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Twofer Tuesday 5.7
Leonard Cohen’s career was at a low point when he wrote “Hallelujah” in the early 80s, and his record label had no interest in even releasing the track or the rest of the songs that eventually came out on 1984’s Various Positions. The track was a fan favorite, but it didn’t receive much love until the Velvet Underground’s John Cale created a stripped-down piano version for a 1991 Leonard Cohen tribute album.
Jeff Buckley used Cale’s version as the basis for his stunningly beautiful version of the song on his 1994 LP Grace. The track wasn’t a single, but after Buckley’s tragic death in 1997 the song slowly started to become recognized as a classic. In 2004 Jeff Buckley’s version of “Hallelujah” was ranked #259 on Rolling Stone‘s “The 500 Greatest Songs of All Time”.
This is “Hallelujah” by the man himself, Leonard Cohen
And this is what it sounded like when Jeff Buckley recorded it
That’s today’s Twofer Tuesday!
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Child’s Play
Written in response to Di’s Share Your World 6th May 2024
Here are the questions Di has prepared for us:
- Have you ever roller skated? As a child I had the type of roller skates that attached to my shoes and tightened with a key. I would skate in my neighborhood with my friends; since the number of cars on the road back then was much less than now, it was safe for us to take over the whole street and skate for hours. I never had a pair of professional-type skates with the beautiful wood wheels, the ones that laced up like ice skates, nor did I ever go to a roller skating rink. My experience was limited to street skating in strap-on skates with my friends … and lots of skinned knees!
2. Have you ever ridden a horse (or donkey) Yes, I’ve actually ridden both. When I was a young girl in The Bronx, I remember there was a truck that would travel around the area making stops along the way. It was not a very large truck, similar to the vehicles belonging to private landscapers you see today. The truck traveled around and played music like an ice cream truck but instead of ice cream, it carried two ponies and offered rides to children whose parents were lucky enough to have an extra 5¢ to spend. The rides didn’t last long, just up and down our street with the truck driver/pony handler holding the rein and leading us around. For city kids such as myself, this was an exciting and memorable event!
One summer my sister-in-law and I took our young children horseback riding while on vacation in Montauk. It started out nice but as the day progressed, the weather became increasingly hot and humid and we were all extremely uncomfortable. Since it was a half day tour for beginners, we weren’t exactly galloping bareback down the beach on wild horses which would have provided a cooling breeze. At the end of the day, we were all sweaty, sunburned and covered with mosquito bites … not to mention that we walked like John Wayne for the next two days! There are quite a few horse stables where I currently live and it’s not unusual to see people on horseback crossing the local streets going from one trail to another. It’s a lovely way to spend a few hours but horseback riding isn’t anything I see myself doing again.
While in Sicily I rode donkeys fairly often. Many of the streets in my father’s home town are so narrow, the only way to go from one place to another is by foot or on a donkey. Riding a donkey is nothing like riding a horse. Donkeys are much slower than horses; they are approachable and lovable, overall non-reactive and less likely to go into a flight response. Even though I rode horses several times, I did not grow up around them so it was natural for me to feel safer being around a donkey than a horse. You’re also much closer to the ground should you take a tumble! Our donkeys were always saddled, a much more comfortable and safer way to ride.
3. What was your favourite ride at a fun fair? The rollercoaster, without a doubt. I love rollercoasters – the good old-fashioned ones with lots of steep climbs and drops – none of this crazy upside down nonsense you see these days. Just give me an old rollercoaster and I’m a happy camper. All the rides that spin and twist and twirl and go upside down make me terribly nauseous and I steer clear of them. Also I will never go on any ride that involves a free fall; to me that is just insanity. I also used to love water parks and riding the huge twisty-turny slides into the giant pools. They were great fun and an instant way to cool off but these days I can’t walk around theme parks for hours on end because of my arthritis. As my husband always says, “I’m too old for this crap!”
4. Choice of fun fair prizes: coconut, cuddly toy, £10/$10 cash prize. Well, money is always nice but I’d say a cuddly toy to give my granddaughter (unless it’s an elephant which I’d keep for myself! 🐘). We don’t have coconut as a prize here which is too bad because I love coconut. But we do have cotton candy and what’s a day at the fair without the sweet fluffy clouds of pink cotton candy?
The legendary Coney Island is an hour’s drive from my house and Palisades Park (made famous by the video below) is only 30 minutes away in New Jersey across the Hudson River. We went to both places often when we were younger. For my UK friends, our Coney Island in Brooklyn was inspired by your seaside resort of New Brighton. We now live about 10 minutes away from Playland Park in Rye, NY, an old and very well-known amusement park/beach. I’m a fan of the Dragon Coaster and the arcade but we spend most of our time (at least for now) in Kiddie-Land where our little 4 year old granddaughter can have fun on the kid rides and play mini-golf, which is the only type of golfing I’m into!
And let’s not forget the Tunnel of Love for me and my mister!
Thanks for offering up a fun prompt, Di! 🎢 🎟️ 🎠
NAR©2024
This is “Palisades Park” by Freddie “Boom Boom” Cannon
Look at that form, that concentration. What a pro!
© NAR
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and are not for use by anyone without permission. NAR©2017-present.
Monday Motown Magic 5.6
In 1960, Berry Gordy signed a talented group of vocalists called The Contours as one of Motown’s first acts. “Do You Love Me?”, recorded in 1962, was The Contours third single, far and away their best-known record. This song blazed its way up the charts and became a smash hit before being goosed all the way up the charts again more than 25 years later thanks to a little movie called Dirty Dancing.
As with many American R&B songs of the 1960s, “Do You Love Me” was recorded by several British Invasion groups. A 1963 version by Brian Poole and the Tremeloes reached number one on the UK Singles Chart. It also became a hit for the Dave Clark Five, reaching #11 on the Billboard Hot 100 in 1964. “Do You Love Me” appeared twice on the Billboard Hot 100 chart, reaching #3 in 1962 and #11 in 1988.
This song is not just a big hit; it’s an enduring classic that’s still going strong!
From 1962, here are The Contours asking an age-old question: “Do You Love Me?”
And this is what was on the B Side – “Move, Mr. Man”
Thanks for joining me today for Monday Motown Magic.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Moonspell: A Haibun
Written for Mindlovemisery’s Menagerie Photo Challenge #513,
Weekly Prompts Colour Challenge (orange), Moonwashed Weekly
Prompt (hazy moon) & Weekly Prompts Wednesday Challenge (regret)
I was lost, a bit frightened and filled with regret for not making a note of the address. A hazy moon began to make her appearance in the evening sky, leaving the tiny Palermo street awash in a warm orange glow. Squinting in the darkness, I saw what appeared to be a tunnel at the end of the street; there was no way I was going to walk into the black unknown. Slowly I inched closer and discovered the tunnel was actually a stairway. Just as I quickened my pace, an arm shot out of a hidden doorway and pulled me inside, pinning me against a wall. A deep voice I knew intimately whispered in honeyed Sicilian tones “Picchì ci haiu misu tantu tempu, amuri miu? Ti vogghiu beni!”º Passionate kisses drifted down my neck. Breathless, I murmured “I’m here now, my love. Show me.”
