This is the final challenge this month from Glyn at Mixed Music Bag, which is to write about a band or singer that starts with the Letters C or D.
Ellen Naomi Cohen was born in Baltimore, Maryland on September 19, 1941, the granddaughter of Russian-Jewish immigrants. Her family was subject to significant financial stress and uncertainty during her childhood years. Ellen’s father ran a lunch wagon and her mother was a nurse. Sometime in high school Ellen began calling herself “Cass”. She became interested in acting and shortly before graduation, moved to New York to further her acting career. After the death of one of her friends, she took on his name and Cass Elliot was born.
You may know her better as “Mama Cass”, from her time with the Mamas and the Papas.
Cass Elliot was known for her sense of humor and optimism and was considered by many to be the most charismatic member of the group. Her powerful, distinctive voice was a major factor in their string of hits. If you want to know more about the Mamas and the Papas, there’s plenty to read in Wiki.
After the group broke up, Cass Elliot released five solo albums; for this post I will feature Cass Elliot’s biggest hit as well as my favorite song by Mamas and the Papas.
“Dream a Little Dream of Me“, a 1931 song with music by Fabian Andre, Wilbur Andre and Wilbur Schwandt and lyrics by Gus Kahn, enjoyed its highest-charting success when it was covered in 1968 by Cass Elliot with the Mamas and the Papas. Gus Kahn’s sentimental, bucolic lyrics citing “birds singing in the sycamore tree”, “stars shining” and “night breezes” are a lullaby, specifically a romantic one of parting lovers.
This is a solo Cass Elliot with “Dream a Little Dream of Me” from her album “Mama’s Big Ones”.
“Creeque Alley” is an autobiographical hit single written by John and Michelle Phillips in late 1966, narrating the story of how the Mamas and the Papas was formed, and its early years. It also recounts Cass Elliot’s life after leaving high school and moving to NYC to pursue an acting career.
The title of the song, which does not occur in the lyrics, is derived from Creque or Crequi (pronounced “creaky“) Alley, home to a club in the Virgin Islands where the New Journeymen, John and Michelle Phillips’ original group, spent time on vacation. The lyric “Greasin’ on American Express cards” refers to that time during which they could only make ends meet by using their credit cards, and the lyric “Duffy’s good vibrations, and our imaginations, can’t go on indefinitely” refers to Hugh Duffy, the owner of the club on Creeque Alley.
The Phillips’ lyrics mention, directly or indirectly, many artists and bands who were part of the folk music scene at the time, including fellow band members Cass Elliot and Denny Doherty, Zel Yanovsky and John Sebastian of the Lovin’ Spoonfull, Roger Mcguinn of the Byrds and Barry McGuire of the New Christy Minstrels. Michelle Phillips is referred to in the lyrics by her nickname Michi (“John and Michi were getting kind of itchy, just to leave the folk music behind”).
The song peaked at #5 on the U.S. Billboard pop singles chart the week in 1967, becoming their last Top 10 hit. It made #9 on the UK Singles Chart, #4 on the Australian and #1 on the Canadian charts.
This is “Creeque Alley” by the Mamas and the Papas.
Lyrics
John and Mitchy were gettin’ kind of itchy
Just to leave the folk music behind
Zal and Denny workin’ for a penny
Tryin’ to get a fish on the line
In a coffee house Sebastian sat
And after every number they’d pass the hat
McGuinn and McGuire just a gettin’ higher
In L.A., you know where that’s at
And no one’s gettin’ fat except Mama Cass*
Zally said Denny, you know there aren’t many
Who can sing a song the way that you do, let’s go south
Denny said Zally, golly, don’t you think that I wish
I could play guitar like you
Zal, Denny and Sebastian sat (at the Night Owl)
And after every number they’d pass the hat
McGuinn and McGuire still a gettin’ higher
In L.A., you know where that’s at
And no one’s gettin’ fat except Mama Cass
When Cass was a sophomore, planned to go to Swarthmore
But she changed her mind one day
Standin’ on the turnpike, thumb out to hitchhike
Take me to New York right away
When Denny met Cass he gave her love bumps
Called John and Zal and that was the Mugwumps
McGuinn and McGuire couldn’t get no higher
But that’s what they were aimin’ at
And no one’s gettin’ fat except Mama Cass
Mugwumps, high jumps, low slumps, big bumps
Don’t you work as hard as you play
Make up, break up, everything is shake up
Guess it had to be that way
Sebastian and Zal formed the Spoonful
Michelle, John, and Denny gettin’ very tuneful
McGuinn and McGuire just a catchin’ fire
In L.A., you know where that’s at
And everybody’s gettin’ fat except Mama Cass
Di di di dit dit dit di di di dit, whoa
Broke, busted, disgusted, agents can’t be trusted
And Mitchy wants to go to the sea
Cass can’t make it, she says we’ll have to fake it
We knew she’d come eventually
Greasin’ on American Express cards
It’s low rent, but keeping out the heat’s hard
Duffy’s good vibrations and our imaginations
Can’t go on indefinitely
And California dreamin’ is becomin’ a reality
Source: LyricFind
Songwriters: John Phillips / Michelle Gilliam
Creeque Alley lyrics © Universal Music Publishing Group
*“And no one’s getting fat except Mama Cass” refers to making money and has nothing to do with gaining weight. By the end of the song, hinting at Cass Elliot’s struggles with recording success, the lyrics changes to “And everybody’s getting fat except Mama Cass”.
On July 27, 1974, Cass Elliot finished two weeks of solo concerts at the London Palladium and went on a 24-hour celebration binge. She first attended the 31st birthday party for Mick Jagger after which she went to a brunch in her honor presented by Georgia Brown. While there, according to biographer Eddi Fiegel, Elliot was blowing her nose frequently, coughing and having trouble breathing. Next she attended a cocktail party hosted by American entertainment journalist Jack Martin. She seemed in high spirits but also appeared physically exhausted and sick. She left that party at 8:00 pm on Sunday, July 28, saying she was tired and needed to get some sleep.
Elliot retired to an apartment owned by singer-songwriter Harry Nilsson who allowed her to stay there. Several hours after Elliot left Jack Martin’s cocktail party, she died in her sleep at age 32. According to autopsy results, she died of a heart attack, and there were no drugs in her system. Four years later, the Who’s drummer Keith Moon died in the same bedroom, also aged 32 years.
Cass Elliot’s ashes are buried in Mount Sinai Memorial Park Cemetery in Los Angeles.
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