal living room on the first floor. The only time The Schembres used the upstairs dining and living rooms was when special company came by.

Connie kept a beautiful house, immaculately clean from top to bottom. Like most Italian households, the basement was where the family really lived; it was fully furnished with a kitchen, dining area, bathroom and tv section. Connie had a nice sewing room where she spent many hours making costumes for school plays, clothes for her daughters and custom order dresses for a small clientele of local upper class women. And Vito had a workshop in the back where he’d make homemade wine and tinker with things that needed fixing which somehow never got fixed.

My parents were joined at the hip and formed one expansive sofa; my big sister was a loveseat and my twin brother and I recliners. Connie liked the fact that my brother and I were called “wall huggers” which meant our back stayed close to the wall and we didn’t sprawl out all over the place when in the reclining position. Why, we didn’t even look like your typical recliner.

The four of us together were just too much furniture for the formal living room so it was decided that I would join the more casual furniture downstairs in the tv section. When Connie wasn’t sewing at her old factory Singer, she enjoyed knitting in her rocking chair while Vito liked a good doze in his overstuffed armchair. Seventeen-year-old Rosemarie loved her bean bag chair (a hideous thing!) and I got to be 13-year-old Nancy’s chair! I couldn’t have been happier and neither could she; it was a big step up from a bunch of pillows tossed on the floor! 

From my vantage point I could see everything that happened in the basement – Vito listening to opera, Connie frying her tantalizing meatballs every Sunday morning, the girls doing their homework at the kitchen table. I had a front row seat for every tv show the family watched. In fact, the only time Nancy didn’t sit on me with her legs comfortably stretched out was the time she sat on the floor five inches from the tv to watch the Beatles live on the Ed Sullivan Show. 

Oh, the memories! I snuck a peek when Rosemarie made out with her first boyfriend Billy Mack. I held back tears of pain when Connie meticulously stitched my torn seam. And I was the only one in the basement that morning when Nancy sat at the kitchen table one hour before her wedding in her gown dunking Oreos into a tall glass of milk! How I wish I had a picture of that! 

Then in 1977 the day came when the Schembres decided to move to a smaller house upstate. As a set, my parents, sister, brother and I were much too large for the new house and were placed on the curb for either someone to take home or to be picked up by the trash collectors. It was terrifying for me; the thought of going to strangers or being picked up for the trash was unbearable. At the last minute Nancy’s husband Bill picked me up and put me in their van. I was overjoyed to be going to live at Nancy’s house! I also overheard that one of Connie’s friends took the rest of my family for her son who had just gotten married and needed furniture. What could have been the worst day of my life turned into the best!

Now I have a really cool coat of soft blue leather and reside very comfortably in Nancy’s Beatles room. And Nancy spends hours sitting on me with her legs comfortably stretched out writing her stories. I tell you, dear Reader, things couldn’t be better! I’m so happy and I feel fine!

NAR © 2023

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MADA RANA

My great-grandmother, Mada Rana, 1947

The house is quiet tonight. Eerily quiet. All the lights are off and only the glow of candles shines dimly through the curtained windows, performing a ballet of shadows on the walls and ceiling. Every so often a door softly opens, barely perceptible murmurings are audible, then the door gently closes. Intermittent muted sobbing creeps up from the parlor.

I sit on my bed huddled under a blanket, a tiny flashlight flickering a pale yellow beam on my diary as I jot down my memories of the day. I must be quiet; my mother will be very upset with me if she discovers I’m still awake at this late hour.

My window is open just enough to let in some fresh air. The distinct smell of cigarette smoke wafts up into my room. I peek out to see my mother’s uncles sitting on the back steps silently smoking their unfiltered Lucky Strike cigarettes. Their black armbands are starkly visible against their plain starched white shirts. 

I tip-toe across the length of my bedroom, praying the old wooden floorboards beneath the well-worn rug will not creak. Ever so slowly I turn the glass doorknob; the hallway is dark. I can detect a muted light downstairs and I scurry nearer to the staircase railing for a better look. I sit there hugging my knees for a long time; there is no movement on the lower level. Just as I am about to descend the stairs, a giant amorphous outline begins approaching the parlor. The huge silhouette is frightening but only momentarily as it slowly becomes smaller and eventually reveals itself to be the profile of my mother draped from head to knees in a long lace shawl. She stands just outside the parlor for a moment fidgeting with her handkerchief, then enters the room, quietly sliding closed the heavy pocket doors.