Kiss me now, my love,
In the warm glow of the moon
You possess my heart
NAR©2024
º“What took you so long, my love? I am burning for you.”
This is the Flamingos with “I Only Have Eyes For You”
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Ground Control To Major Bowes: Not The Original Amateur Hour
Today’s theme at Song Lyric Sunday is about songs by performers on American Idol.
In case you’re wondering about the title of today’s post, The Original Amateur Hour began on radio in 1934 as “Major Bowes’ Amateur Hour” and ran until the 1946 death of its creator, Major Bowes. Ted Mack, a talent scout who had directed the show under Bowes, revived it in 1948 for ABC Radio and the DuMont Television Network. The show lasted on radio until 1952 and until 1970 on television, where it ran on all four major networks, ending as a Sunday afternoon CBS staple. A success in the early days of television, the program set the stage for numerous programs seeking talented stars, from The Gong Show to Star Search to American Idol to America’s Got Talent.
On June 11, 2002 a new type of TV show aired. Some called it reality TV while others dubbed it a talent show; critics and TV executives alike said it was “unparalleled in broadcasting history …. the most impactful show in the history of television”. As a lover of music and talent and competition, which is what this show was all about, I called it fabulous! For 15 years my husband and I watched together each week as contestants auditioned, performed and were either sent on to the next round or sent packing.
The show, of course is American Idol and the only reason we stopped watching regularly after 15 years was our overall dislike of the new panel of judges. After 22 years, the show is still alive and well and making Simon Cowell and Ryan Seacrest a ton of money! Here’s something you may not know!
Idol has spawned 345 Billboard chart-toppers and a platoon of pop idols while remaining a TV ratings institution. For an unprecedented eight consecutive years, from the 2003-04 television season through the 2010-11 season, either its performance show or results show was ranked #1 in US television ratings – not bad at all for a little talent show.
While there are many American Idol winners who have gone on to become major music stars, I have often felt not winning (while spirit-crushing at the time) was just the impetus a young singer needed to become a household name; Adam Lambert, Jennifer Hudson, Katharine McPhee, Chris Daughtry, Clay Aiken and Kelly Pickler are perfect examples of artists whose loss on Idol was exactly what they needed to jumpstart their careers. Such is the case for my featured performer today, one of my personal favorite also-rans from American Idol.
Haley Reinhart first rose to prominence after placing third in the 10th season of American Idol. In July 2011, Reinhart signed a recording deal with Interscope Records. Her debut album, Listen Up!, was released on May 22, 2012, to critical acclaim and she subsequently became the first AI alumna to perform at Lollapalooza. She is the only Season 10 contestant who has over one million views on six of her YouTube performance videos: her renditions of Adele’s “Rolling In the Deep”, Elton John’s “Bennie and the Jets”, Ben E. King’s “I (Who Have Nothing)” and her version of “House of the Rising Sun”. In addition, her performance of Billie Holiday’s “God Bless The Child” hit one million views in March 2014 and the video of her American Idol audition performance of the Beatles’ “Oh! Darling” also reached one million views in March 2016. Reinhart was the only contestant in Season 10 who received three standing ovations from the judges in consecutive weeks for “House of the Rising Sun”, “I (Who Have Nothing)” and Led Zeppelin’s “What Is and What Should Never Be”.
Haley Reinhart garnered widespread recognition in 2015 for performing and touring with Scott Bradlee’s Postmodern Jukebox, my favorite part of her career so far. Her most notable collaboration with the band on a jazz cover of Radiohead’s “Creep” spent 58 consecutive weeks on Billboard’s Jazz Digital Songs chart and received high praise from critics. In the same year, she gained additional notice when her cover of Elvis Presley’s “Can’t Help Falling In Love” which was used in a television commercial, became a viral sensation, peaked at #16 on the US Adult Contemporary chart and was later certified Platinum by the Recording Industry Association of America on July 31, 2023. Reinhart won a Cannes Lion for Entertainment and a Clio Award for the song in 2016. Additionally, she made her voice acting debut as Bill Murphy in the Netflix animated comedy, “F Is For Family” on December 18, 2015. She reprised the role as a main cast member in the series’ second, third, fourth, and fifth seasons.
Let’s get back to “Bennie and Jets”. E! Online ranked Reinhart’s cover of as the series’ 14th best performance. TVLine ranked the performance as the 6th best in Idol history and BuzzFeed ranked it 1st on their list of the “17 Most Iconic American Idol Performances of All Time.”
I’ve never really cared for “Bennie and the Jets” but what do I know?! Since Haley Reinhart’s performance garnered so much praise and coverage, I’m featuring it today. You’ll see the judges thought it was ”A-M-A-Z-I-N-G!”
Live from American Idol’s results night, this is Haley Reinhart with “Bennie and the Jets”.
LYRICS
Hey kids, shake it loose together
The spotlight’s hitting something
That’s been known to change the weather
We’ll kill the fatted calf tonight
So stick around
You’re gonna hear electric music
Solid walls of sound
Say, Candy and Ronnie, have you seen them yet
Ohh, but they’re so spaced out, B-b-b-b Bennie and the Jets
Oh but they’re weird and they’re wonderful
Oh Bennie she’s really keen
She’s got electric boots a mohair suit
You know I read it in a magazine
Oh oh, B-b-b-b Bennie and the Jets
Bennie, Bennie and the Jets
Hey kids, plug into the faithless
Maybe they’re blinded
But Bennie makes them ageless
We shall survive, let us take ourselves along
Where we fight our parents out in the streets
To find who’s right and who’s wrong
Say, Candy and Ronnie, have you seen them yet
Ohh, but they’re so spaced out, B-b-b-b Bennie and the Jets
Oh but they’re weird and they’re wonderful
Oh Bennie she’s really keen
She’s got electric boots a mohair suit
You know I read it in a magazine
Oh oh, B-b-b-b Bennie and the Jets
Bennie, Bennie and the Jets
Hey kids, plug into the faithless
Maybe they’re blinded
But Bennie makes them ageless
We shall survive, let us take ourselves along
Where we fight our parents out in the streets
To find who’s right and who’s wrong
Say, Candy and Ronnie, have you seen them yet
Ohh, but they’re so spaced out, B-b-b-b Bennie and the Jets
Oh but they’re weird and they’re wonderful
Oh Bennie she’s really keen
She’s got electric boots a mohair suit
You know I read it in a magazine
Oh oh, B-b-b-b Bennie and the Jets
Bennie, Bennie, Bennie, Bennie and the Jets
Bennie and the Jets
Source: LyricFind
Songwriters: Bernie Taupin / Elton John
Bennie and the Jets lyrics © Universal Music Publishing Group
This is Haley Reinhart performing “Oh! Darling”, her audition for American Idol. Steven Tyler is obviously a fan!
