
This is it, kids …. the final installment of Feb Fab Faux Four! What a trip this has been for me!
The Beatles have been in my life since WMCA NY disc jockey Jack Spector played “I Want To Hold Your Hand” on December 26, 1963. That’s a very long time ago โ just over 60 years โ and I imagine some of you weren’t even born yet. I’ve seen the Beatles perform live in concert and I’ve lived through every transformation in the 7 years, 7 months and 24 days they were together. I loved them. I still love them. They are not only in my heart but in my soul.
My goal here on this month-long blog was to have fun and not try to convert anyone into becoming Beatles fans, but after 29 days, I think I may have done exactly that with a few of you.
During this month I discovered that really good Beatles covers are very difficult to find; they are few and far between. Also, judging by the fact that almost every Beatles video presented on this blog was preferred over the cover reinforced what I already knew: the Beatles are hard to beat. They are the best group that ever was or ever will be!
๐ชฒ
Now it’s time to get into our final song.
Many Beatles tracks have had interesting afterlives, and this is one of them. It sits towards the end of the last album they made together โ 1969โs Abbey Road โ but it is less a song than a segment, a tender part of the medley at the end of side two. In one minute and 32 seconds, it evokes nostalgia, innocence and loss in its lyrics and melody, about the impossibility of getting back home (โOnce there was a wayโฆโ), and the singing of lullabies to a child (โSleep, pretty darling, do not cryโ).
Next comes the seventh and penultimate song in the album’s climactic medley. It features unison vocals in the chorus from all four Beatles, a rarity in their songs. The middle bridge โ featuring brass instruments, electric guitar, and vocals โ reprises the beginning of “You Never Give Me Your Money”, but with different words. The lyrics have been interpreted as an acknowledgement by the group that nothing they would do as individual artists would equal what they had achieved together, and they would always carry the weight of their Beatle past. The song is said to be about the Beatles’ business difficulties and the atmosphere at Apple at the time.
The final song of the medley is quite clearly the denouement, not only of the album but of the Beatles as a group. All four Beatles have a solo, including a Ringo Starr drum solo. Ringo disliked solos, preferring to cater drum work to whoever sang in a particular performance; in fact, this is the only drum solo he recorded with the Beatles. George, John and Paul perform a rotating sequence of three, two-bar guitar solos. The idea for a guitar instrumental over this section was George’s, and John suggested the three of them each play a section. The Beatles’ recording engineer, Geoff Emerick, later recalled: “John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all โ you could tell they were simply having fun.” In 2007, the final track of the medley was ranked at number 7 on Q magazine’s list “The 20 Greatest Guitar Tracks”.
I listened to a lot of cover versions of this medley and it was impossible to find one that I really liked, except for Phil Collins. I came very close to going with Phil’s recording but I just couldn’t hit the share button on the video. For me, his remake is more of a George Martin remake with Phil singing Paul’s part and playing the drums over a Beatles’ recording. Since I couldn’t find the perfect cover, I made the decision to close out this month by playing only one version …. the original. Nothing else will do. If anyone knows of a version they think is better than or comparable to the original, you are most welcome to drop the link into the comments box. I look forward to hearing them. No professional tribute bands, please.
I can’t think of a better way to say “the end” than by featuring the medley from the fabulous Abbey Road. Here are the Beatles with “Golden Slumbers/Carry That Weight/The End”.
That, my friends, is how it’s done!
I hope you enjoyed spending February together listening to Beatles music; it’s been an incredible experience for me. To you who stuck with me and left comments throughout the month, I am in awe of you and so greatly appreciative. Thank you!
As the Beatles sang: “And in the end the love you make is equal to the love you take“.
See you on the flip side. ๐
NARยฉ2024

All text, graphics and videos are copyright for The Sicilian Storyteller, The Elephantโs Trunk and The Rhythm Section and is not for use by anyone without permission. NAR ยฉ 2017-present.