A few hours earlier the ambience of the house was much different, still subdued but active as delivery men and acquaintances paying their respects came and went. My mother and her aunts labored in the kitchen like silent worker bees, preparing trays of food for the constant flow of visitors. My father, along with my mother’s uncles, directed the traffic of floral deliveries and positioned the many arrangements throughout the parlor. And we children sat quietly on the two enormous matching sofas along the side walls, eyes downcast, confused and uncharacteristically subdued. Occasionally we would glance toward the walnut casket resting atop a platform in the center of the room and quickly look away. Around 6:00 we were quietly whisked away into the dining room where we silently ate our evening meal, then returned to the parlor to continue our vigil.

There seemed to be a never-ending flow of people, a soft parade of mourners entering my house. Veiled women dabbed their eyes and men removed their hats, heads bowed. This stream flowed seamlessly from 2:00 in the afternoon until 9:30 that evening, many people lingering to reflect while others stayed only minutes. The priest arrived shortly after 9:30; he spoke softly in our native Sicilian dialect, offering prayers and words of consolation. When he was finished, everyone except my mother’s aunts and uncles departed. My little cousins, some no longer able to stay awake, were carried home and my sister and I were shooed off to our bedrooms upstairs.

It had been a long and sorrowful day. Mada Rana, the family matriarch, had died.

Her name was Maria Giuliano and she was my great-grandmother. We called her Mada Rana, our abbreviated version of the Italian Mamma Grande or Big Mamma. Mada Rana was a Sicilian immigrant, mother of six, grandmother of 16 (including my mother) and great-grandmother of 27. Her husband Giovanni died long ago when my mother was still a very young child and Mada Rana remained a widow for the rest of her life. 

Heavy-set and of medium height, she had the appearance of being stoic and unapproachable but her blue eyes danced whenever the children were around. Like magic, she would produce homemade cookies from her apron pockets and sneak them to us behind her back, pressing her fingers to her lips signaling us to keep her secret.

At one time or another most of the family lived in the same apartment building on 153rd Street and Third Avenue in the Melrose section of The Bronx. In time all Mada Rana’s children married and had families of their own. Mada Rana never lived by herself; her children were happy to take turns providing a home for her until she eventually moved into our house with my parents, sister and me. That was where she held court over the family meal every Sunday. Our house was large and well-appointed, filled with the noisy sounds of children laughing, women cooking and men excitedly playing cards. And there was music, always music. Mada Rana’s bedroom was on the first floor near the parlor and that’s where she died, surrounded by her loved ones.

Tonight the house is silent and the intense perfume of flowers hangs heavy in the air. As is the tradition, Mada Rana lay in repose in the center of the house; she wore a dress of deep purple to compliment the lilac velvet lining of her casket, her rosary beads secure in her hands.

Tomorrow morning we will say our last goodbyes to our beloved matriarch. Our cars will slowly follow a horse drawn carriage to St. Raymond’s Cemetery where Mada Rana will be laid to rest with her beloved Giovanni. It has been firmly explained to the children that everyone will kiss Mada Rana’s forehead as a final sign of respect; my stomach is in knots thinking about kissing a dead person. The concept is frightening and I don’t want to do it but I must.

I will forever hold dear countless memories of Mada Rana – her larger-than-life presence at the dinner table, her silver hair pulled in a bun, black stockings rolled down below her knees, the house-dresses she wore inside and the ubiquitous black mourning ensemble she wore when in public, the rapid-fire way she would roll home-made cavatelli one after the other off a small grooved paddle, her muted prayers as she devoutly recited her rosary, the way she closed her eyes and smiled when Caruso sang.

I will never be able to erase from my mind the overwhelming smell of flowers in the parlor during her wake, the sound of dirt and pebbles pelting her casket or the cold, waxy feel of her forehead under my quivering lips. My dreams were filled with those recollections for years and sometimes still haunt my sleep.