And here is Haley the way I like her best .… singing Radiohead’s “Creep” with Postmodern Jukebox.
Big thanks to Jim for hosting another great Song Lyric Sunday and for allowing be to take up residence here for the last 10 weeks. I had a great time coming up with the themes but even I got tired of seeing my name week after week on Jim’s SLS posts, I can just imagine how you feel!
Thanks for stopping by. See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and are not for use by anyone without permission. NAR©2017-present.
Slipping Away: An Ovi Poem
Written for Ovi Poetry Challenge 46
where “helpless” is our inspiration
I am a lot of different things
A new set of violin strings
The blackbird in your tree that sings
Isn’t making music great?
I can make a five course meal
Fish off a boat with rod and reel
Tell that jerk just how I feel
I wear a lot of different hats
Sometimes I walk along the brink
I will never let myself sink
My cheeks are rosy, in the pink
I’m feeling happy today
BUT there are times I feel crummy
With butterflies in my tummy
And my brain is gooey gummy
As they say, it happens
When it rains my joints get sore
And I just want to yell, No More
Leave me alone and slam the door
Those are things that get me down
Some nights I can’t get to sleep
Dark fears into my head will creep
Being pulled down by waters deep
It can be rather frightening
Every day I’m getting older
The weather feels a bit colder
Where’s that woman who was bolder
I feel her slipping away
I have great fears I must confess
I don’t want to be someone’s mess
I never thought I’d be helpless
Please won’t you stay for a while?
NAR©2024
This is “You’ve Got A Friend” by Carole King
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and are not for use by anyone without permission. NAR©2017-present.
Smooth Saturday Sounds: Stranger On The Shore
“Stranger On The Shore”
Written by: Acker Bilk, Robert Mellin
Recorded: 1961
Producer: Denis Preston
Engineer: Adrian Kerridge
Arranger: Leon Young
Released: October 1961
Available on:
Stranger On The Shore
Is This The Blues
Personnel:
Acker Bilk – clarinet
Featuring The Leon Young String Chorale
Acker Bilk said he thought up the song’s melody in a taxi and named the gentle tune ‟Jenny” in honor of his daughter. Having scored several hits since his first, 1960’s ‟Summer Set”, Bilk was famous enough to be asked to create the theme for a BBC TV children’s series about a French au pair in Brighton. Bilk offered them ‟Jenny” but was asked to change its title to the name of the program, Stranger on the Shore. Its wistful, airy tones, with Bilk’s ‟liquorice stick” accompanied by silken strings, was heard on TV on Sunday afternoons, accompanying the culture-shocked lead character longingly staring out across the English Channel towards her home in France. The song is certified gold by the RIAA (Recording Industry Association of America).
This is “Stranger On The Shore” by Acker Bilk
May your Saturday be smooth sailing. Thanks for stopping by.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
View From The Bridge
Written in response to The Unicorn Challenge
where we are asked to be creative in 250 words or less
by using the photo you see below. This is my story.
NB. My story is another perspective prompted by C.E. Ayr’s intriguing response to this week’s Unicorn Challenge. Please check out C.E.’s story here and/or here. I hope you enjoy my version and his.
Contrary to popular opinion, sometimes these things really do just happen – at least that’s how it was for me.
My husband was out for the day … the monthly visit with his son from his first marriage. I never fault him this time alone; it’s good for him and it gives me the chance to spend a day in my favorite book store.
One day while on my way home, I paused to watch the swans; from the bridge I saw a man emerge from his boat. As if drawn by my presence, he glanced up at me and waved. I waved back. Then the most unexpected thing happened: he beckoned me. I went down to greet him and that was the beginning of our affair.
Now I live for my husband’s monthly visits with his son.
This month my husband’s son is backpacking with friends and there is no visit. He busies himself with tennis and darts at the pub. Desperate to meet my lover, I bailed on our tennis game, pretending to be sick, and my husband went off alone to find a partner.
The afternoon with my lover was heavenly; half-way home I turned around and returned to the boat.
How could I know my husband had paused on the bridge to watch the swans and saw me leave the boat?
How could my husband know that while he was plotting his jealous revenge, I had returned to the boat and was inside when he torched it?
NAR©2024
250 Words
This is “Diary Of Hate” by Michael Nyman
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Friends & Family Friday 5.3
When you’re the daughter of one of the most poignant vocalists of all time, it’s nearly impossible not to carry on the tradition. With a voice as crisp as her father’s, Natalie Cole carved a career path of her own with hits including “This Will Be (An Everlasting Love)” and “Inseparable.” She made Grammy Award history by being the first black artist to win Best New Artist in 1976 and the first black woman to win Album of the Year for her tribute album to her father, Unforgettable .… With Love, in 1992.
“This Will Be” was Natalie Cole’s debut single, released in April 1975, and one of her biggest hits, becoming a #1 R&B and #6 pop smash in the United States, also reaching the UK Top 40. She won a Grammy Award for Best Female R&B Vocal Performance, a category that had previously been dominated by Aretha Franklin. It would also help her win the Grammy Award for Best New Artist.
From 1975, this is Natalie Cole and the classic soul sound of “This Will Be”
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
The Girlfriend
Written for Friday Fictioneers where we are challenged
to be creative in 100 words or less using this image as inspiration.
“Gee, the house sure is quiet. I wonder where everybody’s gone. Bobby’s been a little distant lately and that makes me sad. I mean, we’ve been best buds ever since he was a little guy. We did everything together and he wouldn’t go anywhere without me. And he gave the best hugs at night. Shh! Here he comes now! Bobby! I just knew you wouldn’t leave without me. What’re we doing today?”
“I’m watching TV with Becky …. alone.”
“Gosh, Bobby. You’re my bestie. Who’s this Becky chick?”
“My girlfriend. Adios, Mr. Bill!”
“Ooh nooooo! Come back, Bobby ….
you little shit!”
NAR©2024
100 Words
This is Connie Francis with “Who’s Sorry Now”
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Birthday Thursdays
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Engelbert Humperdink
Born May 2, 1936 in Chennai, India
“Release Me”
“After The Lovin'”
“Spanish Eyes”
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Lovesick: A Six Sentence Ovi
Written for Three Things Challenge #M681
and Six Sentence Story using the words
level, shudder, shake and quiver
Come on baby, for goodness sake
Give me some of that shimmy shake
With lips as sweet as birthday cake
I got it bad and it’s so good.
Listen now, I’m on the level
I’ve been stung by the love devil
What you’ve got is kind of special
It’s something I just can’t explain.
In your arms I melt like butter
You can really make me shudder
Then I stammer and I stutter
Sounds like I’m losing control.
First my body starts to quiver
From my head down to my liver
Then up my spine runs a shiver
What the hell is going on?
Legs and feet are very chilly
Arms and hands go willy nilly
Now I’m feeling downright silly
Maybe I should call the doctor.
I hope I don’t sound shallow
Or come across as callow
But I love a sweet marshmallow
Come here sugar, lets make S’mores.
NAR©2024
#TTC
This is Patsy Cline with “Lovesick Blues”
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Shovel Ready
This is a great post by our friend, Bluebird of Bitterness.
Be sure to check out some of the other funnies on Blue’s site!
An old man lived alone in the country. He wanted to dig up his garden and plant vegetables, but the ground was too hard. He sat down and wrote a letter to his son, who was in the state penitentiary.
Dear Fred,
It looks like I won’t be able to plant my garden this year. I’m too old to be digging up a garden plot. If only you were here, I know you’d dig the plot for me and all my troubles would be over.
Love,
Dad
A few days later he received a letter from his son.
Dear Dad,
Whatever you do, don’t dig up that garden — that’s where I buried the bodies!
Love,
Fred
Early the next morning, FBI agents and local police arrived and dug up the entire area without finding any bodies. They apologized to the old man and left.
The following day the old man received another letter from his son.
Dear Dad,
Go ahead and plant your garden now. That was the best I could do under the circumstances.
Love,
Fred
Speaking of plants, this is a photo of one I picked up several weeks ago; it’s a type of philodendron called “Prince of Orange”:
And this is what it looks like now after a few weeks of water and sun; I just repotted into a larger pot; now I’m going to stand back and watch what happens. I’ve been thinking I should name it Audrey III!
It looks a bit prehistoric, doesn’t it? All that new reddish growth will unfurl into giant-sized leaves; if you look closely you can see some are already beginning to unfurl. This is one of the largest plants I have. Stay tuned for Audrey III’s growth over the next few weeks.
See you next time!
NAR©2024
From Little Shop Of Horrors, this is “Feed Me”, sung by Levi Stubbs of the Four Tops.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
We’re Coming To Your Town!
Written for Glyn’s Mixed Music Bag #18, where we are asked to write about a song by a group or solo singer beginning with the letter G or H.
As the 60s slipped into the 70s, an American hard rock band was getting started in Flint, Michigan. Known for such iconic rock hits as “We’re An American Band”, “I’m Your Captain” “Some Kind Of Wonderful” and their cover version of “The Loco-Motion”, the guys called themselves Grand Funk Railroad, culling their name from Michigan’s GTWR (Grand Trunk Western Railroad. Originally comprised of singer/guitarist Mark Farner, singer/drummer Don Brewer and bassist Mel Schacher, the band’s style of rock reflected their blue-collar Michigan surroundings. There were no pretensions, no airs …. just sweaty, longhaired grooves and celebratory tunes for days.
Known for a crowd-pleasing arena rock style, Grand Funk toured extensively and played to packed stadiums worldwide and was well-regarded by audiences despite a relative lack of critical praise. Early in their career, they headlined a much hyped free concert in Hyde Park, wowing the audience while being relatively unknown in the UK. They also opened for Led Zeppelin in their home state of Michigan.
GFR split and reunited numerous times; in 1996 all three members reunited for a summer tour in which they played to over 250,000 people, and a slate of Bosnian relief dates in 1997 including several TV performances. In 1998 they did a 65+ date tour listed as one of the top ten grossing tours of the year.
Grand Funk Railroad’s first number-one hit, 1973′s “We’re An American Band”, came seven albums into the band’s career and was literally written around the lines “We’re coming to your town. We’ll help you party down.”
According to songwriter/drummer Don Brewer, the inspiration came from the band’s day-to-day life. “We’re on planes all the time, flying into these towns. I remember looking down at the ground as we’re coming into a city and that thought came to my mind: ‘We’re coming to your town to party it down’ – because that’s what this band does.” Brewer then added more lyrics about the trials and tribulations of life on the road: “Booze and ladies, keep me right / As long as we can make it to the show tonight.” Prior to writing “We’re An American Band”, Brewer had stuck mostly to drumming.
Released on July 2, 1973, “We’re An American Bane” went to #1 on the US chart, and the album of the same name went to #2 on the Billboard 200. The album jacket was originally covered in gold-colored foil; the initial pressings were in clear, dark yellow vinyl to suggest a “gold” record. The album is #200 of the National Association of Recording Merchandisers definitive 200 albums of all time. Grand Funk Railroad has released 14 studio albums and 5 live albums (10 platinum) with sales totaling over 25 million records sold, 10 million of which were sold in 1970 alone.
The band’s lineup in recent years features Brewer and Schacher, as well as former Kiss member Bruce Kulick on guitar, 38 Special expatriate Max Karl on vocals, and keyboard player Tim Cashion, formerly with the likes of Robert Palmer and Bob Seger.
This is “We’re An American Band” by Grand Funk Railroad.
Big thanks to Glyn for hosting another week of Mixed Music Bag.
Thanks for stopping by.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Tasty Balls
Written for Weekly Prompts Weekend Challenge – “one day“
and Weekly Prompts Wednesday Challenge – “menu”
“Mohammedan-owned Chinese/Tai/Himalayan/Middle Eastern/Indian Restaurant” – well, you certainly don’t see too many of those in Lancaster, Pennsylvania but there it is right in the heart of the downtown dining district. This meeting of culinary minds is definitely intriguing and what an original and humorous name – ‘Tasty Balls’.
That caught my eye and gave me a good laugh as I read about the new exotic fusion restaurant in the newspaper. I wondered if my wife Judith intentionally left the paper on the kitchen table conveniently opened to the dining section for me to see. Judith has many fine attributes; subtlety is not one of them.
We met soon after I graduated college. I took a year off to backpack my way through Asia and the Middle East. Money was tight so I had to be frugal while traveling; that’s how I learned to find really good food at cheap prices.
One day while trekking through Shanghai, I stopped at a noodle and dumpling place. I was drawn to the sound of feminine laughter coming from the next table. There were two pretty blondes who looked to be around my age; I asked if I could join them and they agreed. Judith and Eunice were cousins from England on holiday. I hit it off quite well with Judith and we agreed to meet the next night for dinner. After that night we knew we wanted to be together and the rest, as they say, is history.