NAR © 2022

This recording was made in September 1920, less than a year before Caruso’s death. His health was failing and the recording equipment was, by our standards, primitive. Despite all that, the power and beauty of his voice remain unmatched.
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TWO DAYS TO WAIT

She sat at her indestructible Singer factory sewing machine, hands flying like an octopus knitting a scarf.  

I peeked around the corner into her sewing room. Without lifting her head, she sensed my presence. “What is it, principessa?” she asked.

“Can we go to Post Arrow?” The little family diner with a few kiddie rides was one of my favorite places to go. We’d get pastrami sandwiches, fries and ride the bumper cars, Ferris wheel and carousel – heaven on earth for an 8-year-old kid.

Without missing a stitch, my mother replied “Cara, can’t you see how much work I have left to do? Besides, dinner is already in the oven.”

I stood on the threshold saying nothing. My mother knew I was there but kept sewing at warp speed. When she looked up, she saw my red, swollen eyes and tear-stained face. Her usual stern expression softened a bit. “If I finish my work maybe we will go on Saturday” and she returned to the task at hand.

I drew a big red circle around Saturday on my calendar. Two days to wait.

First thing on Saturday I asked my mother about going to Post Arrow. Again she said “maybe”; she had to deliver her finished projects to the shop first.

Hours went by. I kept vigil at the window until my mother returned. She looked up at me and grinning, motioned me to come down.

“Andiamo, cara! Go get your daddy. Now we have some fun!”

NAR © 2022

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SOFTLY AS I LEAVE YOU

Parish, New York – a sleepy little town about 20 miles from Oswego, just about kissing Lake Ontario. The place I once called home.I was born in Parish and lived there until it became too small for me or maybe I just got too damn disillusioned.

I was the only child of Ron and Betty Cooper. Dad never said he was disappointed that I was a girl but I knew he really wanted a son. Mom named me Carly Grace. Dad never called me Carly; I was always ‘Carl’ to him. I didn’t mind too much but mom always said it was a heartless thing for him to do – a constant reminder that she couldn’t give him a son.

We lived in a tiny house in the middle of nowhere. Dad would sleep most of the day and go to work after dinner. He was a bartender at Floyd’s Place in the town of Mexico, about seven miles from Parish. College kids from Oswego would bring their dates to Floyd’s Place; it was a dive but dad did a good job keeping their tankards full all night.

I remember having to be very quiet during the day so dad could sleep. Mom kept me busy in the kitchen; she was a terrific baker and taught me how to make homemade bread.

Both my parents were heavy smokers. Even when mom was baking she’d have a Marlboro dangling from her lips. Well, mom got cancer and softly, peacefully passed away the night before I turned 13; to this day the smell of freshly baked bread reminds me of her.

It wasn’t long before dad hooked up with Paulette Garrison, a nurse who’d stop by the bar every night after her shift. Dad started staying at Paulette’s place in Mexico and by the time I was fifteen I was pretty much living on my own.

Memorial Day weekend rolled around and dad brought Paulette back to our house. I was looking forward to a cook-out and fireworks but dad and Paulette only came out of the bedroom for beer and cigarettes. That Saturday night I packed a few things in mom’s old suitcase, took her address book, whatever money I could find and softly left my home in Parish.

When I arrived at Grand Central Station, I called mom’s cousin Rita in The Bronx. She didn’t hesitate for a second, taking me into her home and caring for me like I was her own daughter. She also gave me a job in her bakery on Arthur Avenue. When Rita retired she put me in charge and I eventually became the owner.

Nine years went by when I got a call out of the blue. It was Paulette letting me know my dad had died – three weeks ago! There was certainly no love lost between us but I felt I should drive up to say farewell.

I stood at my father’s grave feeling nothing but the cold wind stinging my face. Softly I turned and left Parish behind me forever.

NAR © 2021

Written for Linda G. Hill’s Stream of Consciousness Saturday prompt. Linda has asked us to use the word “home” as a noun, a verb, an adjective, or an adverb.