As I continued reading the article, I learned this new restaurant was operated by the same people who managed a nearby tea house called ‘The Barefoot Magpie’ – another place I’d never heard of. How can this be? I’ve lived in Lancaster all my life and thought I knew every place there was to eat. Obviously I haven’t been getting out enough lately.
What’s this? ‘Tasty Balls’ serves only one item: dumplings. What made it so special was the staggering number of varieties of dumplings on the menu. Now I knew without a doubt that Judith left this article here for me to stumble upon; she knows I am the world’s biggest sucker for dumplings!
Well now, let’s see what else the article says: “Extravagantly yet handsomely decorated … moderately priced … perfectly prepared dumplings … culinary delight.” My stomach rumbled and my mouth watered as I read a description of just a tiny sampling of dumplings offered at ‘Tasty Balls’:
- Jiaozi – A Chinese dumpling consisting of delicately sautéed ground meat and chopped vegetables wrapped into a thinly rolled dough-ball which is then fried to a golden brown or gently steamed.
- Xiaolongbao – A Taiwanese delicacy, this steamed dumpling has meat and broth inside. The small, succulent orb is meant to be eaten whole; one bite and the fortunate diner’s mouth is filled with liquid ambrosia.
- Momos – A staple from Tibet and Nepal, these delectable pouches are filled with yak, beef or chicken and have become an obsession with the patrons at ‘Tasty Balls’.
- Shish Barak – Middle Eastern ravioli-like envelopes filled with seasoned lamb, onion and pine nuts, these piquant squares are boiled, baked or fried and served in a warm yogurt sauce with melted mint butter and a garnish of chopped cashew nuts.
- Muthia – This Indian delight consists of chickpea flour, turmeric, chili powder, curry powder and salt bonded together with oil. Once shaped, these fritters can either be fried or steamed, depending on personal preference.
- Luqaimat – Originally from Saudi Arabia, this luscious dessert translates into “small bites”. Found in many Middle Eastern countries, this is a treat of fried dough sweetened with date syrup and garnished with sesame seeds. With a scoop of pistachio ice cream, this is a delightful end to an unforgettable meal.
I suddenly realized the newspaper was wet; either I was salivating over the scrumptious description of dumplings or I was crying tears of joy that this heaven-sent restaurant was now located in little old Lancaster. Oh, what joy, what rapture!
Judith came into the kitchen, took one look at my face and asked “What in the world has come over you?”
Holding up the soggy newspaper I exclaimed “This – as if you didn’t know, you little minx! Tempting me with an article about delectable dumplings. Well, it worked. It’s ‘Tasty Balls’ tonight!”
“Oh, I don’t think so, luv” Judith laughed. “That’s Eunice’s. She must have left it behind when she returned to the UK after her visit. That paper is from Lancaster, England!
If I had a sword I would have fallen on it.
NAR©2024
This is Ronnie Spector with “Tandoori Chicken” written by Phil Spector and George Harrison.
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Twofer Tuesday 4.30
While Johnny Cash’s cover of Trent Reznor’s “Hurt” gets all the press, this Neil Diamond tune is just as good. The 1966 Diamond version was about young adult heartbreak, while Cash’s rendition is about going through life and never getting over it. It remains not only one of Cash’s best cover songs, but one of his finest moments on the American Recordings albums.
“Solitary Man” was Neil Diamond’s debut single as a recording artist, having already had moderate success as a songwriter for other artists. By July, the track had become a minor hit, rising to No. 55 on the US pop singles chart. It would then be included on Diamond’s first album, The Feel of Neil Diamond, which he released in August 1966.
The song is a ballad of a loner looking for love; the theme of the song has been closely identified with Diamond himself. In the lyrics, the singer lists some of his relationships and how they each ended. He laments “I know it’s been done, having one girl who loves you.” But he doubts it will happen for him. Indeed, Diamond himself would tell interviewers, “After four years of Freudian analysis, I realized I had written ‘Solitary Man’ about myself.“
Johnny Cash used “Solitary Man” for the title track of his third album under the American Recordings label, American III: Solitary Man, in 2000, featuring guest backing vocals by Tom Petty. The recording received a Grammy Award for Best Male Country Vocal Performance.
From 1966, this is the amazing Neil Diamond with “Solitary Man”.
And this is what it sounded like when Johnny Cash released it 34 years later.
That’s today’s Twofer Tuesday! Thanks for stopping by.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Isn’t Life Strange: An Ovi Poem
Written for Ovi Poetry Challenge 45: Season is our inspiration
Remembering my childhood toys
Yoyos and skates and other joys
And making signs that read “No Boys”
I had so much fun being six
Remembering my teenage games
My jeans always had brand names
How I teased and sprayed my wild mane
Trying to look so very cool
Remembering my salad days
Into your golden eyes I’d gaze
The Beatles were all the craze
But the Stones could really rock
Remember our newborn baby
We’d get some sleep at night maybe
Pregnant again this is crazy
That’s three kids in just three years
Remember our boys starting school
One plus one and the golden rule
Kids on the playground being cruel
A fat lip and a blackened eye
Remember the day our son wed
The champagne went straight to my head
We danced till we fell into bed
That was such a wonderful night
Remembering our grandchildren
I guess we got older but when
You haven’t changed a bit since then
You’ll always be my one true love
Remembering when you left me
You were here then gone suddenly
I keep asking how can this be
You weren’t supposed to die
Remember the springtime of life
The summer I became your wife
The autumns and winters of strife
I’m so damn lonely without you
NAR©2024
This is “Isn’t Life Strange” by the Moody Blues
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Monday Motown Magic 4.29
The Motown Sound has something extra-special about it. Berry Gordy, Jr. knew people would be listening on their car stereos and transistor radios and he was going to do what it took to make songs sound good and memorable. Even if you couldn’t put your finger on it, when a Motown song came on, baby, you knew it. Still do.
“Heat Wave” was written by the songwriting team of Holland-Dozier-Holland and was first made popular by the group “Martha and the Vandellas”. Released as a single on the Motown subsidiary Gordy label, this song garnered a Grammy Award nomination, the first Motown group to ever do so.
Founded in 1957 by friends Annette Beard, Rosaline Ashford and Gloria Williams, the group eventually included Martha Reeves who moved up in ranks as lead vocalist after Williams’ departure in ’61. During their nine-year run from 1963-1972, “Martha and the Vandellas” charted over 26 hits recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. In 1995 the group was inducted into the Rock & Roll Hall of Fame.
“Heat Wave” was one of the first songs to exemplify the style of music later termed as the “Motown Sound”.
Here are Martha and the Vandellas performing their 1963 hit, “Heat Wave”.
And this is what was on the B Side: A Love Like Yours (Don’t Come Knocking Everyday)
Thanks for joining me today for a dose of Monday Motown Magic.
See you on the flip side. 😎
NAR©2024
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Demons And Wizards
Written for Weekend Writing Prompt #361;
93 words exactly using the prompt word ‘pilgrimage’
It was the early 1970s and the four of us scored tickets to see Uriah Heep in Allentown, PA. It was the dog days of August … the kind of sun that blisters your skin in minutes … and the concert was outdoors. The drive was 3 hours each way in scorching temperatures but we were going to that concert come hell or high water. Allentown became our Mecca and the road trip our personal hard rock pilgrimage. The details of that day are a little sketchy but the concert was freakin’ awesome.
NAR©2024
93 Words
This is “Easy Living” by Uriah Heep
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And It Makes Me Wonder
Today’s theme at Song Lyric Sunday is all about
songs performed with orchestras and/or choirs.
Formed in London in 1968, Led Zeppelin developed their style by drawing from a variety of influences, including blues and folk music. The band was comprised of vocalist Robert Plant, guitarist Jimmy Page, bassist and keyboardist John Paul Jones and drummer John Bonham. With a heavy guitar-driven sound, they are cited as one of the forerunners of hard rock and heavy metal music. Zeppelin has been credited as significantly impacting the nature of the music industry, particularly in the development of album-oriented rock and stadium rock.
Led Zeppelin is one of the best-selling musical groups of all time, with total sales estimated at over 300 million records sold worldwide. The group achieved eight consecutive UK #1 albums and six #1 albums on the US Billboard 200, with five albums certified diamond in the United States. Rolling Stone magazine once described Zeppelin as “the heaviest band of all time”, “the biggest band of the 70s”, and “unquestionably one of the most enduring bands in rock history”. Led Zeppelin was inducted into the Rock & Roll Hall of Fame in 1995; the museum’s biography of the band states that they were “as influential during the 1970s as the Beatles were during the 1960s”. That’s quite a statement.
There are so many great songs that fit into this category and I changed my mind several times before finally making my decision. For me this is the quintessential presentation of a legendary song which has withstood the test of time over and over again.
The performance I have chosen to feature today is what I consider to be an indelible moment in time. On December 2, 2012, Led Zeppelin received the Kennedy Center Honors; it’s an award bestowed upon those considered to have contributed greatly to American culture. In a world where awards are handed out like lollipops, The Kennedy Center Honors are a big deal.
Every December, the awards climax with a gala event at the Kennedy Center Opera House in Washington, D.C., and in 2012 the show included an emotional performance by Heart’s Ann & Nancy Wilson, with Jason Bonham on drums.
Did I say “emotional”? It’s almost startlingly so. It’s the looks the members of Led Zeppelin give each other during the performance. It’s Robert Plant’s eyes watering as he watches Ann Wilson singing a song he famously has a difficult relationship with. It’s the gospel choir paying tribute to Led Zeppelin’s original drummer John Bonham in the most unexpected way. It’s Jason Bonham lifting his eyes towards the heavens as the song climaxes. It’s extraordinary.
This is no hype; you’ll know what I mean when you see the reaction from Robert Plant, Jimmy Page and John Paul Jones watching from the best seats in the house. The song is one you all know; it has been called “the single-most important and celebrated song Led Zeppelin ever recorded”.
From the Kennedy Center in Washington DC, this is Ann & Nancy Wilson with orchestra and choirs performing the epic “Stairway To Heaven”.
LYRICS
There’s a lady who’s sure all that glitters is gold
And she’s buying a stairway to Heaven
When she gets there she knows, if the stores are all closed
With a word she can get what she came for
Ooh, ooh, and she’s buying a stairway to Heaven
There’s a sign on the wall, but she wants to be sure
‘Cause you know sometimes words have two meanings
In a tree by the brook, there’s a songbird who sings
Sometimes all of our thoughts are misgiven
Ooh, it makes me wonder
Ooh, makes me wonder
There’s a feeling I get when I look to the West
And my spirit is crying for leaving
In my thoughts I have seen rings of smoke through the trees
And the voices of those who stand looking
Ooh, it makes me wonder
Ooh, really makes me wonder
And it’s whispered that soon if we all call the tune
Then the piper will lead us to reason
And a new day will dawn for those who stand long
And the forests will echo with laughter
Oh-oh-oh-oh-whoa
If there’s a bustle in your hedgerow, don’t be alarmed now
It’s just a spring clean for the May queen
Yes, there are two paths you can go by, but in the long run
There’s still time to change the road you’re on
And it makes me wonder
Ohh, whoa
Your head is humming, and it won’t go, in case you don’t know
The piper’s calling you to join him
Dear lady, can you hear the wind blow? And did you know
Your stairway lies on the whispering wind?
And as we wind on down the road
Our shadows taller than our soul
There walks a lady we all know
Who shines white light and wants to show
How everything still turns to gold
And if you listen very hard
The tune will come to you at last
When all are one, and one is all
To be a rock and not to roll
And she’s buying a stairway to Heaven
Source: Musixmatch
Songwriters: Jimmy Page / Robert Anthony Plant
Stairway to Heaven lyrics © Succubus Music Ltd., Sons Of Einion Publishing, Flames Of Albion Music, Inc.
Big thanks to Jim for hosting another great Song Lyric Sunday.
Thanks for stopping by. See you on the flip side. 😎
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Smooth Saturday Sounds: By The Time I Get To Phoenix
“By The Time I Get To Phoenix”
Written by: Jimmy Webb
Recorded: August 29, 1967
Producer(s): Al De Lory, Nick Venet
Arranger/Conductor: Al De Lory
Released: October 23, 1967
Available on:
By The Time I Get To Phoenix
Personnel:
Glen Campbell – vocals, acoustic guitar
James Burton – acoustic guitar, electric guitars
Joe Osborne – bass
Jim Gordon – drums
The inspiration for “By the Time I Get to Phoenix” originated in Jimmy Webb’s breakup with his partner, Susan Horton. Their relationship, which peaked in mid-1965, was also the primary influence for “MacArthur Park”, another Webb composition. Webb called the song a “succinct tale” with an O. Henry type twist at the end which consists merely of the guy saying, ‘She didn’t really think that I would go,’ but he did.” Although the protagonist in the song plans to leave his lover, Webb did not leave Horton; their breakup was a mutual agreement.
Glen Campbell’s version topped RPM magazine’s Canada Country Tracks, reached number two on Billboard’s Hot Country Singles chart and won two awards at the 10th Annual Grammys. BMI named it the third most performed song from 1940 to 1990. The song was ranked #20 on BMI’s Top 100 Songs Of The Century. It was #450 on Rolling Stone magazine’s Top 500 Songs of All Time. And perhaps the greatest accolade …. Frank Sinatra called it “the greatest torch song ever written”.
This is the exquisite “By The Time I Get To Phoenix” by Glen Campbell.
May your Saturday be smooth sailing. Thanks for stopping by.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Lower Forty Soliloquy
Written for The Unicorn Challenge where we are asked to be creative
in 250 words or less, using this image as inspiration. This is my story
“Where you been, girl? You got anythin’ goin’ on in that head of yours besides them nonsense rhymes? Your Ma’s been cookin’ all day and she sure coulda used your help with them black-eyed peas but you was nowhere to be found. You best not-a been hangin’ ‘round that good-for-nuthin’ boy again, girl. If I told you once, I told you a thousand times … keep away from him! There’s somethin’ not right with that boy! He’ll bring nuthin’ but misery. You start messin’ around with him and you’re gonna live to regret it. Then try and find yourself a decent husband! No man I know wants used goods!
Now stop makin’ excuses, girl! I’m your Pa and I know when you’re lyin’ … just like you was lyin’ about not bein’ out by the river. You know how I know that? ‘Cause somebody done seen ya. I see by the look in your eyes that it’s true. Yeah, you was seen by that new preacher man. And that ain’t all, girl. He said you was with that troublemaker and you had your heads together like you was plottin’ somethin’ real private-like.
I swear, girl, you ain’t got a lick a sense between ya. Stop this dang foolishness ‘cause it’s gonna lead to no good! C’mon now, girl … dinner’s waitin‘.
Anna, your cookin’ is fit for a king!
What you goin’ on about, woman? Jesus! I seen that boy just yesterday. Now, why’d he go do a fool thing like that!”
NAR©2024
250 Words
This is “Ode To Billie Joe” by Bobbie Gentry
NB: Bobbie Gentry remarked that the message in Ode To Billie Joe revolved around the “nonchalant way” the family discussed Billie Joe’s suicide. She also said she included the verse about something being thrown off the bridge because it established a relationship between Billie Joe and the daughter, providing “a possible motivation for his suicide after meeting with her“. Gentry told The New York Times in 1969: “I had my own idea what was thrown off the bridge while I was writing it, but it’s not that important. Actually it was something symbolic. But I’ve never told anyone what it was.” The last time Bobbie Gentry appeared in public was at the Academy of Country Music Awards on April 30, 1982, almost 42 years ago to the day. Since that time, she has not recorded, performed or been interviewed. A 2016 news report stated that Gentry lives a secluded lifestyle in Los Angeles; she has refused to speak to reporters about Ode To Billie Joe or to give interviews.
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
Friends & Family Friday 4.26
Music is in the bloodline of the Nelson family. Country giant Willie Nelson passed his songwriting prowess on to his sons Lukas and Micah Nelson, both of whom are musicians. Today I’ll be focusing on Lukas, the frontman of Lukas Nelson & Promise of the Real. The band appears as the backing band for Bradley Cooper’s character in the 2018 edition of A Star Is Born, with Lukas also co-writing and co-producing songs for the film. From 2015 to 2019, they toured as the backing band for Neil Young. With Young, the band recorded two studio albums (The Monsanto Years and The Visitor), a soundtrack album (Paradox) and two live albums (Earth and Noise & Flowers). For his work on A Star Is Born, Lukas won the BAFTA Film Award For Original Music in 2019 and a Grammy Award in 2020 for Best Compilation Soundtrack For Visual Media, sharing both awards with Bradley Cooper and Lady Gaga.
Lady Gaga assists Nelson on “Find Yourself.” Her powerful vocals can be heard in the background of the chorus. Nelson and Gaga’s voices perfectly complement one another and, though this is just one of several collaborations between the pair, it’s undoubtedly the best.
This is “Find Yourself” by Lukas Nelson & Promise of the Real.
Thanks for stopping by and spinning some tunes with me.
See you on the flip side. 😎
NAR©2024
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Secret Stash
Written for Friday Fictioneers where we are asked to get creative
in 100 words or less using this image for inspiration. Here’s my story.
In the middle of a field there stands a great big tree and at the base of the tree’s very broad trunk is a miniature door with a little knob. Beyond that miniature door is the most dizzying of spiral staircases intricately woven together with twigs and seeds, licked-clean popsicle sticks and discarded toothpicks. Each landing of the staircase leads to a cluster of tiny rooms .… storage rooms, dining rooms, play rooms, sun rooms and hibernating rooms. Inside those tiny rooms are the giddiest chipmunks busy storing, dining, playing, sunning and, when the wintry snowflakes bluster about, snugly hibernating. 🐿️
NAR©2024
100 Words
This is “Twigs and Seeds” by Jesse Winchester
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Birthday Thursday
Welcome to Birthday Thursdays! Each week I will feature someone from the world of music whose birthday falls on this day. There won’t be any chit chat from me, no facts and figures – just some great tunes (and an occasional surprise). Check it out right here every Thursday and enjoy the music.
Happy Birthday to Ella Fitzgerald
Born April 25, 1917 in Newport News, Virginia
“Someone To Watch Over Me”
“Misty”
“Smooth Sailing”
NAR©2024
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Let Them Eat Pie
Written for Glyn’s Mixed Music Bag #17, where we are asked to write about a song by a group or solo singer beginning with the letter G or H.
Frustrated with a number of things but mostly his image as a teen idol, Steve Marriott finally had enough. It was New Year’s Eve, 1969, when he threw down his guitar and walked off the stage at London’s Alexandra Palace, quitting his band, Small Faces. Marriott was a talented musician and vocalist who wanted to be taken seriously for his music …. not his looks.
After quitting, Steve Marriott called two friends – one was Peter Frampton – another frustrated teen idol who had recently quit his band, Herd – and the other was 17-year-old drummer Jerry Shirley. Marriott asked his friends if he could join the band they were forming and, to sweeten the pot, said he’d bring with him Greg Ridley, a well-respected bass player from the band Spooky Tooth, who was also looking to make a change. Well, of course, Frampton and Shirley couldn’t turn down an offer like that and so the newest “supergroup” (as the press called them) was created. The guys in the band hated being called a supergroup …. they were worried about expectations being set too high and dooming them to failure. In retaliation they chose a name they were more comfortable with …. Humble Pie.
Their debut album, “As Safe As Yesterday Is”, was released in August 1969, along with the single, “Natural Born Bugie”, which reached #4 in the UK singles charts; the album peaked at #16 in the UK album charts. “As Safe As Yesterday Is” was one of the first albums to be described by the term “heavy metal” in a 1970 review in Rolling Stone magazine.
In 1971 Humble Pie released their most successful record to date, “Rock On“, as well as a live album recorded at the Fillmore East in New York entitled “Performance Rockin’ the Fillmore”. The live album reached #21 on the US Billboard 200 and was certified gold by the Recording Industry Association of America. Culled from four sets recorded on May 28 and 29, 1971 (the original LP was essentially a sampler of songs from several raucous shows), “Performance Rockin’ the Fillmore” was released that November as a double album set. Humble Pie was second on the bill, after Fanny and before headliner Lee Michaels, a fact hardly anyone seems to remember. I will testify to that because I was in the audience at the Fillmore East on May 28, 1971 and the only group I remember seeing was Humble Pie. That was just one month before the legendary Fillmore closed its doors …. the end of an era in the history of rock.
Peter Frampton’s final recording with Humble Pie in 1971 was, by some irony, the band’s most successful, and is widely acknowledged as one of the most influential live albums of the decade. Humble Pie produced 11 studio albums and 2 live albums.
“I Don’t Need No Doctor” from “Performance Rockin’ the Fillmore” was an R&B song written by Nick Ashford, Valerie Simpson and Jo Armstead, first released by Ashford in August 1966; it went nowhere. The song has been recorded by Ray Charles, John Mayer, rock bands New Riders of the Purple Sage, Great White and Styx, metal band W.A.S.P. and others. Humble Pie’s version became an FM radio standard in the US, peaking at #73 on the Billboard Hot 100 and propelling the album up the charts.
Live from the Fillmore East in my hometown of New York City, this is the single version of “I Don’t Need No Doctor” by Humble Pie.
Personnel
Steve Marriott– guitar, vocals, harmonica
Peter Frampton – guitar, vocals
Greg Ridley – bass guitar, vocals
Jerry Shirley – drums
Technical team
Live recording by Fedco Audio Labs
Engineer: Eddie Kramer
Assistant Engineer: David Palmer
Re-mixed at Electric Lady Studies, New York
Produced by The Pie
In 1991 Steve Marriott died in an accidental house fire at the age of 44; bassist Greg Ridley died in 2003 at the age of 56 from complications from pneumonia. Peter Frampton continues to enjoy success as a solo artist and Jerry Shirley is still behind the kit, touring with the current members of Humble Pie.
The Fillmore East didn’t last all that long, from March 8, 1968 to June 27, 1971, but a ton of great music was played there. It was our personal music Mecca. Pretty much every legendary 1960s band …. except the Beatles, the Rolling Stones, Cream and Dylan …. graced the stage and I was in attendance for a lot of those shows. It was epic.
Big thanks to Glyn for hosting Mixed Music Bag every week.
Thanks for stopping by.
See you on the flip side. 😎
NAR©2024
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Whisker Pie: A Dectina Refrain
Melissa at dVerse poets has asked us to write a poem for the prompt “If You Don’t Like Cats, I’m Sorry”, based on one of Louis Wain’s drawings. I have written a Dectina Refrain for “Cat’s Nightmare”. Oh, but there’s a catch: we can’t use the word “cat” in our poems!
A Dectina Refrain is written as follows: 1st line is 1 syllable, 2nd line is 2 syllables, 3rd line is 3 syllables, and so on for 9 lines; the 10th line is comprised of the first four lines as one stand-alone sentence.
WHO
do you
think you are,
trying to hide
from the likes of us?
We have our eyes on you
watching every move you make;
foolish kitties, there’s no escape.
A tasty whisker pie we will bake!
Who do you think you are, trying to hide?
NAR©2024
This is Blood, Sweat and Tears with “The Owl And The Pussycat” (Instrumental Interlude – Outtake 1)
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It’s All Going To Be OK
Written for Six Sentence Story ~ “tonic” and
Mindlovemisery’s Menagerie, Sunday Confessionals ~ “sweet”
It doesn’t happen very often but last Sunday was a rare babysitting day for us; our usual days to watch our 4-year-old granddaughter Colette are Tuesday and Thursday but both our son and daughter-in-law (Colette’s mom & dad) had to work over the weekend. That was a rarity for them as well, but one is a librarian and the other a doctor and with both the library and the hospital open every day of the week, they sometimes pull a weekend shift but seldom do their rotations coincide as they did last Sunday.
My husband Bill has been having good and bad days this month, thinking about and missing his twin brother who died suddenly on April 2, so our son has been extra considerate, asking if watching Colette at this time is too much of an imposition; we answer without hesitation “Not at all …. in fact, just the opposite!”
Colette is always fun to be with but recently she has been a true blessing and a much-needed distraction …. a tonic, a balm for our sad and broken hearts, a healing magical concoction of love, joy, sunshine and humor blended with a combination of innocent wisdom and an intuitive nature that defies her tender age.
We were looking through some old photo albums with Colette …. snapshots of Bill and his brother as babies, as kids growing up on City Island, our wedding photos …. and even though Colette knew Bill’s brother and saw them together many times, seeing those photos left an impression on her, especially the ones of Bill and Jim when they were babies; it’s true, you know, that when our kids and grandkids are little and they look at us, they only see us as we are and have no idea we were ever any younger than we are right now.
One particularly sweet photo of Bill and Jim brought tears to my husband’s eyes and though he tried to hide his tears, they spilled through his fingers causing Colette to ask why he was so sad and we explained that Uncle Jim was gone, that he had left us to be with God in heaven; she thought for a second, put her little hand on Bill’s and said “Well, that’s ok, Grampy; don’t worry because God will take good care of him and it’s all going to be ok.”
NAR©2024
This is Stevie Wonder with “You Are The Sunshine Of My Life”
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Twofer Tuesday 4.23
In 1964 The Kinks came out with a song with a killer riff, so it only made sense that 14 years later guitar genius Eddie Van Halen would take the tune and make it a showcase for his brand of guitar pyrotechnics. Singer David Lee Roth, meanwhile, perfectly laid bare each and every emotion that may have been buried beneath a previous generation’s decency.
The song, of course, is “You Really Got Me”, written by Kinks’ frontman Ray Davies. Lead guitarist Dave Davies performs the song’s famous guitar solo, although it was long rumored that Jimmy Page had performed the solo …. hearsay that Page himself denied.
“You Really Got Me” was originally released in the UK on August 4, 1964 as The Kink’s third single and reached #1 on the Record Retailer chart the following month, remaining there for two weeks. Van Halen’s cover of the song was released as their first single and peaked at #36 on the Billboard Hot 100.
This is the fabulous 1964 original version of “You Really Got Me” as recorded by The Kinks.
And this is what it sounded like when Van Halen recorded it 14 years later.
That’s today’s Twofer Tuesday! Thanks for stopping by.
See you on the flip side. 😎
NAR©2024
All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephant’s Trunk and The Rhythm Section and is not for use by anyone without permission. NAR©2017-present.
The Elephant's Trunk 